BIBLIOMETRIC ANALYSIS AND SYSTEMATIC COMPILATION FOR CREATIVE PATTERN APPLICATIONS IN FASHION DESIGN

Year 2024, , 213 - 232, 30.06.2024

Sena Sürmeli Aydeniz , Neşe Çeğindir

https://doi.org/10.54976/tjfdm.1473237

Abstract

In this study, it was aimed to examine the publications accessed with keyword groups through bibliometric analysis and systematic review. First, for bibliometric analysis, articles and papers scanned from the Scopus (Elsevier) database with the word groups "creative pattern cutting" AND "fashion design" were taken into consideration. In the second step, application-comprehensive studies identified by three different keyword searches were examined for the systematic review.
Bibliometric analyzes show that the number of publications on creative pattern cuttings in fashion design increased in 2018 and 2022. The countries that produce the most publications are the United Kingdom and the United States. The most documents and citations are in the Journal of Fashion Design, Technology and Education.
Systematic compilation studies reveal that sustainable approaches and creative pattern cutting techniques are gaining importance in fashion design, and that creativity should be emphasized especially in fashion design education.

Keywords

creative pattern cutting, fashion design, bibliometric analysis, systematic review

MODA TASARIMINDA YARATICI KALIP UYGULAMALARINA YÖNELİK BİBLİYOMETRİK ANALİZ VE SİSTEMATİK DERLEME

Abstract

Bu çalışmada anahtar kelime grupları ile ulaşılan yayınların bibliyometrik analiz ve sistematik derleme yoluyla incelenmesi amaçlanmıştır. İlk olarak bibliyometrik analiz için Scopus (Elsevier) veri tabanından “creative pattern cutting” AND “fashion design” kelime gruplarıyla taranan makale ve bildiriler dikkate alınmıştır. İkinci adımda, sistematik derleme için üç farklı anahtar kelime taramasıyla belirlenen uygulama kapsamlı çalışmalar incelenmiştir.
Bibliyometrik analizler, 2018 ve 2022 yıllarında moda tasarımında yaratıcı kalıp uygulamaları konusunda yayın sayılarının arttığını göstermektedir. En fazla yayın üreten ülkeler, Birleşik Krallık ve Amerika Birleşik Devletleridir. En fazla doküman ve atıf, Journal of Fashion Design, Technology and Education başlıklı dergidedir.
Sistematik derleme incelemeleri ise moda tasarımında sürdürülebilir yaklaşımlarının ve yaratıcı kalıp uygulama tekniklerinin giderek önem kazandığını, özellikle moda tasarımı eğitiminde yaratıcılığın vurgulanmasının gerekliliğini ortaya koymaktadır.

Keywords

yaratıcı kalıp uygulamaları, moda tasarımı, bibliyometrik analiz, sistematik derleme

