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MODA VİDEO REKLAMLARINDA HİKAYE ANLATIMI: MEKAN TİPOLOJİSİ VE TASARIM

Year 2025, Volume: 15 Issue: 4, 1387 - 1399, 01.10.2025
https://doi.org/10.7456/tojdac.1736090

Abstract

Video reklamlar, pazarlama ve medya ortaklıklarında önemli bir stratejik iletişim rolüne sahiptir. Mekân tasarımı, moda markalarının hikâyelerini betimlenmesini sağlayan önemli bir ifade aracı olarak görülmektedir. Bu çalışma hikâye anlatımında iletişim sağlayan, video reklamlarda bir fon olarak kullanılan mekân tasarımının disiplinler arası ifadesini araştırmaktadır. Mekânsal ifadenin hangi tiplojiye göre nasıl tasarlandığını amaçlanmaktadır. Bu amaç için, literatür analizleri, iletişimsel ve mekânsal teoriler kullanılarak hibrit bir metodoloji geliştirilmiştir. Moda video reklamlarında kullanılan mekânsal tipolojiler gerçek, yarı gerçek ve sanal olarak sınıflandırılmıştır. Nitel araştırma kapsamında içerik analizi yöntemi temel alınarak, güncel video reklam çekimlerindeki mekânsal tipolojiler ve tasarımlar analiz edilmiştir. Çalışmanın bulgularında disiplinler arası kesişimde hikâyeyi aktaran mekânın avantajları ve sınırlılıkları ortaya konulmuştur. Görsel mesajların mekândaki yansımaları tartışılmıştır. Bulgular gerçek mekânların algısal kolaylık ve duygusal bağ avantajı ile ilişkilidir. Yarı gerçek mekânlar hikâyenin daha kavramsal, özgün ve sanatsal ifadelerle gösterilmesini sağlamıştır. Sanal mekânlar ise dijital teknolojiler ile yüksek etkileşimli ve yaratıcı görsel ifadeler sunmaktadır.

