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Conor Mcpherson’s the Weir: New Master of Irish Storytelling
Abstract
This paper considers the contemporary Irish playwright Conor McPherson’s award-winning play The Weir (1997), as a depiction of Ireland’s storytelling culture, especially in the countryside. Critics and scholars have frequently characterized Irish writers as great story-tellers and Conor McPherson, who has been considered as the new master of old-fashioned Irish art of storytelling, continues this tradition. In The Weir the dwellers of the local pub occupy themselves by drinking, teasing each other and recollecting events from past times. By reciting a sequence of narratives in the form of dramatic monologues, these men wish to impress a young woman from Dublin who has rented a neighborhood house. They familiarize her to this idyllic part of Ireland by telling a series of stories that include fairies, ghosts, mystery and the supernatural. While acknowledging an ages-old tradition, - a tale of local folklore about fairies - McPherson explores moving themes of loss, abandonment, loneliness and regret through haunting and entertaining ghost stories.
Keywords
References
- Billington, M., (2000), “A study in despair”, The Guardian , 22 January http://www.guardian. co.uk/culture/2000/jan/22/artsfeatures1
- Billington, M., (2004), “Shining City”, The Guardian, 10 June 2004 http://www.guardian.co.uk/culture/2004/jun/10/ artsfeatures1
- Bourke, A., (1996), “The Virtual Reality of Irish Fairy Legend,” in Éire-Ireland, 30, 1–2.
- Brantley, B., (1999), “Dark Yarns Casting Light”, http://theater2.nytimes.com/mem/theater/treview
- Castagno, P. C., (2011), New Playwriting Strategies: A Language-Based Approach to Playwriting, New York: Routledge.
- Chambers, L. and E. Jordan, eds. (2012), The Theatre of Connor McPherson: ‘Right beside the Beyond’, Dublin: Carysfort Press.
- Clapp, S., (2011), “Driving Miss Daisy; The Veil – review”, The Observer , 9 October http://www.guardian.co.uk/stage/2011/oct/09/ driving-miss-daisy-vanessa-redgrave
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Details
Primary Language
Turkish
Subjects
-
Journal Section
-
Authors
Dilek İnan
This is me
Publication Date
June 1, 2013
Submission Date
September 18, 2014
Acceptance Date
-
Published in Issue
Year 1970 Volume: 36 Number: 36
APA
İnan, D. (2013). Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi, 36(36), 61-73. https://doi.org/10.1501/TAD_0000000302
AMA
1.İnan D. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013;36(36):61-73. doi:10.1501/TAD_0000000302
Chicago
İnan, Dilek. 2013. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi 36 (36): 61-73. https://doi.org/10.1501/TAD_0000000302.
EndNote
İnan D (June 1, 2013) Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi 36 36 61–73.
IEEE
[1]D. İnan, “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”, Tiyatro Araştırmaları Dergisi, vol. 36, no. 36, pp. 61–73, June 2013, doi: 10.1501/TAD_0000000302.
ISNAD
İnan, Dilek. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi 36/36 (June 1, 2013): 61-73. https://doi.org/10.1501/TAD_0000000302.
JAMA
1.İnan D. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013;36:61–73.
MLA
İnan, Dilek. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi, vol. 36, no. 36, June 2013, pp. 61-73, doi:10.1501/TAD_0000000302.
Vancouver
1.Dilek İnan. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013 Jun. 1;36(36):61-73. doi:10.1501/TAD_0000000302