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GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK

Year 2019, Volume: 1 Issue: 2, 78 - 91, 30.09.2019

Burçin Al

Abstract

Bilim, teknoloji ve sanatın harmanlandığı, günümüzde bilgisayar tabanlı süreçlerle elde edilmiş  sanat  eserleriyle  sanat  ortamını etkileyen ve dönüştüren yaklaşımlardan biri olan generatif sanat; sanatsal üretim sürecinde kendi kendini kontrol eden bir sistemin kullanıldığı çağdaş sanat yaklaşımlarından biridir. Disiplinler arası bir pratik olarak sanat dünyasında yeni bir pencere açan generatif sanat; insanların bilgisayar teknolojisi aracılığıyla  kendi  yaratıcılıklarını keşfetmelerine ve deneyimlemelerine olanak tanımıştır. Bu çalışmada, generatif sanat  kavramı; üretim sürecinde kullanılan yaklaşımlara vurgu yapılarak  tanımlanmış,  sayısal  yaratıcı sistemler ve bu sistemlerin görsel sanatlar bağlamında kullanılması ele alınmış, makine öğrenmesi  algoritmalarından  Çekişmeli Üretken Ağlar' ın sanat üretiminde kullanılmasına değinilmiştir. Generatif sanatın Türkiye bağlamındaki yansımaları; yeni medya sanatı çerçevesinde ele alınarak, bu alanda çalışan sanatçıların eserlerinden örnekler verilmiş, bu disiplinin Türkiye güncel sanat ortamındaki görünürlüğünü etkin kılan platformlar ele alınmıştır.

Keywords

Generatif Sanat Sayısal Yaratıcılık Görsel Sanatlar

References

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  • Pearson, M., 2011. Generative Art: A Practical Guide Using Processing, Manning Publications Co.
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Year 2019, Volume: 1 Issue: 2, 78 - 91, 30.09.2019