References

  • Alalwan, A. A. (2018). Investigating the impact of social media advertising features on customer purchase intention. International Journal of Information Management, 42, 65-77. https://doi.org/https://doi.org/10.1016/j.ijinfomgt.2018.06.001
  • Bal, M., Buttermen, O. S., & Bakker, A. B. (2011). The influence of fictional narrative experience on work outcomes: A conceptual analysis and research model. Review of General Psychology, 15(4), 361-370. https://doi.org/https://doi.org/10.1037/a0025416
  • Balmain. (2025). Spring-Summer 2025 by @oliver_rousteing. Instagram. Retrieved from https://www.instagram.com/p/DHteN9GIUs5/?img_index=2
  • Barnwell, J. (2011). Film yapımının temelleri. (G. Altıntaş, Trans.) Literatür Yayınları.
  • Barthes, R. (2009). Göstergebilimsel serüven. (M. Rıfat, & S. Rıfat, Trans.) Yapı Kredi Yayınları.
  • Baudrillard, J. (2014). Simülakrlar ve simülasyon. (O. Adanır, Trans.) Doğu Batı Yayınları.
  • Belanche, D., Flavian, C., & Pérez-Rueda, A. (2017). Understanding interactive online advertising: Congruence and product involvement in highly and lowly arousing, skippable video ads. Journal of Interactive Marketing, 37, 75-88. https://doi.org/https://doi.org/10.1016/j.intmar
  • Bourse, M., & Yücel, H. (2012). İletişim bilimlerinin serüveni. Ayrıntı Yayınları.
  • Bozkurt, G. Ş. (2021). Pazarlama 4.0: Sosyal medya pazarlaması. In G. D. Türk (Ed.), Sosyal medyada marka ve itibar yönetimi (pp. 27-58). Nobel.
  • Cao, X., Qu, Z., Liu, Y., & Hu, J. (2021). How the destination short video affects the customers' attitude: The role of narrative transportation. Journal of Retailing and Consumer Services, 62, 102672. https://doi.org/https://doi.org/10.1016/j.jretconser.2021.102672
  • Ching, R. K., Ton, P., Chen, J. -S., & Chen, H. -Y. (2013). Narrative online advertising: identification and its effects on attitude toward a product. Internet Research, 23(4), 414-438. https://doi.org/https://doi.org/10.1108/IntR-04-2012-0077
  • Codignola, F. (2018). Luxury fashion brands and furniture design: Investigating strategic associations. European Scientific Journal, 14(4), 44-60. https://doi.org/https://doi.org/10.19044/esj.2018.v14n4p44
  • Coles, J., & House, N. (2012). İç mimarlığın temelleri. (Z. Vaizoğlu, Trans.) Literatür.
  • Creswell, J. W. (2013). Nitel araştırma yöntemleri. Siyasal Kitabevi.
  • Croteau, D., & Hoynes, W. (2003). Media society: Indstries, images and audinces. Fine Forge Prss.
  • Dal, E. (2021). Sinemada zaman-mekân tecrübesi . İlem Yayınları.
  • De Oliveira, N., Oxley, N., & Petry, M. (2005). Yeni milenyumda enstalasyon sanatı, duyular imparatorluğu. (O. Akınhay, Trans.) Akbank Sanat.
  • Dion, D., & Arnould, E. (2011). Retail luxury strategy: Assembling charisma through art and magic. Journal of Retailing, 87(4), 502-520. https://doi.org/https://doi.org/10.1016/j.jretai.2011.09.001
  • Dior. (2025, March 12). Her catwalk, the Hall of Mirrors. Her stage, the Grand Canal of Versailles. Instagram. Retrieved from Instagram: https://www.instagram.com/p/DHG2Tf2tAqY/
  • Dowling, G. R. (2006). Communicating corporate reputation through stories. California Management Review, 49(1), 82-100. https://doi.org/https://doi.org/10.2307/41166372
  • Dyer, G. (2008). Adverstisins as a communication. Routledge.
