Research Article
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Song composition for early childhood music teaching activities

Year 2025, Volume: 13 Issue: 2, 141 - 160, 30.06.2025
https://doi.org/10.12975/rastmd.20251323

Abstract

This study composes and evaluates songs specifically designed for early childhood music activities. The composition process integrates insights from a thorough analysis of relevant literature, theoretical perspectives on early childhood development, and the Early Childhood Education Curriculum established by the Ministry of Education (2017). To assess the quality of the composed songs, the research team consults a panel of five experts, including three specialists in early childhood education and two music education specialists from the Yamaha Music Institute. The team selects these experts based on their professional qualifications and extensive experience in early childhood pedagogy and music instruction. Using a five-point Likert scale, the study evaluates six key criteria: (1) appropriateness of lyrics, (2) melodic and rhythmic appeal, (3) suitability of vocal range, (4) appropriateness of instrumentation, (5) contribution to child development, and (6) practical applicability in music activities. Researchers conduct a content analysis to interpret the data and present the results descriptively. The findings reveal that the composed songs align with the Early Childhood Education Curriculum and fall into four thematic units: (1) rhythm, featuring “Magical Rhythm” and “The Value of Notes”; (2) singing, including “Let’s Sing Together” and “Singing Do-Re-Mi with Joy”; (3) movement, with “The Elephant’s Gentle Walk” and “The Frog’s Joyful Leap”; and (4) playing musical instruments, incorporating “Drumming: Tuk-Tuk-Tum- Tum” and “Strumming the Guitar: Plak-Plak-Poong-Poong.” The compositions integrate simple rhythms, age-appropriate vocabulary, and accessible vocal ranges to facilitate learning, while repetitive elements enhance engagement and retention among young learners. Expert evaluations yield an overall mean score of 4.23 with a standard deviation of 0.56, confirming the songs’ suitability for early childhood music activities.

Ethical Statement

This research has been reviewed and approved by the Ethics Committee for Research Involving Human Subjects, Mahasarakham University, Thailand (Approval Number: 089-042/2025; Date of Approval: 18 February 2025).

Supporting Institution

This research project was financially supported by the College of Music, Mahasarakham University, which significantly facilitated the completion of this study. T

Thanks

The researchers sincerely thank the experts in early childhood music education and preschool teachers who participated in this study and provided invaluable insights. Their contributions played a crucial role in shaping the analysis and development of music-based learning approaches for young children. The researchers also extend special appreciation to colleagues and academic advisors for their guidance and constructive feedback throughout the research process.

