Abstract
Claude Debussy’nin 1910-1913 yılları arasında kaleme aldığı “Prelüdler” serisi, bestecinin Empresyonist müzik dilinin tüm gereçleriyle ifade bulduğu bir eser koleksiyonudur. Bu çalışmada, Debussy müziğine özgü uygulamalar hakkında fikir verecek bulgulara ulaşmak amacıyla, serinin 2 numaralı prelüdü olan “Voiles” üzerinde, tonal, biçimsel ve motifik yapı kapsamında bir analiz gerçekleştirilmiştir.Claude Debussy’nin 1910-1913 yılları arasında kaleme aldığı “Prelüdler” serisi, bestecinin Empresyonist müzik dilinin tüm gereçleriyle ifade bulduğu bir eser koleksiyonudur. Bu çalışmada, Debussy müziğine özgü uygulamalar hakkında fikir verecek bulgulara ulaşmak amacıyla, serinin 2 numaralı prelüdü olan “Voiles” üzerinde, tonal, biçimsel ve motifik yapı kapsamında bir analiz gerçekleştirilmiştir.
Keywords
References
- Alston, R (2018). Claude Debussy Centenary Edition: Preludes Book I, II, Voiles. Piano Practical Edition.
- Apel, W. (1950). Motive. Harvard Dictionary of Music (c. 6, s. 462). Cambridge: Harvard University Press.
- Auner, J. (2013). Music in the Twentieth and Twenty-First Century. ABD: W. W. Norton Company, Inc.
- Berry, W. (1987). Structural Functions in Music. New York: Dover Publications, Inc.
- Debussy, C. (1910). Preludes, Book I, II Voiles. New York: Schirmer’s Library of Musical Classics. (1972)
- Hudgins, M. (1956). A Descriptive Analysis of The Preludes (Book 1) of Claude Debussy. (Yüksek Lisans Tezi). North Texas State College, Texas.
- Jameson, E, R. (1942). A Stylistic Analysis of the Piano Works of Debussy and Ravel. (Yüksek Lisans Tezi). North Texas State Teachers College, Denton, Texas.
- Kostka, S. (2006). Materials and Techniques of Twentieth-Century Music. New Jersey: Pearsen Prentice Hall.
- Loyd, M. (2017). Development and Synthesis of Foundational Ideas in Four Debussy Preludes. (Yüksek Lisans Tezi). University of Missouri-Columbia, Missouri.
- Morgan, R. (1991). Twentieth-Century Music. New York: W. W. Norton Company, Inc.
- Persichetti, V. (1961). Twentieth Century Harmony. ABD: W. W. Norton Company, Inc.
- Reti, R. (1962). Tonality in Modern Music. U.S.A: First Collier Books Edition.
- Sachs, D. (2005). Claude Debussy and Equlizing Balances: A Different Approach to Analysis of Claude Debussy’s Music with the Examples from Preludes, Book I and 2. (Doktor Tezi). University of Cincinati, Ohio.
- Schoenberg, A. (1967). Fundamentals of Musical Composition. London: Faber and Faber Limited.
- Susanni, P., Antokoletz, E. (2012). Music and Twentieth Century Tonality Harmonic Progression Based on Modality and the Interval Cycles. New York: Routledge.
- Stern, J, C. (1978). Tonality of the First Book of Debussy’s Preludes. (Yüksek Lisans Tezi). University of Natal, Department of Music, Kwazulu-Natal.
- Leeuw, T. (2005). Music of the Twentieth Century. Amsterdam: Amsterdam University Press.
Abstract
“Préludes” written by Debussy between 1910 and 1913 are the collection of works considered to be the most comprehensive exposition of the composer’s Impressionistic style. In this study, with the purpose of reaching findings that will provide insight about the procedures that are specific to Debussy’s music, a comprehensive analysis carried out on “Voiles”, the second prelude of the collection, within the scope of formal, tonal and motivic structure.
“Préludes” written by Debussy between 1910 and 1913 are the collection of works considered to be the most comprehensive exposition of the composer’s Impressionistic style. In this study, with the purpose of reaching findings that will provide insight about the procedures that are specific to Debussy’s music, a comprehensive analysis carried out on “Voiles”, the second prelude of the collection, within the scope of formal, tonal and motivic structure.
Keywords
References
- Alston, R (2018). Claude Debussy Centenary Edition: Preludes Book I, II, Voiles. Piano Practical Edition.
- Apel, W. (1950). Motive. Harvard Dictionary of Music (c. 6, s. 462). Cambridge: Harvard University Press.
- Auner, J. (2013). Music in the Twentieth and Twenty-First Century. ABD: W. W. Norton Company, Inc.
- Berry, W. (1987). Structural Functions in Music. New York: Dover Publications, Inc.
- Debussy, C. (1910). Preludes, Book I, II Voiles. New York: Schirmer’s Library of Musical Classics. (1972)
- Hudgins, M. (1956). A Descriptive Analysis of The Preludes (Book 1) of Claude Debussy. (Yüksek Lisans Tezi). North Texas State College, Texas.
- Jameson, E, R. (1942). A Stylistic Analysis of the Piano Works of Debussy and Ravel. (Yüksek Lisans Tezi). North Texas State Teachers College, Denton, Texas.
- Kostka, S. (2006). Materials and Techniques of Twentieth-Century Music. New Jersey: Pearsen Prentice Hall.
- Loyd, M. (2017). Development and Synthesis of Foundational Ideas in Four Debussy Preludes. (Yüksek Lisans Tezi). University of Missouri-Columbia, Missouri.
- Morgan, R. (1991). Twentieth-Century Music. New York: W. W. Norton Company, Inc.
- Persichetti, V. (1961). Twentieth Century Harmony. ABD: W. W. Norton Company, Inc.
- Reti, R. (1962). Tonality in Modern Music. U.S.A: First Collier Books Edition.
- Sachs, D. (2005). Claude Debussy and Equlizing Balances: A Different Approach to Analysis of Claude Debussy’s Music with the Examples from Preludes, Book I and 2. (Doktor Tezi). University of Cincinati, Ohio.
- Schoenberg, A. (1967). Fundamentals of Musical Composition. London: Faber and Faber Limited.
- Susanni, P., Antokoletz, E. (2012). Music and Twentieth Century Tonality Harmonic Progression Based on Modality and the Interval Cycles. New York: Routledge.
- Stern, J, C. (1978). Tonality of the First Book of Debussy’s Preludes. (Yüksek Lisans Tezi). University of Natal, Department of Music, Kwazulu-Natal.
- Leeuw, T. (2005). Music of the Twentieth Century. Amsterdam: Amsterdam University Press.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | July 20, 2020 |
| Published in Issue | Year 2020 Issue: 11 |