  • Hamelin, N., El Moujahid, O., & Thaichon, P. (2017). Emotion and advertising effectiveness: A novel facial expression analysis approach. Journal of Retailing and Consumer Services, 36, 103-111. https://doi.org/https://doi.org/10.1016/j.jretconser.2017.01.001
  • Hart, C. (2023, April 15). 5 Must-Have Elements for a Successful Fashion Video Campaign. Retrieved from Cyrstal Pulse: https://crystalpulse.co.uk/5-must-have-elements-for-a-successful-fashion-video-campaign/
  • He, J., & Shao, B. (2018). Examining the dynamic effects of social network advertising: A semiotic perspective. Telematics and Informatics, 35(2), 504-516. https://doi.org/https://doi.org/10.1016/j.tele.2018.01.014
  • Jang, R. -Y., & Yang, S. -H. (2010). 21 Century video image fashion communication: Focusing on Prada fashion animation. The Research Journal of the Costume Culture, 18(6), 1318-1330.
  • Jonathan, A., Tamar, L., & Martin, S. (2019). Digital Research Report: Interdisciplinary Research - Methodologies for Identification and Assessment. Digital Science. Report. https://doi.org/https://doi.org/10.6084/m9.figshare.4270289
  • Kaban Kadıoğlu, Z. (2014). Tüketim iletişimi süreçler, algılar ve tüketici . Pales Yayıncılık.
  • Kellaris, J. J., Cox, A. D., & Cox, D. (1993). The effect of background music on ad processing: A Contingency Explanation. Journal of Marketing, 57(4), 114-125. https://doi.org/https://doi.org/10.2307/1252223
  • Kim, J. -E., Lloyd, S., & Cervellon, M. -C. (2016). Narrative-transportation storylines in luxury brand advertising: Motivating consumer engagement. Journal of Business Research, 69(1), 304-313. https://doi.org/https://doi.org/10.1016/j.jbusres.2015.08.002
  • Lien, N. -H., & Chen, Y. -L. (2013). Narrative ads: The effect of argument strength and story format. Journal of Business Research, 66(4), 516-522. https://doi.org/https://doi.org/10.1016/j.jbusres.2011.12.016
  • Loureiro, S. M., Jiménez-Barreto, J., & Romero, J. (2020). Enhancing brand coolness through perceived luxury values: Insight from luxury fashion brands. Journal of Retailing and Consumer Services, 57, 102211. https://doi.org/https://doi.org/10.1016/j.jretconser.2020.10
  • Lundqvist, A., Veronica L, l., Gummerus, J., & Van Riel, A. (2013). The impact of storytelling on the consumer brand experience: The case of a firm-originated story. Journal of Brand Management, 20, 283-297. https://doi.org/https://doi.org/10.1057/bm.2012.15
  • Maigret, E. (2011). Medya ve iletişim sosyolojisi. (H. Yücel, Trans.) İletişim Yayınları.
  • Mas Pablo. (2025). @dsquared2 SS25 Campaign. Instagram. Retrieved from https://www.instagram.com/p/DH-n04pNhnb/
  • McAssey, J., & Buckley, C. (2013). Moda tasarımında stil yaratmak. (B. Başoğlu, Trans.) Literatür.
  • Mcluhan, M., & Fiore, Q. (2012). Medya mesajı medya mesajıdır. (İ. Haydaroğlu, Trans.) Mediacat Yayıncılık.
  • Morley, D., & Robins, K. (2011). Kimlik mekânları. (E. Zeybekoğlu, Trans.) Ayrıntı Yayınları.
  • Moschino. (2025). Answer a call of the wild. Moschino “Collezione 01” Mens-wear wanders through natural landscapes. Instagram. Retrieved from https://www.instagram.com/p/DHdicrdIM8g/
  • Mugler. (2025). Mugler introduces its new Angel Stellar fragrance starring @hunterschafer and filmed under the visionary camera of @jordan_hemingway. Instagram. Retrieved from https://www.instagram.com/reel/DHOkRtJtfFP/
