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Türkiye'de Dijital Müzikteki Yeni Ekonomik Modellerin Sosyolojik ve Kültürel Yönleri

Year 2021, Issue: 13, 295 - 332, 30.12.2021

Abstract

Bu araştırma, dijital müzik endüstrisindeki yeni ekonomik modelleri kültürel, teknolojik ve sosyolojik açılardan açıklamaktadır. Küresel pazarların yanı sıra yerel girişimciliğin önemi de incelenmiştir. Son yirmi yılda, dijital müzikte birçok gelişme olmuştur. Bu gelişmeler dijital ekonomi ve müzik teknolojisi arasındaki ilişkileri etkilemiştir. Çalışma ağırlıklı olarak Türkiye’deki müzik piyasasına odaklanmıştır. Abonelik ve paket satış modelleri neden artmaktadır? Telekomünikasyon şirketleri ile dijital müzik hizmetleri arasındaki ekonomik birleşme nasıl işler? Başta akıllı telefonlar olmak üzere, teknolojideki son gelişmelerin müzik sektörüne etkileri nelerdir? Makalede, Türkiye’nin en büyük GSM operatörü ve Avrupa’nın ilk 5’inden biri olan Turkcell ile Türk dijital müzik servisi Fizy’nin ortaklığı örneklenmiştir. Böylece dijital çağda yerel pazarların önemi, izleyicilerin beklentileri, stream’in uygulanabilirliği ve Türkiye’de paket satış ekonomik modelleri incelenmiştir.

References

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  • Hill, Brad. The Digital Songstream: Mastering the World of Digital Music. New York: Routledge, 2003.
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  • Hjelmbrekke, Sigbjørn. “Economic concepts and implications of music subscriptions” 18th International Conference on Cultural Economics, Montreal, Canada, 25- 27 June 2014.
  • Hutchison, Tom. Web Marketing for the Music Business. U.S.A.: Elsevier, 2008.
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  • Palfrey, J., and U. Gasser. 2008. Born Digital: Understanding the First Generation of Digital Natives. New York: Basic Books.
  • Patmore, David. “Selling Sounds: Recordings and the record business”, The Cambridge Companion to Recorded Music, Ed. Nicholas Cook, Eric Clarke, Daniel Leech- Wilkinson and John Rink, Cambridge: Cambridge University Press, 2009.
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  • Reskinoff, P 2016, Spotify reaches 39 million paying subscribers, Digital Music News, viewed (02.03.2017)http://www.digitalmusicnews.com/2016/08/25/spotify-39-million-paying-subscribers/
  • Sahin, Burcu, “Motto muzikten genclik ve muzik arastirmasi” Viewed (10.05.2018) http://digitalage.com.tr/motto-muzikten-genclik-ve-muzik-arastirmasi/
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  • Tscmuck, Peter. Creativity and Innovation in the Music Industry. Vienna: Springer, 2012.
  • Turkcell, Viewed (1.02.2018) http://www.turkcell.com.tr/tr/hakkimizda/genel-bakis
  • Webrazzi, “Turkiye’de mobil kullanici arastirmasinin sonuclarinin yayimliyoruz”. Viewed (24.05.2017)http://webrazzi.com/2016/05/11/turkiyede-mobil-kullanici-arastirmasinin-sonuclarini-yayimliyoruz-ozel-haber/
  • Webrazzi, “Spotify’in yalnizca bir muzik dinleme servisi oldugu devir kapandi”. Viewed (01.07.2017) http://webrazzi.com/2015/05/21/spotify-donusum/

Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey

Year 2021, Issue: 13, 295 - 332, 30.12.2021

Abstract

This research explained new economic models in the digital music industry in view of cultural, technological, and sociological aspects. The importance of local entrepreneurship, as well as global markets, were viewed. There have been many developments in digital music in the past two decades. These developments have affected relations between the digital economy and music technology. The study is mainly focused on the Turkish music market. Why the subscription and bundling models are on the rise? How does an economic merger between telecommunication companies and digital music services work? What are the effects of the recent developments in technology, in particular smartphones on music industry? The partnership of Turkcell, the largest GSM operator in Turkey, and one of the top 5 in Europe and Turkish digital music service Fizy was exemplified. Thus, the significance of local markets in the digital era, expectations of the audiences, the applicability of streaming, and bundling economic models in Turkey have been examined.

