Research Article
BibTex RIS Cite

AESTHETICAL AND EMOTIONAL EFFECTS OF MATERIAL ON CLOTHING DESIGN

Year 2019, Volume: 9 Issue: 1, 42 - 51, 01.01.2019

Abstract

The purpose of this research is to analyze the aesthetical and emotional effects of the materials with
similar sensory properties and the clothing with the same clothing type and model which were made of
such materials, among the consumers. The material of the research are four different clothing fabrics
(artificial leather, chiffon, denim, and combed cotton). Half-circle skirt model was produced from each
fabric in accordance with sizes of ½ scale dress form. The data of research were collected with
aesthetic effect measurement tool, emotional response measurement tool and interview forms in two
stages. In the first stage, consumer attitudes towards to the fabrics are examined. In the second stage,
consumer attitudes towards to relationship between the fabric and the model in the second stage are
examined. According to research results, artificial leather and half-circle skirt had the highest level
with regard to both aesthetics and emotional effects whereas combed cotton fabric and half-circle skirt
had the lowest level. One of the important results of the research is that the levels of aesthetic and
emotional effects which come up during the two-dimensional evaluation of the fabrics change when
the fabrics turned into a model. Another significant result of the research was that the expressions of
the participants were usually based on the personal experiences and the structural features of the
fabrics during the evaluations of the fabrics and the models.

References

  • Aldrich, W. (2013). Fabrics and Pattern Cutting, UK: Wiley Publication. Bang, A. L. (2007). “Fabrics in Function- Emotional Utility Values”, Nordes Nordic Design Research Conference, Design Inquiries, 2, 1-10. Baber, C. (1996). “Repertory Grid Theory and Its Application to Product Evaluation”, Jordan P.W., Thomas B., Weerdmeester, B.A., McClelland, I.L. (Eds), Usability evaluation in industry (pp. 157- 165). London: Taylor & Francis. Blijlevens, J., Thurgood, C., Hekkert, P., Chen, L., Leder, H., & Whitfield, T.W.A. (2017). “The Aesthetic Pleasure in Design Scale: The Development of A Scale to Measure Aesthetic Pleasure For Designed Artifacts”, Psychology of Aesthetics, Creativity, and the Arts, 11 (1), 86-98. Büyüköztürk, Ş., Kılıç Çakmak, E., Akgün, Ö.E., Karadeniz, Ş., & Demirel, F. (2014). Bilimsel Araştırma Yöntemleri (18th ed.), Ankara: Pegem Akademy. Desmet, P. (2002). “Designing Emotions”. ISBN: 90-9015877-4. Gerŝak, J. (2002). “Study of the Relationship Between Fabric Mechanics and Garment Appearance Quality Level”, Book of Proceedings of 1st International Textile, Clothing and Design Conference, Magic World of Textiles, Faculty of Textile Technology, University of Zagreb, Zagreb, 353-358. Gerŝak, J. (2003). “Investigations of the Impact of Fabric Mechanical Properties on Garment Appearance”, Textile, 52 (8), 368-79. Gerŝak, J. (2004). “Study of Relationship Between Fabric Elastic Potential and Garment Apperance