  • Nasir, A. V., K. A., S. O., & Nalbant, M. (2021). Segmenting consumers based on social media advertising perceptions: How does purchase intention differ across segments? Telematics and Informatics, 64, 101687. https://doi.org/https://doi.org/10.1016/j.tele.2021.101687
  • Öztekin, M., & Emre, K. (2022). Reflection of fictional space design on fashion brands: The case of Balenciaga Afterworld video game. Journal of Interior Design and Academy, 2(2), 137-148. https://doi.org/https://doi.org/10.53463/inda.20220130
  • Pallasma, J. (2012). The eyes of the skin: Architecture and the senses. Wiley.
  • Patrick, V., & Hagtvedt, H. (2011). Advertising with Art: Creative Visuals. In M. A. Runco, & S. R. Pritzker (Eds.), Encyclopedia of creativity. Academic Press.
  • Reimer, T. (2023). Environmental factors to maximize social media engagement: A comprehensive framework. Journal of Retailing and Consumer Services, 75, 103458. https://doi.org/https://doi.org/10.1016/j.jretconser.2023.103458
  • Ries, L. (2013). Visual hammer. MediaCat.
  • Rosengren, S., Eisend, M., Koslow, S., & Dahlen, M. (202). A meta-analysis of when and how advertising creativity works. Journal of Marketing, 84(6), 39-56. https://doi.org/https://doi.org/10.1177/0022242920929288
  • Selvi, M. S. (2007). İlişkisel pazarlama. Detay Yayınları.
  • Severin, W. J., & Tankard, J. W. (2021). İletişim teorileri kökenleri, yöntemleri ve kitle iletişim araçlarında kullanımları. (A. Atıf, & K. Meral, Trans.) The Kitap.
  • Sokolov, A. G. (2007). Sinema ve televizyonda görüntü kurgusu. (S. Arslanyürek, Trans.) Agora Kitaplığı.
  • Stankeviciute, R., & Hoffmann, J. (2010). The impact of brand extension on the parent luxury fashion brand: The cases of Giorgio Armani, Calvin Klein and Jimmy Choo. Journal of Global Fashion Marketing, 1(2), 119–128. https://doi.org/https://doi.org/10.1080/20932685.201
  • Sweetser, E. (2017). Metaphor and metonymy in advertising: Building viewpoint in multimodal multi-space blends. Journal of Pragmatics, 122, 65-76. https://doi.org/https://doi.org/10.1016/j.pragma.2017.10.012
  • Şentürk, R. (2017). İletişim ve televizyon teorileri. Küre Yayınları.
  • Tapp, A. (2005). Principles of direct and database marketing. Prentice Hall.
  • Thompson, J. B. (2008). Medya ve modernite. (S. Öztürk, Trans.) Kırmızı Yayınları.
  • Türk, G. D., & Kölgelier, Y. Ö. (2021). Sosyal Medyada Kriz Yönetimi ve İmaj Restorasyonu. In G. D. Türk (Ed.), Sosyal medyada marka ve itibar yönetimi (pp. 181-211). Nobel.
  • Van Lear, T., Feiereisen, S., & Visconti, L. (2019). Storytelling in the digital era: A meta-analysis of relevant moderators of the narrative transportation effect. Journal of Business Research, 96, 135-146. https://doi.org/https://doi.org/10.1016/j.jbusres.2018.10.053
  • Von Wachenfeldt, P. (2018). Communicating seduction. Luxury fashion advertisements in video campaigns. Studies in Communication Sciences, 18(2), 353-363. https://doi.org/https://doi.org/10.24434/j.scoms.2018.02.010
  • Wong, C. -H., Tan, G. W.-H., Tan, B. -I., & Ooi, K. -B. (2015). Mobil adverstising: The changing landscape of the advertising industry. Telematics and Informatics, 32(4), 720-734. https://doi.org/https://doi.org/10.1016/j.tele.2015.03.003
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STORYTELLING IN FASHION VIDEO ADVERTS: SPACE TYPOLOGY AND DESIGN

