Conor Mcpherson’s the Weir: New Master of Irish Storytelling

Volume: 36 Number: 36 June 1, 2013
  • Dilek İnan
EN TR

Conor Mcpherson’s the Weir: New Master of Irish Storytelling

Abstract

This paper considers the contemporary Irish playwright Conor McPherson’s award-winning play The Weir (1997), as a depiction of Ireland’s storytelling culture, especially in the countryside. Critics and scholars have frequently characterized Irish writers as great story-tellers and Conor McPherson, who has been considered as the new master of old-fashioned Irish art of storytelling, continues this tradition. In The Weir the dwellers of the local pub occupy themselves by drinking, teasing each other and recollecting events from past times. By reciting a sequence of narratives in the form of dramatic monologues, these men wish to impress a young woman from Dublin who has rented a neighborhood house. They familiarize her to this idyllic part of Ireland by telling a series of stories that include fairies, ghosts, mystery and the supernatural. While acknowledging an ages-old tradition, - a tale of local folklore about fairies - McPherson explores moving themes of loss, abandonment, loneliness and regret through haunting and entertaining ghost stories.

Keywords

References

  1. Billington, M., (2000), “A study in despair”, The Guardian , 22 January http://www.guardian. co.uk/culture/2000/jan/22/artsfeatures1
  2. Billington, M., (2004), “Shining City”, The Guardian, 10 June 2004 http://www.guardian.co.uk/culture/2004/jun/10/ artsfeatures1
  3. Bourke, A., (1996), “The Virtual Reality of Irish Fairy Legend,” in Éire-Ireland, 30, 1–2.
  4. Brantley, B., (1999), “Dark Yarns Casting Light”, http://theater2.nytimes.com/mem/theater/treview
  5. Castagno, P. C., (2011), New Playwriting Strategies: A Language-Based Approach to Playwriting, New York: Routledge.
  6. Chambers, L. and E. Jordan, eds. (2012), The Theatre of Connor McPherson: ‘Right beside the Beyond’, Dublin: Carysfort Press.
  7. Clapp, S., (2011), “Driving Miss Daisy; The Veil – review”, The Observer , 9 October http://www.guardian.co.uk/stage/2011/oct/09/ driving-miss-daisy-vanessa-redgrave
  8. Clapp, S., (2006), “The remorse code”, The Observer, 13 June http://www.guardian.co.uk/stage/2004/jun/13/theatre

Details

Primary Language

Turkish

Subjects

-

Journal Section

-

Authors

Dilek İnan This is me

Publication Date

June 1, 2013

Submission Date

September 18, 2014

Acceptance Date

-

Published in Issue

Year 1970 Volume: 36 Number: 36

APA
İnan, D. (2013). Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi, 36(36), 61-73. https://doi.org/10.1501/TAD_0000000302
AMA
1.İnan D. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013;36(36):61-73. doi:10.1501/TAD_0000000302
Chicago
İnan, Dilek. 2013. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi 36 (36): 61-73. https://doi.org/10.1501/TAD_0000000302.
EndNote
İnan D (June 1, 2013) Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi 36 36 61–73.
IEEE
[1]D. İnan, “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”, Tiyatro Araştırmaları Dergisi, vol. 36, no. 36, pp. 61–73, June 2013, doi: 10.1501/TAD_0000000302.
ISNAD
İnan, Dilek. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi 36/36 (June 1, 2013): 61-73. https://doi.org/10.1501/TAD_0000000302.
JAMA
1.İnan D. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013;36:61–73.
MLA
İnan, Dilek. “Conor Mcpherson’s the Weir: New Master of Irish Storytelling”. Tiyatro Araştırmaları Dergisi, vol. 36, no. 36, June 2013, pp. 61-73, doi:10.1501/TAD_0000000302.
Vancouver
1.Dilek İnan. Conor Mcpherson’s the Weir: New Master of Irish Storytelling. Tiyatro Araştırmaları Dergisi. 2013 Jun. 1;36(36):61-73. doi:10.1501/TAD_0000000302