The Impact of the Migration of the Spatial Texture Change in Cities, and This Has Created Problems in Terms of Turkish Cinema

Year 2017, Volume: 1 Issue: 1, 55 - 74, 14.07.2017

Derya Genç Acar

Abstract

Turkey from the 1950s has entered into a quick
process of change. "Little America" set out with dreams of
becoming exit this year, stripped the country's existing agricultural non
process identity to enter quickly. So to become mechanized of agriculture
and increasing industrialization in the cities from villages along the right,
there was an intense migratory movement. Istanbul has a privileged
position in that sense. Indeed, in parallel with the increase in
industrialization of the city from the rural areas to work in factories has
taken an intensive migration. The city's lack of this migration request
respond yet situation slum called crooked urbanisation. In addition, also
be social memory erosion identity that represents the many buildings or the
fate of abandoned or demolished for the opening of the apartment or
streets. In this sense social transformation he went with urban
transformation.

Cinema in the 1950s in parallel with changing social and economic change is
an art. The last time a sense of Visual memory that serves as a cinema
that is present in the Exchange. Turkish cinema of the 1950s, then stop
and stand on their own two feet to move him more freedom has given way
institutionalization. So there's the structure of Turkish cinema has been
a way to the opposition at the same time. In this study, we present the
dimensions of social change in the scale of the cinema will be explained
through İstanbul. Here the most important films from among today's still
"Gurbet Birds" and "Oh Beautiful İstanbul" movies over the
social transformation and the spatial dimension of corruption.

Keywords

Migration, Social change, Urban, Architecture, İstanbul

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