Year 2025, Volume: 15 Issue: 4, 1387 - 1399, 01.10.2025
https://doi.org/10.7456/tojdac.1736090

Abstract

Video adverts have an important strategic communication role in marketing and media partnerships. Space design is seen to be an important tool in conveying the stories of fashion brands. This study investigates the role of space design in video adverts as a communication task in storytelling through social media. For this purpose, a hybrid methodology is developed using literature analyses, communicative and spatial theories. The spatial typologies used in fashion video advertisements are classified as real, semi-real and virtual. Based on the content analysis method within the scope of qualitative research, spatial typologies and designs in current video advertisement shootings were analysed. In the findings of the study, the advantages and limitations of the space that conveys the story in the interdisciplinary intersection are revealed. The reflections of visual messages in space are discussed. As a result of the findings, real spaces are associated with perceptual ease and emotional connection advantage. Semi-real spaces enabled the story to be shown with more conceptual, original and artistic expressions. Virtual spaces, on the other hand, offer highly interactive and creative visual expressions with digital technologies.

References

  • Alalwan, A. A. (2018). Investigating the impact of social media advertising features on customer purchase intention. International Journal of Information Management, 42, 65-77. https://doi.org/https://doi.org/10.1016/j.ijinfomgt.2018.06.001
  • Bal, M., Buttermen, O. S., & Bakker, A. B. (2011). The influence of fictional narrative experience on work outcomes: A conceptual analysis and research model. Review of General Psychology, 15(4), 361-370. https://doi.org/https://doi.org/10.1037/a0025416
  • Balmain. (2025). Spring-Summer 2025 by @oliver_rousteing. Instagram. Retrieved from https://www.instagram.com/p/DHteN9GIUs5/?img_index=2
  • Barnwell, J. (2011). Film yapımının temelleri. (G. Altıntaş, Trans.) Literatür Yayınları.
  • Barthes, R. (2009). Göstergebilimsel serüven. (M. Rıfat, & S. Rıfat, Trans.) Yapı Kredi Yayınları.
  • Baudrillard, J. (2014). Simülakrlar ve simülasyon. (O. Adanır, Trans.) Doğu Batı Yayınları.
  • Belanche, D., Flavian, C., & Pérez-Rueda, A. (2017). Understanding interactive online advertising: Congruence and product involvement in highly and lowly arousing, skippable video ads. Journal of Interactive Marketing, 37, 75-88. https://doi.org/https://doi.org/10.1016/j.intmar
  • Bourse, M., & Yücel, H. (2012). İletişim bilimlerinin serüveni. Ayrıntı Yayınları.
  • Bozkurt, G. Ş. (2021). Pazarlama 4.0: Sosyal medya pazarlaması. In G. D. Türk (Ed.), Sosyal medyada marka ve itibar yönetimi (pp. 27-58). Nobel.
  • Cao, X., Qu, Z., Liu, Y., & Hu, J. (2021). How the destination short video affects the customers' attitude: The role of narrative transportation. Journal of Retailing and Consumer Services, 62, 102672. https://doi.org/https://doi.org/10.1016/j.jretconser.2021.102672
  • Ching, R. K., Ton, P., Chen, J. -S., & Chen, H. -Y. (2013). Narrative online advertising: identification and its effects on attitude toward a product. Internet Research, 23(4), 414-438. https://doi.org/https://doi.org/10.1108/IntR-04-2012-0077
  • Codignola, F. (2018). Luxury fashion brands and furniture design: Investigating strategic associations. European Scientific Journal, 14(4), 44-60. https://doi.org/https://doi.org/10.19044/esj.2018.v14n4p44
  • Coles, J., & House, N. (2012). İç mimarlığın temelleri. (Z. Vaizoğlu, Trans.) Literatür.
  • Creswell, J. W. (2013). Nitel araştırma yöntemleri. Siyasal Kitabevi.
  • Croteau, D., & Hoynes, W. (2003). Media society: Indstries, images and audinces. Fine Forge Prss.
  • Dal, E. (2021). Sinemada zaman-mekân tecrübesi . İlem Yayınları.