References

  • Andrioti, E. (2024). Playing by ear and the development of music skills at pre- school age. International Journal of Music Education, 1–22. https://doi. org/10.1177/02557614241244794
  • Assadi, J., & Murad, T. (2024). Melodic mastery: Enhancing vocabulary acquisition through musical repetition. Educational Administration: Theory and Practice, 30(5), 1547–1557. https://doi.org/10.53555/kuey. v30i5.3117
  • Barrett, M. S. (2016). Attending to “culture in the small”: A narrative analysis of the role of play, thought, and music in young children’s world-making. Research Studies in Music Education, 38(1), 41–54. https://doi. org/10.1177/1321103x15603557
  • Bergonzi, L. (2011). Music play: The early childhood music curriculum guide for parents, teachers, and caregivers. GIA Publications. Retrieved from https:// giamusic.com/resource/music-play-book- gj236
  • Bond, T., & Bond, M. (2010). Measure for measure: Curriculum requirements and children’s achievement in music education. Juan Carlos Montoya-Rubio Journal of Applied Measurement, 11(4), 368–383. Retrieved from https://pubmed.ncbi.nlm. nih.gov/21164226/
  • Campbell, P.S. (2013). Creative Arts, Education, and Culture in Global Perspective. In: Leong, S., Leung, B. (eds) Creative Arts in Education and Culture. Landscapes: the Arts, Aesthetics, and Education, vol 13. Springer, Dordrecht. https://doi.org/10.1007/978-94- 007-7729-3_1
  • Cary, D. G. (2012). A comparison of two approaches in early music education. Journal of Social Sciences, 8(15), 1–16. Retrieved from https://dergipark.org.tr/en/pub/ ijmeb/issue/54849/751079#article_cite.
  • Cox, A. (2011). Embodying music: Principles of the mimetic hypothesis. Music Theory Online, 17(2). Retrieved from https:// mtosmt.org/issues/mto.11.17.2/ mto.11.17.2.cox.php
  • Curbelo-González, O., et al. (2024). The integration of musical contents in the classroom of the second cycle of early childhood education. International Journal of Music Education, 43(1), 75–91. https:// doi.org/10.1177/02557614241309641
  • Feierabend, J. M. (2006). First steps in music for preschool and beyond: The curriculum. GIA Publications.
  • Goodkin, D. (2018). Play, sing, & dance: An introduction to Orff Schulwerk. Schott Music Corporation.
  • Gordon, E. E. (2012). Learning sequences in music: Skill, content, and patterns. GIA Publications.
  • Gordon, E. E. (2013). Music learning theory for newborn and young children. GIA Publications.
  • Hewitt, M. (2004). Music and the young mind: Enhancing brain development and language acquisition through music. R&L Education.
  • Houlahan, M., & Tacka, P. (2015). Kodály today: A cognitive approach to elementary music education. Oxford University Press.
  • Jellison, J. A. (2015). Including everyone: Creating music classrooms where all children learn. Oxford University Press.
  • Jørgensen, H. (2020). The role of harmony in children’s music education: How simple chord progressions facilitate musical understanding (Master’s thesis). University of Oslo.
  • Kodály, Z. (1954). Let us sing correctly (Pentaton Tanítás). Editio Musica Budapest.
  • Kuka, R. (2025). Early postmodernist and socialist realism tendencies in the creative work of ramadan sokoli. Anglisticum. Journal of the Association-Institute for English Language and American Studies, 14(1), 37–52. Retrieved from https://www. anglisticum.ielas.org/index.php/IJLLIS/ article/view/2478
  • Lilja, E., & von Creutlein, T. (2019). Textbook form of the SDT chord progression in Finnish music theory textbooks and in four different musical styles. The Journal of the Finnish Musicological Society, 49(1), 43-95. Retrieved from https://musiikki.journal.fi/ issue/view/5513
  • Moreno-Morilla, S., et al. (2021). The effect of music on the emotional development of children aged 3–12: A systematic review. International Journal of Environmental Research and Public Health, 18(7), 3668. https://doi.org/10.3390/ijerph18073668
  • Office of Academic Affairs and Educational Standards, Office of the Basic Education Commission, Ministry of Education. (2017). Early childhood education curriculum B.E. 2560 (2017). Bangkok, Thailand: Ministry of Education.
  • Orff, C. (1930). Schulwerk: Musik für Kinder (Music for Children). Schott Music.
  • Pereverzeva, M., Anufrieva, N., Shcherbakova, A., Kuznetsova, E., et al. (2021). Analysis of research on active music teaching at primary education: The case of Russia. Rast Musicology Journal, 9(2), 2739-2756. https://doi.org/10.12975/ rastmd.2021922
  • Phatthalung, P, N. (2023). How does music contribute to movement skills development in early childhood?. Journal of MCU Ubon Review, 8(1), 675-684. Retrieved from https://so06.tci-thaijo.org/index.php/ mcjou/issue/view/17449
  • Roeksamu, P. (2018). Developing of music skills kindergarten’s originality to creative thinking by Kodály approach-based musical activity. Srinakharinwirot Research and Development (Journal of Humanities and Social Sciences), 11(21), 74–87. Retrieved from https://so04.tci-thaijo.org/index.php/ swurd/article/view/198172
  • Rueben, J. N. (2017). Formation of Jewish identity in children V’Shinantam Levanecha: Music as an educational tool in Jewish early childhood programs. Master’s thesis. Hebrew Union College-Jewish Institute of Religion, New York.
  • Sakalpasak, W., & Halathaingam, W. (2019). Music and movement activity for early childhood. Vajira Medical Journal: Journal of Urban Medicine, 63(3), 203–208. https:// doi.org/10.14456/vmj.2019.21
  • Sekehal, H. (2025). Diagnostic study of teaching innovation in the teaching of Spanish as a foreign language at the University of Orán 2: Use of songs. Journal Secretariat: Ez-Zohra Ayed, 21(1), 311–328. Retrieved from https://asjp.cerist.dz/en/ article/261279
  • Sun, J., & Sondhiratna, T. (2024). The problem solving on Chopin’s piano Etude Op. 10 No. 12 in fingering and emotional expression at Shanghai Xuanyi Piano School in Huinan City of Pudong District in Shanghai Province. Journal of Modern Learning Development, 9(6), 176–185. Retrieved from https://so06.tci-thaijo.org/index.php/ jomld/article/view/267899
  • Syla, M. (2024). Primary school teachers’ opinions on the effective use of music in language and speech development of autistic children. Rast Müzikoloji Dergisi, 12(1), 63–78. https://doi.org/10.12975/ rastmd.20241214
  • Tan, AG., Tsubonou, Y., Oie, M., Mito, H. (2019). Creativity and Music Education: A State of Art Reflection. In: Tsubonou, Y., Tan, AG., Oie, M. (eds) Creativity in Music Education. Creativity in the Twenty First Century. Springer, Singapore. https://doi. org/10.1007/978-981-13-2749-0_1
  • Tominaga, A. (2023). The sound of teaching music: Transmitting expressive skills in piano performance (Doctoral dissertation). Central European University, Department of Cognitive Science.
  • Trehub, S. E., & Trainor, L. J. (1998).Singing to infants: Lullabies and play songs. Advances in Infancy Research, 12, 43–77.
  • Trujillo Galea, Y., & Juárez Ramos, V. (2024). Creative musical activities in early childhood education: An analysis of teaching practices. International Journal of Music Education, 1–15. https://doi. org/10.1177/02557614241295740
  • Welch, G. F. (2016). Singing and vocal development. In G. McPherson (Ed.), The child as musician: A handbook of musical development (Chapter 24). Oxford University Press.
  • Wermke, K., et al. (2021). Melody complexity of infants’ cry and non-cry vocalisations increases across the first six months. Scientific Reports, 11, 2712. https://doi. org/10.1038/s41598-021-83564-8
  • Wood, A. (2013). Child development and the power of music: An early childhood perspective. Routledge.
  • Wuttipanyarattanakun, D. (2012). Effects of using music and movement activity based on Dalcroze approach on kindergarteners’ intellectual ability. Master’s thesis. Chulalongkorn University. Bangkok, Thailand.
  • Young, S. (2008). Lullaby light shows: Everyday musical experience among under- two-year-olds. International Journal of Music Education, 26(1), 33–46. https://doi. org/10.1177/0255761407085648

