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Year 2024, Issue: 3, 37 - 49, 22.01.2024

Abstract

References

  • Brookner, Anita. Family and Friends. London: Penguin, 1985.
  • Carter, Ronald, John McRae. The Routledge History of Literature in English. London: Routledge, 1997.
  • Dibdin, Michael. Dead Lagoon. London: Faber and Faber, 1994.
  • ———. Così Fan Tutti. London: Faber and Faber, 1996.
  • ———. A Long Finish. London: Faber and Faber, 1998.
  • Easthope, Anthony. Literary into Cultural Studies. London and New York: Routledge, (1991) 2005.
  • Frye, Northrop. Anatomy of Criticism. London: Penguin, (1957) 1990.
  • Golding, William. The Paper Men. London: Faber and Faber, 1984.
  • Gregory, Derek. Geographical Imaginations. Oxford: Blackwell, 1994.
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  • Keates, Jonathan. The Strangers’ Gallery. London: Vintage, 1987.
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  • ——— An Italian Education. London: Minerva, 1996.
  • ——— Europa. London: Vintage, 1997.
  • Pauli, Erika. Rome and the Vatican. Florence: Casa Editrice Bonechi, 1995.
  • Richards, Charles. The New Italians. London: Penguin, 1995.
  • Shields, Rob. Places on the Margin: Alternative Geographies of Modernity. London: Routledge, 1991.
  • Smith, Neil. Uneven Development: Nature, Capital and the Production of Space. Oxford: Blackwell, 1990.
  • Spark, Muriel. The Public Image. London: Penguin, 1968.
  • ——— The Takeover. London: Penguin, 1976.
  • ——— The Only Problem. London: Penguin, 1984.
  • Toplu, Şebnem. Diverse Aspects of Italy and Italians in Contemporary British Literature. Modena: Il Fiorino, 2001.
  • Unsworth, Barry. After Hannibal. London: Penguin, 1996.
  • Waugh, Evelyn. Helena. London: Penguin, 1950.
  • Woodhouse, Sarah. Meeting Lily. London: Penguin, 1994.

Does it Ever Rain in Italy? Metaphors of Landscape and Weather of Italy in British Fiction (1946-2001)

Year 2024, Issue: 3, 37 - 49, 22.01.2024

Abstract

Arising from the poetic aspirations of Dante, Petrarch or Bocaccio, the Italian art, the ancient Roman grandeur, consecutively, the beauty of the landscape and the attractive people, the contemporary perspectives on Italy are the outcome of a tradition which reached its climax with D.H. Lawrence and this is where this essay proceeds to explore the metaphor of Italian landscape and the sun during the second half of the twentieth century British fiction. I argue that temporal acuity also transforms British writers’ perception of this “idyllic” country where the sun seems to shine continuously with the implication that it never rains. I contend such unrealistic paradisical image of the postwar period gradually lends to the introduction of rain in harmony with the characters` mood and transformation of Italy. This essay covers the fiction of Linklater, Waugh, Murdoch, Golding, Brookner, Parks, Dibdin, Spark and Woodhouse.

References

  • Brookner, Anita. Family and Friends. London: Penguin, 1985.
  • Carter, Ronald, John McRae. The Routledge History of Literature in English. London: Routledge, 1997.
  • Dibdin, Michael. Dead Lagoon. London: Faber and Faber, 1994.
  • ———. Così Fan Tutti. London: Faber and Faber, 1996.
  • ———. A Long Finish. London: Faber and Faber, 1998.
  • Easthope, Anthony. Literary into Cultural Studies. London and New York: Routledge, (1991) 2005.
  • Frye, Northrop. Anatomy of Criticism. London: Penguin, (1957) 1990.
  • Golding, William. The Paper Men. London: Faber and Faber, 1984.
  • Gregory, Derek. Geographical Imaginations. Oxford: Blackwell, 1994.
  • Hawes, Annie. Extra Virgin Amongst the Olive Groves of Liguria. London: Penguin, 2001.
  • Jokinen, Eava and Soile Veijola. “The Disoriented Tourist: The Figuration of the Tourist in Contemporary Cultural Critique” in Touring Cultures. Transformations of Travel and Theory. Eds. Chris Rojek and John Urry. London: Routledge, 1997. 23-52.
  • Keates, Jonathan. The Strangers’ Gallery. London: Vintage, 1987.
  • Landor, Walter Savage. T. E. Whelby and S. Wheeler, Eds. The Complete Works of. Walter Savage Landor. in Italy and English Literature 1764-1930. Ed. Kenneth Churchill. London: Macmillan, 1980.
  • Linklater, Eric. Private Angelo. Edinburgh: Canongate Press, (1946) 1992.
  • Murdoch, Iris. The Italian Girl. London: Vintage, 1964.
  • Parks, Tim. Cara Massimina. London: Vintage, (1990) 1995.
  • ——— An Italian Education. London: Minerva, 1996.
  • ——— Europa. London: Vintage, 1997.
  • Pauli, Erika. Rome and the Vatican. Florence: Casa Editrice Bonechi, 1995.
  • Richards, Charles. The New Italians. London: Penguin, 1995.
  • Shields, Rob. Places on the Margin: Alternative Geographies of Modernity. London: Routledge, 1991.
  • Smith, Neil. Uneven Development: Nature, Capital and the Production of Space. Oxford: Blackwell, 1990.
  • Spark, Muriel. The Public Image. London: Penguin, 1968.
  • ——— The Takeover. London: Penguin, 1976.
  • ——— The Only Problem. London: Penguin, 1984.
  • Toplu, Şebnem. Diverse Aspects of Italy and Italians in Contemporary British Literature. Modena: Il Fiorino, 2001.
  • Unsworth, Barry. After Hannibal. London: Penguin, 1996.
  • Waugh, Evelyn. Helena. London: Penguin, 1950.
  • Woodhouse, Sarah. Meeting Lily. London: Penguin, 1994.
There are 29 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture
Journal Section Research Articles
Authors

Sebnem Toplu 0000-0002-1552-7564

Publication Date January 22, 2024
Submission Date September 15, 2023
Published in Issue Year 2024 Issue: 3

Cite

MLA Toplu, Sebnem. “Does It Ever Rain in Italy? Metaphors of Landscape and Weather of Italy in British Fiction (1946-2001)”. Overtones Ege Journal of English Studies, no. 3, 2024, pp. 37-49.