References

  • Barrow, Tony and Julian Newby. Inside the Music Business. New York: Routledge, 1994.
  • Bilgi Cagi, Viewed (01.05.2018) https://www.digitaltalks.org/2015/06/21/spotify-ulke-direktoru-ergul-civi-ile-pazar-sohbeti/
  • Castells, Manuel. “Materials for an exploratory theory of the network society” The British Journal of Sociology 51/1 (2008): 5-24.
  • Burkart, Partrick. Music and Cyberliberties. Middletown: Wesleyan University Press, 2010.
  • Cuhadar, Bahar, “Dunyanin hayranligini kazanan sitenin oykusu”, viewed (10.01.2018) http://www.radikal.com.tr/hayat/dunyanin-hayranligini-kazanan-sitenin-oykusu-916276/
  • Demirel, Firat, “Yetiskinlerde akilli telefon kullaniminin en hizli arttigi ulke Turkiye”, viewed (20.05.2017) http://webrazzi.com/2016/02/25/yetiskinlerde-akilli-telefon-kullaniminin-en-hizli-artigi-ulke-turkiye/
  • Erkayhan, Safak. “Creative industries and digital future industries” E- Journal of Intermedia 2/ 2 (2015): 411- 423.
  • Flew, Terry. “Beyond and hocery: defining creative industries” The Second International Conference on Cultural Policy Research, Wellington, New Zealand, 23-26 January 2002.
  • Gamble, Jordan, Michael Brennan, and Rodney McAdam, ‘A rewarding experience? Exploring how crowdfunding is affecting music industry business models’. Journal of Business Research, 70/3 (2017): 25-36.
  • Gordon, Steve. The Future of The Music Business. San Francisco: Backbeat Books, 2005.
  • Gronow, Pekka and Ilpo Saunio. An International History of the Recording Industry. London: Cassell, 1999.
  • HaberTurk, Viewed (20.05.2018) http://www.haberturk.com/ekonomi/is-yasam/haber/1118013-turkiye-akilli-telefonda-internet-kullaniminda-dunya-ikincisi
  • Hagen, Anja N. “The playlist experience: Personal playlists in music streaming services”, Popular Music and Society 28/5 (2015): 625- 645.
  • Hill, Brad. The Digital Songstream: Mastering the World of Digital Music. New York: Routledge, 2003.
  • Hiller, Scott, and Jason Walter. ‘The rise of streaming music and implications for productions’ Review of Network Economics 16/4 (2017): 351- 385.
  • Hjelmbrekke, Sigbjørn. “Economic concepts and implications of music subscriptions” 18th International Conference on Cultural Economics, Montreal, Canada, 25- 27 June 2014.
  • Hutchison, Tom. Web Marketing for the Music Business. U.S.A.: Elsevier, 2008.
  • IFPI. “Digital Music in 2007- A Brave New World”. Viewed (05.04.20117) http://www.ifpi.org/content/library/digital-music-report-2007.pdf
  • IFPI. “Revolution, Innovation, Responsibility”. Viewed (05.04.2017) http://www.ifpi.org/content/library/DMR2008.pdf
  • IFPI. “2009 New Business Models for Changing Environment”. Viewed (10.04.2017) http://www.ifpi.org/content/library/DMR2009.pdf
  • IFPI. “2010 Music How, When, Where You Want It”. Viewed (01.05.2017) http://www.ifpi.org/content/library/DMR2010.pdf
  • IFPI. “Engine of a Digital World”. Viewed (01.03.2017) http://www.ifpi.org/downloads/dmr2013-full-report_english.pdf
  • IFPI, “Lighting Up New Markets”. Viewed (10.04.2017) http://www.ifpi.org/downloads/Digital-Music-Report-2014.pdf
  • IFPI. “2015 Charting the Path to Sustainable Growth”. Viewed (15.06.2017) http://www.ifpi.org/downloads/Digital-Music-Report-2015.pdf
  • IFPI. “Music Consumption Exploding Worldwide”. Viewed (01.07.2017) http://www.ifpi.org/downloads/GMR2016.pdf
  • Internet Word Stats. “Internet Users Distributon in the World: 2020- Q1. Viewed 05.03.2020. http://www.internetworldstats.com/stats.htm
  • Jones, Steve. ‘Music and the Internet’, The Handbook of Internet Studies. UK: Blackwell Publishing, 2011.
  • Marka- marka, “Markalarin Oykusu- F (Fizy)”. Viewed 10.02.2018. http://www.marka-marka.org/marka/marka-hikayeleri/fizy-marka/
  • Marshall, Lee. “Let’s keep music special. F- Spotify’: on-demand streaming and the controversy over artist royalties”, Creative Industries Journal 8/2: 177- 189.
  • Millard, Andre. America on Record: A History of Recorded Sound. Cambridge: Cambridge University Press, 2005.
  • Music Industry Blog, “New Report: Building the New Business Case for Bundled Music Sevices”. Viewed 04.04.2020.
  • https://musicindustryblog.wordpress.com/2013/10/11/new-report-building-the-new-business-case-for-bundled-music-services/
  • Nufusu, “Turkiye Nufusu Yas Gruplarina Gore Dagilimi 2019” Viewed 01.03.2020. http://www.nufusu.com/turkiye-nufusu-yas-gruplari
  • Ozturk, T. A. “Adaptation Strategies of Musicians between the Audience Expectations and Culture Industry in terms of New Media” PhD Thesis, Istanbul Technical University, 2015.
  • Palfrey, J., and U. Gasser. 2008. Born Digital: Understanding the First Generation of Digital Natives. New York: Basic Books.
  • Patmore, David. “Selling Sounds: Recordings and the record business”, The Cambridge Companion to Recorded Music, Ed. Nicholas Cook, Eric Clarke, Daniel Leech- Wilkinson and John Rink, Cambridge: Cambridge University Press, 2009.
  • Radikal, Viewed (10.02.2017), http://www.radikal.com.tr/hayat/dunyanin-hayranligini-kazanan-sitenin-oykusu-916276/
  • Resnikoff, P 2016, More than 100 million people now pay for streaming music services, Digital Music News, Viewed (07.02.2018) http://www.digitalmusicnews.com/2016/09/06/100-million-subscribers-streaming-music/
  • Reskinoff, P 2016, Spotify reaches 39 million paying subscribers, Digital Music News, viewed (02.03.2017)http://www.digitalmusicnews.com/2016/08/25/spotify-39-million-paying-subscribers/
  • Sahin, Burcu, “Motto muzikten genclik ve muzik arastirmasi” Viewed (10.05.2018) http://digitalage.com.tr/motto-muzikten-genclik-ve-muzik-arastirmasi/
  • Statistica, Viewed (05.03.2017) https://www.statista.com/statistics/330695/number-of-smartphone-users-worldwide/
  • Teknoloji Gundem, Viewed (20.01.2017) http://www.teknolojigundem.com/haber/terzioglu-ingilizce-yerine-robot-yapmayi-ogrenmeliyiz/1167485
  • Tscmuck, Peter. Creativity and Innovation in the Music Industry. Vienna: Springer, 2012.
  • Turkcell, Viewed (1.02.2018) http://www.turkcell.com.tr/tr/hakkimizda/genel-bakis
  • Webrazzi, “Turkiye’de mobil kullanici arastirmasinin sonuclarinin yayimliyoruz”. Viewed (24.05.2017)http://webrazzi.com/2016/05/11/turkiyede-mobil-kullanici-arastirmasinin-sonuclarini-yayimliyoruz-ozel-haber/
  • Webrazzi, “Spotify’in yalnizca bir muzik dinleme servisi oldugu devir kapandi”. Viewed (01.07.2017) http://webrazzi.com/2015/05/21/spotify-donusum/
There are 46 citations in total.