Song composition for early childhood music teaching activities

Year 2025, Volume: 13 Issue: 2, 141 - 160, 30.06.2025
https://doi.org/10.12975/rastmd.20251323

Abstract

This study composes and evaluates songs specifically designed for early childhood music activities. The composition process integrates insights from a thorough analysis of relevant literature, theoretical perspectives on early childhood development, and the Early Childhood Education Curriculum established by the Ministry of Education (2017). To assess the quality of the composed songs, the research team consults a panel of five experts, including three specialists in early childhood education and two music education specialists from the Yamaha Music Institute. The team selects these experts based on their professional qualifications and extensive experience in early childhood pedagogy and music instruction. Using a five-point Likert scale, the study evaluates six key criteria: (1) appropriateness of lyrics, (2) melodic and rhythmic appeal, (3) suitability of vocal range, (4) appropriateness of instrumentation, (5) contribution to child development, and (6) practical applicability in music activities. Researchers conduct a content analysis to interpret the data and present the results descriptively. The findings reveal that the composed songs align with the Early Childhood Education Curriculum and fall into four thematic units: (1) rhythm, featuring “Magical Rhythm” and “The Value of Notes”; (2) singing, including “Let’s Sing Together” and “Singing Do-Re-Mi with Joy”; (3) movement, with “The Elephant’s Gentle Walk” and “The Frog’s Joyful Leap”; and (4) playing musical instruments, incorporating “Drumming: Tuk-Tuk-Tum- Tum” and “Strumming the Guitar: Plak-Plak-Poong-Poong.” The compositions integrate simple rhythms, age-appropriate vocabulary, and accessible vocal ranges to facilitate learning, while repetitive elements enhance engagement and retention among young learners. Expert evaluations yield an overall mean score of 4.23 with a standard deviation of 0.56, confirming the songs’ suitability for early childhood music activities.

Ethical Statement

This research has been reviewed and approved by the Ethics Committee for Research Involving Human Subjects, Mahasarakham University, Thailand (Approval Number: 089-042/2025; Date of Approval: 18 February 2025).

Supporting Institution

This research project was financially supported by the College of Music, Mahasarakham University, which significantly facilitated the completion of this study.

Thanks

The researchers sincerely thank the experts in early childhood music education and preschool teachers who participated in this study and provided invaluable insights. Their contributions played a crucial role in shaping the analysis and development of music-based learning approaches for young children. The researchers also extend special appreciation to colleagues and academic advisors for their guidance and constructive feedback throughout the research process.

