K-Pop erkek idol gruplarındaki müzikal değişimlerin karşılaştırmalı analizi

Year 2021, Volume: 9 Issue: 2, 2917 - 2942, 30.12.2021

Inho Lee Yunjae Son

https://doi.org/10.12975/rastmd.20219212

Abstract

K-pop, küresel olarak Kore kültürünün popüler bir temsili haline geldi. Bu çalışma, 3. nesil K-Pop'un neden popüler bir pop müzik türü haline geldiğini anlamak için Kore'deki K-Pop erkek idol gruplarının şarkılarındaki vokal kısımlarını analiz etti. 2020'de dünya çapında ilgi gören bir K-Pop erkek idol grubu olan BTS'nin şarkılarının müzikal bileşenlerinin (yani şarkı söyleme, rap ve rap şarkı söyleme) çalma sürelerini ölçtüğümüz derinlemesine bir analiz gerçekleştirdik. BTS'in en son başlık parçalarının çok daha az rap ve daha çok şarkıya sahip olduğunu buldu, bu da müzik türünde bir değişiklik olduğunu gösteriyor. Şarkı söylemedeki artış, halkla iletişime önem verilen bir kültürel değişimi temsil ediyor olabilir. Bu nedenle, 4. nesil K-Pop sanatçıları şarkı sözlerinin özgünlüğüne ve anlamına odaklanırsa ve anlamsız koroları tekrar etmekten kaçınırsa, K-Pop'un küresel alaka düzeyini daha da genişletmek mümkün olabilir.

Keywords

K-Pop, idol, hallyu, vokal analizi, Kore dalgası

A comparative analysis of musical changes in K-Pop male idol groups

Abstract

K-pop has become a popular representation of Korean culture globally. This study analysed vocal parts in songs by K-Pop male idol groups in Korea to understand why the 3rd generation of K-Pop has become a mainstream type of pop music. We conducted an in-depth analysis in which we measured the playback times of the musical components of songs (i.e., singing, rap, and rap-singing) by BTS, a K-Pop male idol group that received worldwide attention in 2020. We found that BTS’s latest title tracks have much less rapping and more singing, indicating a change in the musical genre. The increase in singing may represent a cultural change in which importance has been placed on communication with the public. Thus, if the 4th generation of K-Pop artists focuses on the authenticity and meaning of lyrics and avoids repeating meaningless choruses, it may be possible to further expand K-Pop's global relevance.

Keywords

K-Pop, idol, hallyu, vocal analysis, Korea wave

References

• Billboard Korea (2020). Rap-Singing, an innovative combination of singing and rapping, the golden age of rap-singing. Billboard Korea. http://billboard.co.kr/main/news/view/415
• Choi, S., & Seongjun, L. (2019). The Third-generation K-pop Idols’ Strategies: Focused on EXO, TWICE and BTS. Journal of the Industrial Innovation Research, 35, 62.
• Choi, S., Jung, J., and jung, S. (2016). Concept and Procedures of Qualitative Content Analysis, Journal of Qualitative Inquiry, 2(1), 132.
• Downe-Wamboldt, B. (1992). Content analysis: Method, applications and issues. Health Care for Women International, 13(3), 313-321.
• K-Pop Gallery. (2021). The shocking trick Olivia’s enthusiastic fans are now using to bring down bulletproofs. Youtube. https://youtu.be/bMDoMpH_Wm4
• Kim, A. (2018). The List. Shinhwa listed in the Guinness Book of World Records for the longest-running idol group. Herald Pop. http://pop.heraldcorp.com/view.php?ud=201802270035112767165_1
• Kim, D. (2021). NCT, ‘great people’ armed with talent and charm. Today News. http://www.ntoday.co.kr/news/articleView.html?idxno=79027
• Kim, G. (2015). The Study for Idol Music as New Korean Wave and Ecosystem Equilibrium of Korean Popular Music Market 2000-2014. Journal of the Korea Contents Association, 15, 159.
• Kim, G., Lee, S., and Yoo, J. (2019). 2019 Foreign Contents Market Analysis. Seoul: Korea Creative Content Agency.
• Kim, G., Lee, S., and Yoo, J. (2020). 2020 Foreign Contents Market Analysis. Seoul: Korea Creative Content Agency.
• Kim, Y. (2020). Global Hallyu Trends 2020. Seoul: Korean Foundation for International Cultural Exchange (KOFICE).
• Kim, Y. (2021). Archive K BTS Entering the Billboard charts is really scary, and it’s all thanks to Army. Osen. https://n.news.naver.com/entertain/article/109/0004368814
• Korean Entertainment And Sports Newspaper. (2021). Hip-hop, which used to be a subculture, is now developing into a popular culture. Korean Entertainment And Sports Newspaper. https://url.kr/9iewo2
• Korean Foundation for International Cultural Exchange (KOFICE). (2017). Hallyu White Paper, 112.
• Kwak, H. (2018). EXO’s 5th album ranked No. 1 in the album charts for 3 weeks in a row without a break. Sports Donga. https://sports.donga.com/3/all/20181119/92926790/1
• Lee, G. (2016). The Era of K-pop. Paju: Hanul Academy.
• Lee, G. (2020a). K-pop in conflict. Seoul: Three Chairs Publishing.
• Lee, G. (2020b). The three secrets to the K-pop craze are music videos, perfect dance, Korean lyrics. Chosun Ilbo. https://www.chosun.com/site/data/html_dir/2020/06/10/2020061000007.html
• Limb, S. (2013). What Makes K-Pop So Successful?, Korean Business Review, 17(2), 328-344.
• Min, G. (2018). K-pop makers. Seoul: Book Nomad.
• National Institute of Korean Language. (2002). Urimalsaem. Open Dictionary. https://opendict.korean.go.kr/dictionary/view?sense_no=735222&viewType=confirm
• National Institute of Korean Language. (2010). Urimalsaem. Open Dictionary. https://opendict.korean.go.kr/dictionary/view?sense_no=1373922&viewType=confirm
• National Institute of Korean Language. 2016. Urimalsaem. Open Dictionary. https://opendict.korean.go.kr/dictionary/view?sense_no=629992&viewType=confirm
• News Claim. (2021). A 10-year history of Korean hip-hop through ‘Show Me the Money 10’. News Claim. https://url.kr/oeygfx
• Park, S. (2019). Cross-cultural sensitivity, a virtue for new Hallyu. N Content, 13, 20–3.
• Park, Y. (2011). Super Junior to be the first in the world to be ranked No. 1 in Taiwan’s charts for a year with Bonamana. Star News. https://star.mt.co.kr/stview.php? no=2011053108431457939&type=1&outlink=1
• The Tonight Show Starring Jimmy Fallon. (2021). BTS Dishes on Touring and Working with Ed Sheeran. https://youtu.be/ff6zBfAmX58
• Yang, K. (2017). K-POP Trend Analysis Using Melon.com Chart Data, The e-Business Association, 18(3), 15-16.