Intertextual questions analysis in composer’s creative activity, sound symbols in contemporary musical thinking
Abstract
Keywords
Project Number
References
- Abezgauz, I. (1967). The Formation of the Artist / Soviet music, 1967, No 3,10.
- Amrahova, A. (2004). Cognitive aspects of contemporary music interpretation: in Azerbaijani composer creative activity examples. Baku: Elm, 2004, 33.
- Asafyev, B. (1981). About 20th century music. M: Music.
- Bahtin, M. K. (1979). Humaneterian sciencies methodology\Word’s creative activity esthetics. Moscow. An Art, 367.
- Belimov, C., & Rayskin, I. (2001). We are united by sound. Musical academy, No 3,.3
- Cenova, V. (2000). Numeral’s secrets in Sofia Gubaydulina Music: monograph research, Moscow: Moscow State Conservatoire named after P.I. Chaykovskiy,165.
- Gurary, S. (2008). Chrarmed pilgrim. the dialogue with Rodion Shedrin. Musical academy. No 3, 36.
- Dammann, R. (1967). Der music begriff im deutschen Barock. Köln,14.
Details
Primary Language
English
Subjects
Music, Theories of Music, Musicology and Ethnomusicology
Journal Section
Research Article
Authors
Kemale Aleskerli
*
0000-0001-8154-1340
Azerbaijan
Early Pub Date
June 27, 2023
Publication Date
June 30, 2023
Submission Date
March 7, 2023
Acceptance Date
June 27, 2023
Published in Issue
Year 2023 Volume: 11 Number: 2
Cited By
Motivic Intertextuality and Embedded Intermusicality: Performer Agency in Babajanian’s Violin Concerto First Movement
International Journal of Music and Performing Arts
https://doi.org/10.15640/ijmpa.v12p6