References

  • Andrioti, E. (2024). Playing by ear and the development of music skills at pre- school age. International Journal of Music Education, 1–22. https://doi. org/10.1177/02557614241244794
  • Assadi, J., & Murad, T. (2024). Melodic mastery: Enhancing vocabulary acquisition through musical repetition. Educational Administration: Theory and Practice, 30(5), 1547–1557. https://doi.org/10.53555/kuey. v30i5.3117
  • Barrett, M. S. (2016). Attending to “culture in the small”: A narrative analysis of the role of play, thought, and music in young children’s world-making. Research Studies in Music Education, 38(1), 41–54. https://doi. org/10.1177/1321103x15603557
  • Bergonzi, L. (2011). Music play: The early childhood music curriculum guide for parents, teachers, and caregivers. GIA Publications. Retrieved from https:// giamusic.com/resource/music-play-book- gj236
  • Bond, T., & Bond, M. (2010). Measure for measure: Curriculum requirements and children’s achievement in music education. Juan Carlos Montoya-Rubio Journal of Applied Measurement, 11(4), 368–383. Retrieved from https://pubmed.ncbi.nlm. nih.gov/21164226/
  • Campbell, P.S. (2013). Creative Arts, Education, and Culture in Global Perspective. In: Leong, S., Leung, B. (eds) Creative Arts in Education and Culture. Landscapes: the Arts, Aesthetics, and Education, vol 13. Springer, Dordrecht. https://doi.org/10.1007/978-94- 007-7729-3_1
  • Cary, D. G. (2012). A comparison of two approaches in early music education. Journal of Social Sciences, 8(15), 1–16. Retrieved from https://dergipark.org.tr/en/pub/ ijmeb/issue/54849/751079#article_cite.
  • Cox, A. (2011). Embodying music: Principles of the mimetic hypothesis. Music Theory Online, 17(2). Retrieved from https:// mtosmt.org/issues/mto.11.17.2/ mto.11.17.2.cox.php
  • Curbelo-González, O., et al. (2024). The integration of musical contents in the classroom of the second cycle of early childhood education. International Journal of Music Education, 43(1), 75–91. https:// doi.org/10.1177/02557614241309641
  • Feierabend, J. M. (2006). First steps in music for preschool and beyond: The curriculum. GIA Publications.
  • Goodkin, D. (2018). Play, sing, & dance: An introduction to Orff Schulwerk. Schott Music Corporation.
  • Gordon, E. E. (2012). Learning sequences in music: Skill, content, and patterns. GIA Publications.
  • Gordon, E. E. (2013). Music learning theory for newborn and young children. GIA Publications.
  • Hewitt, M. (2004). Music and the young mind: Enhancing brain development and language acquisition through music. R&L Education.
  • Houlahan, M., & Tacka, P. (2015). Kodály today: A cognitive approach to elementary music education. Oxford University Press.
  • Jellison, J. A. (2015). Including everyone: Creating music classrooms where all children learn. Oxford University Press.
  • Jørgensen, H. (2020). The role of harmony in children’s music education: How simple chord progressions facilitate musical understanding (Master’s thesis). University of Oslo.
  • Kodály, Z. (1954). Let us sing correctly (Pentaton Tanítás). Editio Musica Budapest.
  • Kuka, R. (2025). Early postmodernist and socialist realism tendencies in the creative work of ramadan sokoli. Anglisticum. Journal of the Association-Institute for English Language and American Studies, 14(1), 37–52. Retrieved from https://www. anglisticum.ielas.org/index.php/IJLLIS/ article/view/2478
  • Lilja, E., & von Creutlein, T. (2019). Textbook form of the SDT chord progression in Finnish music theory textbooks and in four different musical styles. The Journal of the Finnish Musicological Society, 49(1), 43-95. Retrieved from https://musiikki.journal.fi/ issue/view/5513
  • Moreno-Morilla, S., et al. (2021). The effect of music on the emotional development of children aged 3–12: A systematic review. International Journal of Environmental Research and Public Health, 18(7), 3668. https://doi.org/10.3390/ijerph18073668
  • Office of Academic Affairs and Educational Standards, Office of the Basic Education Commission, Ministry of Education. (2017). Early childhood education curriculum B.E. 2560 (2017). Bangkok, Thailand: Ministry of Education.
  • Orff, C. (1930). Schulwerk: Musik für Kinder (Music for Children). Schott Music.
