Research Article

Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man

Number: 1 February 21, 2022
  • Selin Yılmaz

Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man

Abstract

Speculative fiction has always provided a suitable ground for contesting social constructions such as strict gender roles and conventional views on sexuality. In the 1970s especially, with the influence of second wave feminism, speculative fiction authors began to depict the political struggle of women in fictional universes which presented alternative modes of subjectivity and social structures. Doris Lessing’s The Memoirs of a Survivor (1974) and Joanna Russ’s The Female Man (1975) make use of the historically-situated nature of speculative fiction to narrate their experiences, reflect personal as well as political struggles in fictional alternate and future worlds which are indeed reflections of the here and now. Both Lessing and Russ combine autobiographical and fictional elements in their exploration of female subjectivity and experience. This preference leads to a more genuine, less generalized impression of female identity and solidarity. In The Memoirs of a Survivor, described as “an attempt at autobiography” by its author, Lessing integrates personal experiences from her own life into the text while exploring a post-apocalyptic, or more precisely, a post-“Crisis” world. Although the events take place in a fictional future, they are influenced by the author’s past in real life. Similarly, in The Female Man, Russ adds autobiographical elements into the text, especially her experiences as a lesbian feminist and her struggle to exist in male-dominated environments. FM presents four different alternate narratives, two of which take place in the future (one is a utopia and the other is a dystopia); however, all of them express a different version of women’s, and of course Joanna Russ’, struggle in life. Both FM and Memoirs therefore reflect the multiplicity and plurality of the voices of women, and by employing speculative fiction tropes, they point to diverse ways of confronting oppressive ideologies both collectively and individually.

Keywords

References

  1. Anderson, Linda. Autobiography: The New Critical Idiom. London: Routledge, 2001.
  2. Barr, Marleen S. “Feminist Fabulation.” in A Companion to Science Fiction. Ed. David Seed. Oxford: John Wiley & Sons, 2008. 142-55.
  3. Boulter, Amanda. “Unnatural Acts: American Feminism and Joanna Russ’s The Female Man.” Women: A Cultural Review 10.2. (1999): 151-66. Conway, Jill Ker. When Memory Speaks: Exploring the Art of Autobiography. New York: Vintage, 1999.
  4. DuPlessis, Rachel Blau. “The Feminist Apologues of Lessing, Piercy, and Russ.” Frontiers: A Journal of Women Studies, 4.1 (Spring, 1979): 1-8.
  5. Gudmundsdóttir, Gunnthórunn. Borderlines: Autobiography and Fiction in Postmodern Life Writing. New York: Rodopi, 2003.
  6. Haegert, John. “Autobiography as Fiction: The Example of ‘Stop-Time.’” Modern Fiction Studies 33. 4 (Winter 1987): 621-38.
  7. Johnson, Barbara. The Barbara Johnson Reader: The Surprise of Otherness. Eds. Melissa Feuerstein, Bill
  8. Johnson González, Lili Porten, and Keja Valens. Durham: Duke UP, 2014.

Details

Primary Language

English

Subjects

British and Irish Language, Literature and Culture, Literary Studies, Literary Theory

Journal Section

Research Article

Authors

Selin Yılmaz This is me
Türkiye

Publication Date

February 21, 2022

Submission Date

September 15, 2021

Acceptance Date

-

Published in Issue

Year 2022 Number: 1

APA
Yılmaz, S. (2022). Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man. Overtones Ege Journal of English Studies, 1, 55-64. https://izlik.org/JA52FG97BL
AMA
1.Yılmaz S. Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man. Overtones. 2022;(1):55-64. https://izlik.org/JA52FG97BL
Chicago
Yılmaz, Selin. 2022. “Multiplicity of Self and Space in Semi-Autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man”. Overtones Ege Journal of English Studies, no. 1: 55-64. https://izlik.org/JA52FG97BL.
EndNote
Yılmaz S (February 1, 2022) Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man. Overtones Ege Journal of English Studies 1 55–64.
IEEE
[1]S. Yılmaz, “Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man”, Overtones, no. 1, pp. 55–64, Feb. 2022, [Online]. Available: https://izlik.org/JA52FG97BL
ISNAD
Yılmaz, Selin. “Multiplicity of Self and Space in Semi-Autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man”. Overtones Ege Journal of English Studies. 1 (February 1, 2022): 55-64. https://izlik.org/JA52FG97BL.
JAMA
1.Yılmaz S. Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man. Overtones. 2022;:55–64.
MLA
Yılmaz, Selin. “Multiplicity of Self and Space in Semi-Autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man”. Overtones Ege Journal of English Studies, no. 1, Feb. 2022, pp. 55-64, https://izlik.org/JA52FG97BL.
Vancouver
1.Selin Yılmaz. Multiplicity of Self and Space in Semi-autobiographical Speculative Fiction: Doris Lessing’s The Memoirs of a Survivor and Joanna Russ’s The Female Man. Overtones [Internet]. 2022 Feb. 1;(1):55-64. Available from: https://izlik.org/JA52FG97BL