  • De Oliveira, N., Oxley, N., & Petry, M. (2005). Yeni milenyumda enstalasyon sanatı, duyular imparatorluğu. (O. Akınhay, Trans.) Akbank Sanat.
  • Dion, D., & Arnould, E. (2011). Retail luxury strategy: Assembling charisma through art and magic. Journal of Retailing, 87(4), 502-520. https://doi.org/https://doi.org/10.1016/j.jretai.2011.09.001
  • Dior. (2025, March 12). Her catwalk, the Hall of Mirrors. Her stage, the Grand Canal of Versailles. Instagram. Retrieved from Instagram: https://www.instagram.com/p/DHG2Tf2tAqY/
  • Dowling, G. R. (2006). Communicating corporate reputation through stories. California Management Review, 49(1), 82-100. https://doi.org/https://doi.org/10.2307/41166372
  • Dyer, G. (2008). Adverstisins as a communication. Routledge.
  • Hamelin, N., El Moujahid, O., & Thaichon, P. (2017). Emotion and advertising effectiveness: A novel facial expression analysis approach. Journal of Retailing and Consumer Services, 36, 103-111. https://doi.org/https://doi.org/10.1016/j.jretconser.2017.01.001
  • Hart, C. (2023, April 15). 5 Must-Have Elements for a Successful Fashion Video Campaign. Retrieved from Cyrstal Pulse: https://crystalpulse.co.uk/5-must-have-elements-for-a-successful-fashion-video-campaign/
  • He, J., & Shao, B. (2018). Examining the dynamic effects of social network advertising: A semiotic perspective. Telematics and Informatics, 35(2), 504-516. https://doi.org/https://doi.org/10.1016/j.tele.2018.01.014
  • Jang, R. -Y., & Yang, S. -H. (2010). 21 Century video image fashion communication: Focusing on Prada fashion animation. The Research Journal of the Costume Culture, 18(6), 1318-1330.
  • Jonathan, A., Tamar, L., & Martin, S. (2019). Digital Research Report: Interdisciplinary Research - Methodologies for Identification and Assessment. Digital Science. Report. https://doi.org/https://doi.org/10.6084/m9.figshare.4270289
  • Kaban Kadıoğlu, Z. (2014). Tüketim iletişimi süreçler, algılar ve tüketici . Pales Yayıncılık.
  • Kellaris, J. J., Cox, A. D., & Cox, D. (1993). The effect of background music on ad processing: A Contingency Explanation. Journal of Marketing, 57(4), 114-125. https://doi.org/https://doi.org/10.2307/1252223
  • Kim, J. -E., Lloyd, S., & Cervellon, M. -C. (2016). Narrative-transportation storylines in luxury brand advertising: Motivating consumer engagement. Journal of Business Research, 69(1), 304-313. https://doi.org/https://doi.org/10.1016/j.jbusres.2015.08.002
  • Lien, N. -H., & Chen, Y. -L. (2013). Narrative ads: The effect of argument strength and story format. Journal of Business Research, 66(4), 516-522. https://doi.org/https://doi.org/10.1016/j.jbusres.2011.12.016
  • Loureiro, S. M., Jiménez-Barreto, J., & Romero, J. (2020). Enhancing brand coolness through perceived luxury values: Insight from luxury fashion brands. Journal of Retailing and Consumer Services, 57, 102211. https://doi.org/https://doi.org/10.1016/j.jretconser.2020.10
  • Lundqvist, A., Veronica L, l., Gummerus, J., & Van Riel, A. (2013). The impact of storytelling on the consumer brand experience: The case of a firm-originated story. Journal of Brand Management, 20, 283-297. https://doi.org/https://doi.org/10.1057/bm.2012.15
  • Maigret, E. (2011). Medya ve iletişim sosyolojisi. (H. Yücel, Trans.) İletişim Yayınları.
  • Mas Pablo. (2025). @dsquared2 SS25 Campaign. Instagram. Retrieved from https://www.instagram.com/p/DH-n04pNhnb/
  • McAssey, J., & Buckley, C. (2013). Moda tasarımında stil yaratmak. (B. Başoğlu, Trans.) Literatür.
  • Mcluhan, M., & Fiore, Q. (2012). Medya mesajı medya mesajıdır. (İ. Haydaroğlu, Trans.) Mediacat Yayıncılık.
  • Morley, D., & Robins, K. (2011). Kimlik mekânları. (E. Zeybekoğlu, Trans.) Ayrıntı Yayınları.
  • Moschino. (2025). Answer a call of the wild. Moschino “Collezione 01” Mens-wear wanders through natural landscapes. Instagram. Retrieved from https://www.instagram.com/p/DHdicrdIM8g/