  • Pereverzeva, M., Anufrieva, N., Shcherbakova, A., Kuznetsova, E., et al. (2021). Analysis of research on active music teaching at primary education: The case of Russia. Rast Musicology Journal, 9(2), 2739-2756. https://doi.org/10.12975/ rastmd.2021922
  • Phatthalung, P, N. (2023). How does music contribute to movement skills development in early childhood?. Journal of MCU Ubon Review, 8(1), 675-684. Retrieved from https://so06.tci-thaijo.org/index.php/ mcjou/issue/view/17449
  • Roeksamu, P. (2018). Developing of music skills kindergarten’s originality to creative thinking by Kodály approach-based musical activity. Srinakharinwirot Research and Development (Journal of Humanities and Social Sciences), 11(21), 74–87. Retrieved from https://so04.tci-thaijo.org/index.php/ swurd/article/view/198172
  • Rueben, J. N. (2017). Formation of Jewish identity in children V’Shinantam Levanecha: Music as an educational tool in Jewish early childhood programs. Master’s thesis. Hebrew Union College-Jewish Institute of Religion, New York.
  • Sakalpasak, W., & Halathaingam, W. (2019). Music and movement activity for early childhood. Vajira Medical Journal: Journal of Urban Medicine, 63(3), 203–208. https:// doi.org/10.14456/vmj.2019.21
  • Sekehal, H. (2025). Diagnostic study of teaching innovation in the teaching of Spanish as a foreign language at the University of Orán 2: Use of songs. Journal Secretariat: Ez-Zohra Ayed, 21(1), 311–328. Retrieved from https://asjp.cerist.dz/en/ article/261279
  • Sun, J., & Sondhiratna, T. (2024). The problem solving on Chopin’s piano Etude Op. 10 No. 12 in fingering and emotional expression at Shanghai Xuanyi Piano School in Huinan City of Pudong District in Shanghai Province. Journal of Modern Learning Development, 9(6), 176–185. Retrieved from https://so06.tci-thaijo.org/index.php/ jomld/article/view/267899
  • Syla, M. (2024). Primary school teachers’ opinions on the effective use of music in language and speech development of autistic children. Rast Müzikoloji Dergisi, 12(1), 63–78. https://doi.org/10.12975/ rastmd.20241214
  • Tan, AG., Tsubonou, Y., Oie, M., Mito, H. (2019). Creativity and Music Education: A State of Art Reflection. In: Tsubonou, Y., Tan, AG., Oie, M. (eds) Creativity in Music Education. Creativity in the Twenty First Century. Springer, Singapore. https://doi. org/10.1007/978-981-13-2749-0_1
  • Tominaga, A. (2023). The sound of teaching music: Transmitting expressive skills in piano performance (Doctoral dissertation). Central European University, Department of Cognitive Science.
  • Trehub, S. E., & Trainor, L. J. (1998).Singing to infants: Lullabies and play songs. Advances in Infancy Research, 12, 43–77.
  • Trujillo Galea, Y., & Juárez Ramos, V. (2024). Creative musical activities in early childhood education: An analysis of teaching practices. International Journal of Music Education, 1–15. https://doi. org/10.1177/02557614241295740
  • Welch, G. F. (2016). Singing and vocal development. In G. McPherson (Ed.), The child as musician: A handbook of musical development (Chapter 24). Oxford University Press.
  • Wermke, K., et al. (2021). Melody complexity of infants’ cry and non-cry vocalisations increases across the first six months. Scientific Reports, 11, 2712. https://doi. org/10.1038/s41598-021-83564-8
  • Wood, A. (2013). Child development and the power of music: An early childhood perspective. Routledge.
  • Wuttipanyarattanakun, D. (2012). Effects of using music and movement activity based on Dalcroze approach on kindergarteners’ intellectual ability. Master’s thesis. Chulalongkorn University. Bangkok, Thailand.
  • Young, S. (2008). Lullaby light shows: Everyday musical experience among under- two-year-olds. International Journal of Music Education, 26(1), 33–46. https://doi. org/10.1177/0255761407085648
There are 40 citations in total.

Details

Primary Language English
Subjects Music Education
Journal Section Original research
Authors

Suthasinee Theerapan 0000-0003-0322-3739

Publication Date June 30, 2025
Submission Date March 10, 2025
Acceptance Date May 21, 2025
Published in Issue Year 2025 Volume: 13 Issue: 2

Cite

APA Theerapan, S. (2025). Song composition for early childhood music teaching activities. Rast Musicology Journal, 13(2), 141-160. https://doi.org/10.12975/rastmd.20251323

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