Endless Longing: A new Dideng-based composition for the Kalinong Gedang Ensemble as a contribution to Indonesian Music

Abstract

This study aims to examine the musical characteristics of the Dideng tradition from the Jambi region of Indonesia and, on the basis of these characteristics, to develop a new musical composition for the Kalinong Gedang ensemble. The main premise of the study is that Dideng constitutes a distinctive musical resource in terms of its melodic structure, vocal timbre, melodic contour, grenek ornamentations, and pitch intervals. The research employed a two-stage methodology. In the first stage, an ethnomusicological approach was used to investigate the performance practice of Dideng in Rantau Pandan through fieldwork, observation, interviews, recording, analysis, and studio-based study. In the second stage, the findings were translated into a new musical composition through a creative process of composition for the Kalinong Gedang ensemble. This process involved identifying the research findings, designing the product, developing new procedures, conducting systematic trials, carrying out evaluation and refinement, and ensuring that criteria of effectiveness were met. The findings indicate that Dideng is well suited to the creation of new compositions due to its fixed pitch organization, distinctive melodic contour, characteristic vocal timbre, and structural compatibility with the sound system of the Kalinong Gedang ensemble. In response to this musical potential, a new work entitled Endless Longing (Rindu Tak Bertepi), which explores a theme of spiritual and inner longing, was composed. This work was specifically structured, transcribed, and performed for the Kalinong Gedang ensemble. In conclusion, the study demonstrates that a local vocal tradition can be transformed, through a contemporary compositional approach, into a new form of ensemble music. The research contributes to the development of Jambi’s musical heritage, the enrichment of Indonesian national culture, and the advancement of music education and creative ethnic music production.

Keywords

• Dideng
• Kalinong Gedang ensemble
• musical composition
• ethnomusicology
• cultural transformation
• Indonesian music

Sonsuz özlem: Kalinong Gedang topluluğunun Endonezya ulusal kültürünü tanıtmaya yönelik müzik kompozisyonu

Abstract

Soyut Endonezya'nın Jambi halkının geleneksel Kalinong müziğinin halk müziğinden Kalinong Gedang topluluk formatına dönüştürülmesi, Endonezya ulusal kültürünü tanıtma çabasıdır. Bu müzik topluluğu, yerel Jambi etnik müziğine dayanan çeşitli yeni besteleri icra etmek için kullanılabilir. "Dideng" halk şarkısı, Kalinong Gedang topluluğu kullanılarak çalınan, yaratıcı bir şekilde geliştirilme potansiyeline sahip Jambi halkının geleneksel şarkılarından biridir. Dideng şarkısının müzikolojik zenginliği, Endonezya ulusal kültürel müziğinin zenginleştirilmesi olarak daha karmaşık müziğe dönüştürülecek bir sanat nesnesi olarak kullanılma potansiyeline sahip tek bir şarkı, bir ağıt, belirgin bir nota aralığı ve kendine özgü bir şarkıcının ses karakteri ile karakterize edilir. İlerleme çabaları, saha araştırması ve laboratuvar çalışmaları da dahil olmak üzere Araştırma ve Geliştirme yöntemleri kullanılarak yürütülmektedir. Çalışma adımları: (1) Araştırma bulguları, (2) Ürün tasarımı, (3) Yeni prosedürler, (4) Sistematik testler, (5) Değerlendirme, (6) İyileştirmeler ve (7) Kalinong Gedang topluluğu ile çalınan "Sonsuz özlem" başlıklı yeni bir müzik bestesi şeklinde etkililik kriterlerinin yerine getirilmesi. Bu müzik bestesi, Endonezya ulusal kültürünün ortasında Jambi bölgesinin müzik türüne müzik eğitimi materyalleri olarak katkıda bulunabilir ve çeşitli amaçlar için kullanılabilir.

Keywords

• etnik müziğin bestelenmesi
• dönüşümü
• ilerlemesi.

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