Quality”, International Journal of Clothing Science and Technology, 16 (1/2), 238-251. Karana, E. (2009). “Meaning Driven Materials Selection in Design Education”, International Conference on Engineering Design, ICED’09, 24-27 August 2009, Stanford University, USA. 69-80. Karana, E., Hekkert, P., & Kandachar, P. (2009). “Meanings of Materials Through Sensorial Properties and Manufacturing Processes”, Materials & Design, 30, 2778-2784. Khalid, H.M. & Helander, M.G. (2006). “Customer Emotional Needs in Product Design”, Concurrent Engineering: Research and Applications, 14 (3), 197-206. Kongprasert, N. (2012). “Emotional Design Approach to Design Teak Wood Furniture”, V. Kachitvichyanukul, H.T. Luong, R. Pitakaso (Eds), Proceedings of the Asia Pacific Industrial Engineering & Management Systems Conference. Kongprasert, N. & Butdee, S. (2017). “A methogology for Leather Goods Design Though the Emotional Design Approach”, Journal of Industrial and Production Engineering, 34 (3), 170-179. Kumar, M. & Garg, N. (2010). “Aesthetic Principles and Cognitive Emotion Appraisals: How Much of the Beauty Lies in the Eye of the Beholder?”, Journal of Consumer Psychology, 20, 485-494. Moody, W., Morgan, R., Dillon, P., Baber, C., & Wing, A. (2001). “Factors Underlying Fabric Perception”, Retrieved March 06, 2017 (http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.11.1811&rep=rep1&type=pdf). Morganosky, M.A. & Postlewait, D.S. (1989). “Consumers’ Evaluations of Apparel Form, Expression, and Aesthetic Quality”, Clothing and Textiles Research Journal, 7 (2), 11-15. Nakanishi, M. & Niwa, M. (2001). “Fabric Mechanical Parameters Related to the Beauty of Fabric Movement of Ladies’ Garments Brought About by Human Motion”, J. Home Econ. Jpn, 52 (3), 251- 264. Seivewright, S. (2013). Moda Tasarımında Araştırma ve Tasarım, İstanbul: Literatür. Sinclair, R. (2015). Textile and Fashion Materials, Design and Technology. UK: Woodhead Publishing. Turkish Language Society. Retrieved April, 22, 2017 (http://www.tdk.gov.tr/index.php?option=com_gts&arama=gts&guid=TDK.GTS.58fa790f5a1014.023 86187). van Gorp, T. & Adams, E. (2012). Design for Emotion. USA: Elsevier. van Kesteren, I., Stappers, P. J., & de Bruijn, S. (2007a). “Defining User-Interaction Aspects for Materials Selection: Three Tools”, Design Inquiries, 1-10. Retrieved March 06, 2017 (http://www.nordes.org/opj/index.php/n13/article/viewFile/173/156). van Kesteren, I. E. H, Stappers, P. J., & de Bruijn, J. C. M. (2007b). “Materials in Products Selection: Tools for Including User-Interaction in Materials Selection”, International Journal of Design, 1 (3), 41-55. Yıldırım, A. & Şimşek, H. (2011). Sosyal bilimlerde nitel araştırma yöntemleri (8th ed.), Ankara: Seçkin. Weihua, Y. (2009). “Fashion Design in Emotional Consumption Era”, IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design, November 26-29, 2009, 1524-1527. Retrieved November 02, 2015 (http://ieeexplore.ieee.org/xpl/login.jsp?tp=&arnumber=5374966&url=http%3A%2F%2Fieeexplore. ieee.org%2Fxpls%2Fabs_all.jsp%3Farnumber%3D5374966).
Year 2019, Volume: 9 Issue: 1, 42 - 51, 01.01.2019