  • Mugler. (2025). Mugler introduces its new Angel Stellar fragrance starring @hunterschafer and filmed under the visionary camera of @jordan_hemingway. Instagram. Retrieved from https://www.instagram.com/reel/DHOkRtJtfFP/
  • Nasir, A. V., K. A., S. O., & Nalbant, M. (2021). Segmenting consumers based on social media advertising perceptions: How does purchase intention differ across segments? Telematics and Informatics, 64, 101687. https://doi.org/https://doi.org/10.1016/j.tele.2021.101687
  • Öztekin, M., & Emre, K. (2022). Reflection of fictional space design on fashion brands: The case of Balenciaga Afterworld video game. Journal of Interior Design and Academy, 2(2), 137-148. https://doi.org/https://doi.org/10.53463/inda.20220130
  • Pallasma, J. (2012). The eyes of the skin: Architecture and the senses. Wiley.
  • Patrick, V., & Hagtvedt, H. (2011). Advertising with Art: Creative Visuals. In M. A. Runco, & S. R. Pritzker (Eds.), Encyclopedia of creativity. Academic Press.
  • Reimer, T. (2023). Environmental factors to maximize social media engagement: A comprehensive framework. Journal of Retailing and Consumer Services, 75, 103458. https://doi.org/https://doi.org/10.1016/j.jretconser.2023.103458
  • Ries, L. (2013). Visual hammer. MediaCat.
  • Rosengren, S., Eisend, M., Koslow, S., & Dahlen, M. (202). A meta-analysis of when and how advertising creativity works. Journal of Marketing, 84(6), 39-56. https://doi.org/https://doi.org/10.1177/0022242920929288
  • Selvi, M. S. (2007). İlişkisel pazarlama. Detay Yayınları.
  • Severin, W. J., & Tankard, J. W. (2021). İletişim teorileri kökenleri, yöntemleri ve kitle iletişim araçlarında kullanımları. (A. Atıf, & K. Meral, Trans.) The Kitap.
  • Sokolov, A. G. (2007). Sinema ve televizyonda görüntü kurgusu. (S. Arslanyürek, Trans.) Agora Kitaplığı.
  • Stankeviciute, R., & Hoffmann, J. (2010). The impact of brand extension on the parent luxury fashion brand: The cases of Giorgio Armani, Calvin Klein and Jimmy Choo. Journal of Global Fashion Marketing, 1(2), 119–128. https://doi.org/https://doi.org/10.1080/20932685.201
  • Sweetser, E. (2017). Metaphor and metonymy in advertising: Building viewpoint in multimodal multi-space blends. Journal of Pragmatics, 122, 65-76. https://doi.org/https://doi.org/10.1016/j.pragma.2017.10.012
  • Şentürk, R. (2017). İletişim ve televizyon teorileri. Küre Yayınları.
  • Tapp, A. (2005). Principles of direct and database marketing. Prentice Hall.
  • Thompson, J. B. (2008). Medya ve modernite. (S. Öztürk, Trans.) Kırmızı Yayınları.
  • Türk, G. D., & Kölgelier, Y. Ö. (2021). Sosyal Medyada Kriz Yönetimi ve İmaj Restorasyonu. In G. D. Türk (Ed.), Sosyal medyada marka ve itibar yönetimi (pp. 181-211). Nobel.
  • Van Lear, T., Feiereisen, S., & Visconti, L. (2019). Storytelling in the digital era: A meta-analysis of relevant moderators of the narrative transportation effect. Journal of Business Research, 96, 135-146. https://doi.org/https://doi.org/10.1016/j.jbusres.2018.10.053
  • Von Wachenfeldt, P. (2018). Communicating seduction. Luxury fashion advertisements in video campaigns. Studies in Communication Sciences, 18(2), 353-363. https://doi.org/https://doi.org/10.24434/j.scoms.2018.02.010
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There are 59 citations in total.

Details

Primary Language English
Subjects Interior Architecture
Journal Section RESEARCH ARTICLES
Authors

Mertcan Öztekin 0000-0002-6490-4557

Publication Date October 1, 2025
Submission Date July 6, 2025
Acceptance Date September 30, 2025
Published in Issue Year 2025 Volume: 15 Issue: 4

Cite

APA Öztekin, M. (2025). STORYTELLING IN FASHION VIDEO ADVERTS: SPACE TYPOLOGY AND DESIGN. Turkish Online Journal of Design Art and Communication, 15(4), 1387-1399. https://doi.org/10.7456/tojdac.1736090


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