Details

Primary Language English
Subjects Sociology
Journal Section Articles
Authors

Tuğba Aydın Öztürk 0000-0002-7072-5213

Nick Crossley This is me 0000-0003-0969-9121

Publication Date December 30, 2021
Submission Date March 22, 2021
Published in Issue Year 2021 Issue: 13

Cite

APA Aydın Öztürk, T., & Crossley, N. (2021). Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey. Üsküdar Üniversitesi Sosyal Bilimler Dergisi(13), 295-332.
AMA Aydın Öztürk T, Crossley N. Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey. JOSOC. December 2021;(13):295-332.
Chicago Aydın Öztürk, Tuğba, and Nick Crossley. “Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey”. Üsküdar Üniversitesi Sosyal Bilimler Dergisi, no. 13 (December 2021): 295-332.
EndNote Aydın Öztürk T, Crossley N (December 1, 2021) Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey. Üsküdar Üniversitesi Sosyal Bilimler Dergisi 13 295–332.
IEEE T. Aydın Öztürk and N. Crossley, “Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey”, JOSOC, no. 13, pp. 295–332, December 2021.
ISNAD Aydın Öztürk, Tuğba - Crossley, Nick. “Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey”. Üsküdar Üniversitesi Sosyal Bilimler Dergisi 13 (December 2021), 295-332.
JAMA Aydın Öztürk T, Crossley N. Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey. JOSOC. 2021;:295–332.
MLA Aydın Öztürk, Tuğba and Nick Crossley. “Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey”. Üsküdar Üniversitesi Sosyal Bilimler Dergisi, no. 13, 2021, pp. 295-32.
Vancouver Aydın Öztürk T, Crossley N. Sociological and Cultural Aspects of New Economic Models in Digital Music in Turkey. JOSOC. 2021(13):295-332.

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