Abstract

References

  • Aldrich, W. (2013). Fabrics and Pattern Cutting, UK: Wiley Publication. Bang, A. L. (2007). “Fabrics in Function- Emotional Utility Values”, Nordes Nordic Design Research Conference, Design Inquiries, 2, 1-10. Baber, C. (1996). “Repertory Grid Theory and Its Application to Product Evaluation”, Jordan P.W., Thomas B., Weerdmeester, B.A., McClelland, I.L. (Eds), Usability evaluation in industry (pp. 157- 165). London: Taylor & Francis. Blijlevens, J., Thurgood, C., Hekkert, P., Chen, L., Leder, H., & Whitfield, T.W.A. (2017). “The Aesthetic Pleasure in Design Scale: The Development of A Scale to Measure Aesthetic Pleasure For Designed Artifacts”, Psychology of Aesthetics, Creativity, and the Arts, 11 (1), 86-98. Büyüköztürk, Ş., Kılıç Çakmak, E., Akgün, Ö.E., Karadeniz, Ş., & Demirel, F. (2014). Bilimsel Araştırma Yöntemleri (18th ed.), Ankara: Pegem Akademy. Desmet, P. (2002). “Designing Emotions”. ISBN: 90-9015877-4. Gerŝak, J. (2002). “Study of the Relationship Between Fabric Mechanics and Garment Appearance Quality Level”, Book of Proceedings of 1st International Textile, Clothing and Design Conference, Magic World of Textiles, Faculty of Textile Technology, University of Zagreb, Zagreb, 353-358. Gerŝak, J. (2003). “Investigations of the Impact of Fabric Mechanical Properties on Garment Appearance”, Textile, 52 (8), 368-79. Gerŝak, J. (2004). “Study of Relationship Between Fabric Elastic Potential and Garment Apperance Quality”, International Journal of Clothing Science and Technology, 16 (1/2), 238-251. Karana, E. (2009). “Meaning Driven Materials Selection in Design Education”, International Conference on Engineering Design, ICED’09, 24-27 August 2009, Stanford University, USA. 69-80. Karana, E., Hekkert, P., & Kandachar, P. (2009). “Meanings of Materials Through Sensorial Properties and Manufacturing Processes”, Materials & Design, 30, 2778-2784. Khalid, H.M. & Helander, M.G. (2006). “Customer Emotional Needs in Product Design”, Concurrent Engineering: Research and Applications, 14 (3), 197-206. Kongprasert, N. (2012). “Emotional Design Approach to Design Teak Wood Furniture”, V. Kachitvichyanukul, H.T. Luong, R. Pitakaso (Eds), Proceedings of the Asia Pacific Industrial Engineering & Management Systems Conference. Kongprasert, N. & Butdee, S. (2017). “A methogology for Leather Goods Design Though the Emotional Design Approach”, Journal of Industrial and Production Engineering, 34 (3), 170-179. Kumar, M. & Garg, N. (2010). “Aesthetic Principles and Cognitive Emotion Appraisals: How Much of the Beauty Lies in the Eye of the Beholder?”, Journal of Consumer Psychology, 20, 485-494. Moody, W., Morgan, R., Dillon, P., Baber, C., & Wing, A. (2001). “Factors Underlying Fabric Perception”, Retrieved March 06, 2017 (http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.11.1811&rep=rep1&type=pdf). Morganosky, M.A. & Postlewait, D.S. (1989). “Consumers’ Evaluations of Apparel Form, Expression, and Aesthetic Quality”, Clothing and Textiles Research Journal, 7 (2), 11-15. Nakanishi, M. & Niwa, M. (2001). “Fabric Mechanical Parameters Related to the Beauty of Fabric Movement of Ladies’ Garments Brought About by Human Motion”, J. Home Econ. Jpn, 52 (3), 251- 264. Seivewright, S. (2013). Moda Tasarımında Araştırma ve Tasarım, İstanbul: Literatür. Sinclair, R. (2015). Textile and Fashion Materials, Design and Technology. UK: Woodhead Publishing. Turkish Language Society. Retrieved April, 22, 2017 (http://www.tdk.gov.tr/index.php?option=com_gts&arama=gts&guid=TDK.GTS.58fa790f5a1014.023 86187). van Gorp, T. & Adams, E. (2012). Design for Emotion. USA: Elsevier. van Kesteren, I., Stappers, P. J., & de Bruijn, S. (2007a). “Defining User-Interaction Aspects for Materials Selection: Three Tools”, Design Inquiries, 1-10. Retrieved March 06, 2017 (http://www.nordes.org/opj/index.php/n13/article/viewFile/173/156). van Kesteren, I. E. H, Stappers, P. J., & de Bruijn, J. C. M. (2007b). “Materials in Products Selection: Tools for Including User-Interaction in Materials Selection”, International Journal of Design, 1 (3), 41-55. Yıldırım, A. & Şimşek, H. (2011). Sosyal bilimlerde nitel araştırma yöntemleri (8th ed.), Ankara: Seçkin. Weihua, Y. (2009). “Fashion Design in Emotional Consumption Era”, IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design, November 26-29, 2009, 1524-1527. Retrieved November 02, 2015 (http://ieeexplore.ieee.org/xpl/login.jsp?tp=&arnumber=5374966&url=http%3A%2F%2Fieeexplore. ieee.org%2Fxpls%2Fabs_all.jsp%3Farnumber%3D5374966).
There are 1 citations in total.

Details

Primary Language English
Journal Section Makaleler
Authors

Pınar Göklüberk Özlü

Serap Dengin Sevinir

Publication Date January 1, 2019
Submission Date September 10, 2018
Acceptance Date November 17, 2018
Published in Issue Year 2019 Volume: 9 Issue: 1

Cite

APA Göklüberk Özlü, P., & Dengin Sevinir, S. (2019). AESTHETICAL AND EMOTIONAL EFFECTS OF MATERIAL ON CLOTHING DESIGN. Turkish Online Journal of Design Art and Communication, 9(1), 42-51.


All site content, except where otherwise noted, is licensed under a Creative Common Attribution Licence. (CC-BY-NC 4.0)

by-nc.png