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From Difference to Differences: Reviewing Theories of Women’s Autobiography and Contextualizing the Concept of Métissage

Year 2022, Issue: 1, 35 - 46, 21.02.2022

Abstract

As a self–referential genre, autobiography explores the relationship between the “self” of the narrator
and the “self” in the world. Based on this explication of “self,” theorists of autobiography differ. Autobiography
flourished in the West from the Westerner’s belief in the concept of the Renaissance individual that takes its
inception in the Cartesian philosophy, which correlates “self” with “the thinking subject,” capable of producing
meaning, knowledge, and truth. From this humanist look, while the male critics like George Gusdorf, James
Olney read autobiography as a journey towards a self-understanding of the subject as individual and unique,
women critics find the “self” split and textually produced. The present paper focuses on how women started
voicing the difference of female subjectivity in terms of gender experience and how considering the context of
race, gender, class, sexuality, location, and many other hallmarks, postmodern critics advanced towards
articulating the “poetics of differences”. Moreover, reading Francois Lionnet’s concept of métissage in relation
to other postmodern theories of women’s autobiography, the paper argues métissage as the culmination of
theorizing differences regarding subjectivity and representation strategy

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There are 40 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture, Literary Studies, Literary Theory
Journal Section Research Articles
Authors

Shirin Akter Popy This is me

Publication Date February 21, 2022
Submission Date September 10, 2021
Published in Issue Year 2022 Issue: 1

Cite

MLA Akter Popy, Shirin. “From Difference to Differences: Reviewing Theories of Women’s Autobiography and Contextualizing the Concept of Métissage”. Overtones Ege Journal of English Studies, no. 1, 2022, pp. 35-46.