References

• Aldrich, W. (1997). Metric pattern cutting for menswear. Wiley-Blackwell: New Jersey.
• Almond, K. (2010). “Insufficient Allure: The Luxurious Art And Cost Of Creative Pattern Cutting”, International Journal of Fashion Design, Technology and Education, 3(1), 15-24. https://doi.org/10.1080/17543260903582474.
• Ashdown, S. P. (2013). “Not Craft, Not Couture, Not ‘Home Sewing’: Teaching Creative Patternmaking To The İpod Generation”, International Journal of Fashion Design, Technology and Education, 6(2), 112-120, https://doi.org/10.1080/17543266.2013.793747
• Black, R. A. (2003). Kırık mum boyalar, Çev: Esra Arslan, Nobel: Ankara.
• Cambridge Sözlüğü. (t.y.). Creativity Anlamı, Erişim tarihi: 20.03.2024, https://dictionary.cambridge.org/tr/s%C3%B6zl%C3%BCk/ingilizce/creativity
• Campbell, L. A. 2014, Nisan. “Volumetric Shape Making and Pattern Cutting”, Shapeshifting: A Conference on Transformative Paradigms of Fashion and Textile Design. Auckland, Yeni Zelanda.
• Cutting Class (t.y.). Subtraction Pattern Cutting with Julian Roberts, Erişim tarihi: 23.03.2024, https://www.thecuttingclass.com/subtraction-pattern-cutting-with-julian-roberts/
• Cohen, L., Manion, L., Morrison, K. (2007). Research methods in education. Routledge: New York.
• Çeğindir, N. Y., Çakmak, Ş. 2019, Mayıs. “Giysi Tasarımında Yenilikçi Kalıp Hazırlama Teknikleri Üzerinde Alanyazın Taraması”, INFAD 4. Uluslararası Sanat, Tasarım ve Moda Kongresi, 85-105, Beyrut, Lübnan.
• Çeğindir, N. Y., Öz, C. (2016). “Creative Pattern Cutting Experimentations Under Projection Of Scamper Technique”, İdil Dergisi, 5(23), 941-954, http://dx.doi.org/10.7816/idil-05-23-10.
• Çeğindir, N. Y. (2020). 100 soruda giysi mimarisi, Gazi Kitabevi: Ankara.
• Department for Culture, Media and Sport DCMS. (2016). Creative Industries Economic Estimates Methodology, Erişim tarihi: 04.03.2024. https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/499683/CIEE_Methodology.pdf
• Farra, E. (2021). A Former Patternmaker for Yohji Yamamoto and Calvin Klein Launches a Line of Her Own, Erişim tarihi: 02.04.2024. https://www.vogue.com/article/ashlyn-new-designer-collection-pattern-maker
• Flew, T. (2011). The creative ındustries: culture and policy, Los angeles: Sage Publications. https://sk.sagepub.com/books/the-creative-industries
• Hanley, T., Winter, L. A. (2013). “What is a Systematic Review?”, Counselling Psychological Society, 28(4), 3-6.
• Hardingham, L. (2016). “How Can a Box Become a Garment?”, International Journal of Fashion Design, Technology and Education, 9(2), 97-105. https://doi.org/10.1080/17543266.2016.1167254
• Iszoro, E. 2015, Kasım. “Accidental Cutting”, Ibero-American Design Teaching Biennial, 48-50, Madrid, İspanya. James, A. M., Roberts, B. M. Kuznia, A. (2016). “Transforming the Sequential Process of Fashion Production: Where Zero-Waste Pattern Cutting Takes the Lead in Creative Design”, International Journal of Fashion Design, Technology and Education, 9(2), 142-152, https://doi.org/10.1080/17543266.2016.1167253.
• Kim, S., Kim, H.Y. (2023). “Creative Exploration: Zero-Waste Fashion Design Practices With Traditional Korean Clothing”, International Journal of Fashion Design, Technology and Education, 16(2), 198-213, https://doi.org/10.1080/17543266.2022.2148293.
• Lei, G., Li, X. (2021). “A Pattern Making Approach to Improving Zero-Waste Fashion Design”, Fashion Practice, 13(3), 443-463, https://doi.org/10.1080/17569370.2021.1982503.
• Mcquillan, H., Archer-Martin, J., Menzies, G., Bailey, J., Kane, K., Fox Dervin, E. (2018). “Make/Use: A System for Open Source, User-Modifiable, Zero Waste Fashion Practice”, Fashion Practice, 10(1), 7-33, https://doi.org/10.1080/17569370.2017.1400320.
• Nakamichi, T. (2010) Pattern magic. Laurence King: Londra.
• Nakamichi, T. (2011) Pattern magic 2. Laurence King: Londra.
• Nakamichi, T. (2012) Pattern magic: Stretch fabrics. Laurence King: Londra.
• Nakamichi, T. (2014) Pattern magic 3. Laurence King: Londra.
• Nicholas, D., Ritchie, M. (1978). Literature and bibliometrics, Clive Bingley: Londra.
• Oxford İngilizce Sözlüğü, (t.y.). Creativity Anlamı, Erişim tarihi: 20.03.2024, https://www.oed.com/search/dictionary/?scope=Entries&q=creativity
• Petticrew, M., Roberts, H. (2006). Systematic reviews in the social sciences: a practical guide, Wiley-Blackwell: New Jersey. https://doi.org/10.1002/9780470754887.
• Page, A. (2013). “Creative Pattern Technology”, International Journal of Fashion Design, Technology and Education, 6(2), 89-98, https://doi.org/10.1080/17543266.2013.793744.
• Potter, W. G. (1981). Bibliometrics library trends, Sweet Beagle: Bloomington.
• Rissanen, T. 2013. Zero-Waste Fashion Design: A Study at the Intersection of Cloth, Fashion Design and Pattern Cutting. PhD diss., University of Teknology, Sydney.
• Rissanen, T., Mcquillan, H. (2016). Zero waste fashion design, Fairchild Books: New York.