Burçin Al

Abstract

References

  • Awad, M. vd., 2015. Machine Learning. Efficient Learning Machines, Apress, Berkeley, CA.
  • Boden, M. A, 2004. The Creative Mind: Myths and Mechanisms, Routhledge.
  • Boden, M.A., Edmonds, E.A., 2009. What is generative art? Digital Creativity, 20, s. 21-46.
  • Ceric, V., 2008. Algorithmic Art: Technology, Mathematics and Art. Information Technology Interface Conference, Cavtat.
  • Chollet, F., 2017. Deep Learning with Python, Manning Publications, s. 270.
  • Colton, S., 2012. The Painting Fool Stories from Building an Automated Painter. Computers and Creativity, Springer, s. 3-38.
  • Dorin, A. & McCormack, J., 2001. First Iteration: A Conference on Generative Computational Processes in the Electronic Arts. Leonardo, Vol. 34, No. 3, MIT Press.
  • Dorin, A. vd., 2012. A framework for understanding generative art. Digital Creativity. DOI: 23. 10.1080/14626268.2012.709940.
  • Ertan, E. 2015. Dijital Sonrası Tarihçe: Türkiye’de Yeni Medya Sanatı. Dijital Sonrası Tarihçeler = Histories of The Post Digital, Akbank Sanat Yayınları, s. 149-179.
  • Galanter, P., 2003. What is Generative Art? Complexity Theory as A Context for Art Art Theory. Proceedings of VI Generative Art Conference, s. 225-246. http://www.artscience- ebookshop.com/ebooks_free/GA2003ebook.pdf. Erişim Tarihi: 20.11.2018.
  • Galanter, P., 2008. What is Complexism? Generative Art and the Cultures of Science and the Humanities. https://philipgalanter.com/downloads/ga2008_what_is_complexism.pdf. Erişim Tarihi: 20.11.2018.
  • Galanter, P., 2012. Generative Art After Computers. Proceedings of XV Generative Art Conference, s. 271-283. http://www.artscience-ebookshop.com/flip_GA2012/GA2012_flip.html. Erişim Tarihi: 20.11.2018.
  • Galanter, P., 2016. Generative Art Theory. A Companion to Digital Art, s.146-180, Jon Wiley & Sons, Inc.
  • Goodfellow, I. vd., 2014. Generative Adversarial Nets. https://papers.nips.cc/paper/5423-generative- adversarial-nets.pdf. Erişim Tarihi: 25.11.2019.
  • Karakuş, B., 2018. Derin Öğrenme ve Büyük Veri Yaklaşımları ile Metin Analizi, Doktora Tezi.
  • López de Mántaras, R., 2014. Artificial Intelligence and the Arts: Toward Computational Creativity. The Next Step: Exponential Life, s.99-123. https://www.bbvaopenmind.com/wp- content/uploads/2017/03/BBVA-OpenMind-book- The-Next-Step-Exponential-Life-1-1.pdf. Erişim Tarihi: 25.11.2018.
  • McCormack, J., 2015. Morphogenesis Series. www.jonmccormack.info/artworks/morphogenesis- series/. Erişim Tarihi: 11.12.2018.
  • Paul, C., 2015. A Companion to Digital Art, Thames & Hudson.
  • Pasquier, P. vd., 2014. Video, Music and Sound Metacreation. DOI: 10.13140/2.1.3204.3203.
  • Pearson, M., 2011. Generative Art: A Practical Guide Using Processing, Manning Publications Co.
  • Reas, C. vd. ,2010. Form+Code: In Design, Art and Architecture, Princeton Architectural Press.
  • Soddu, C., 1998. Generative Art: Proceedings of the 1998 Milan First International Conference Generative Art '98, Domus Argenia Publisher.
  • Taylor, Grant D., 2014. When The Machine Made Art, Bloomsburry Publishing Inc.
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  • URL 2. https://www.researchgate.net/publication/263596638_A_framework_for_understanding_generative_art, s.14, Erişim Tarihi: 11. 12. 2018.
  • URL 3. https://www.tate.org.uk/art/art-terms/g/generative-art, Erişim Tarihi: 11. 12. 2018.
  • URL 4. https://www.tate.org.uk/art/artworks/martin-chance-order-change-6-black-t03190, Erişim Tarihi: 24. 11. 2018.
  • URL 5. https://www.tate.org.uk/art/artworks/martin- chance-order-change-12-four-colours-t03191, Erişim Tarihi: 24. 11. 2018.
  • URL 6. http://www.artscience- ebookshop.com/ebooks_free/GA2003ebook.pdf., s. 236. Erişim Tarihi: 20.11.2018.
  • URL 7. https://www.wannart.com/deneysel-edebiyat-oulipo/, Erişim Tarihi: 4.12. 2018.
  • URL 8.https://www.karlsims.com/rd-exhibit.html, Erişim Tarihi: 4.12. 2018.
  • URL 9. https://www.computerhistory.org/atchm/harold-cohen-and-aaron-a-40-year-collaboration/, Erişim Tarihi: 5. 12. 2018.
  • URL 10. https://web.stanford.edu/group/SHR/4-2/text/cohen.html, Erişim Tarihi: 5.12. 2018.
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  • URL 13. http://dada.compart-bremen.de/item/artwork/4 Erişim Tarihi: 9. 12. 2018.
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  • URL 15. http://vasastudio.com/vasa_book.pdf, s. 160, Erişim Tarihi: 9. 12. 2018.
  • URL 16. http://arandalasch.com/works/fauteuil-chair/, Erişim Tarihi: 14.12. 2018.
  • URL 17. http://algorithmicbotany.org/papers/abop/abop-ch1.pdf, s. 25,27, Erişim Tarihi: 15. 12. 2018.
  • URL 18. http://jonmccormack.info/artworks/morphogenesis-series/, Erişim Tarihi: 15.12. 2018.
  • URL 19. https://www.freecodecamp.org/news/an-intuitive-introduction-to-generative-adversarial-networks-gans-7a2264a81394/, Erişim Tarihi: 25.11. 2019.
  • URL 20. https://obvious-art.com/la-comtesse-de-belamy.html, Erişim Tarihi: 25.11. 2019.
  • URL 21. http://quasimondo.com/, Erişim Tarihi: 25.11. 2019.
  • URL 22. https://www.artmarket.guru/le-journal/interviews/mario-klingemann/, Erişim Tarihi: 25. 11. 2019.
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  • URL 24. http://www.ozanturkkan.com/about, Erişim Tarihi: 26. 11. 2019.
  • URL 25. http://www.ozanturkkan.com/portfolio/fractum_regnum, Erişim Tarihi: 26.11. 2019.
  • URL 26. https://saltonline.org/tr/1627/arsiv-ruyasi, Erişim Tarihi: 26.11. 2019.
  • URL 27. http://www.memo.tv/portfolio/deep-meditations/ , Erişim Tarihi: 26 .11. 2019.
  • URL 28. http://nosvisuals.com/portfolio/ars-electronica/ , Erişim Tarihi: 26 .11. 2019.
There are 51 citations in total.

Details

Primary Language Turkish
Subjects Engineering
Journal Section Articles
Authors

Burçin Al

Publication Date September 30, 2019
Published in Issue Year 2019 Volume: 1 Issue: 2

Cite

APA Al, B. (2019). GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK. Tasarım Enformatiği, 1(2), 78-91.
AMA Al B. GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK. te. September 2019;1(2):78-91.
Chicago Al, Burçin. “GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK”. Tasarım Enformatiği 1, no. 2 (September 2019): 78-91.
EndNote Al B (September 1, 2019) GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK. Tasarım Enformatiği 1 2 78–91.
IEEE B. Al, “GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK”, te, vol. 1, no. 2, pp. 78–91, 2019.
ISNAD Al, Burçin. “GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK”. Tasarım Enformatiği 1/2 (September 2019), 78-91.
JAMA Al B. GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK. te. 2019;1:78–91.
MLA Al, Burçin. “GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK”. Tasarım Enformatiği, vol. 1, no. 2, 2019, pp. 78-91.
Vancouver Al B. GENERATİF SANAT KAVRAMI VE GÖRSEL SANATLARDA SAYISAL YARATICILIK. te. 2019;1(2):78-91.
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