Research Article
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Melezleşme ve Kültürel Miras Arasında Türkiye'de Siyasal Müziğin Gelişimi

Year 2022, Issue: 9, 170 - 192, 27.04.2022

Seçkin Söylemez

https://doi.org/10.32739/etkilesim.2022.5.9.160

Abstract

Bu makalenin temel amacı, Türkiye'de siyasallaşan popüler müziğin doğuşunu ve gelişimini siyaset bilimi perspektifinden incelemektir. İçeriği ve müziği etkileyen belirli faktörleri veya bunlardan kaynaklanan yol bağımlılıklarını daha iyi anlamak için Michel Foucault'nun çalışmasına dayanan bir söylem-teorik çerçeve kullanılır. Çalışmanın ana odak noktası, 1960'lar ve 1970'lerin Türk Anadolu Rock'ının, melez müzik formları ve politik lirizmin bir müzik deposu olarak ortaya çıkan türü üzerinedir.

Keywords

Anadolu Rock Siyaset Bilimi Protesto Müziği Dünya Müziği

References

  • Adorno, Theodor W., ed. 1973. Ästhetische Theorie. 1. Aufl. Suhrkamp-Taschenbuch Wissenschaft 2. Frankfurt am Main: Suhrkamp.
  • Adorno, Theodor W. 2002. “Résumé Über Kulturindustrie.” In Kursbuch Medienkultur : Die Maßgeblichen Theorien Von Brecht Bis Baudrillard, 202–8. Stuttgart: Dt. Verl.-anst.
  • Anikeeva, Tatyana A. 2016. “To the Question of Poetry and Folk Songs of Turkey About the First World War.” ВЕСТНИК, 257.
  • Arslan, Mustafa, and Ali AKSİT. 2014. “Toplum Tarafından Divan Edebiyatının Algılanması Üzerine Bir Araştırma.” Turkish Studies-İnternational Periodical for the Languages, Literature and History of Turkish or Turkic 9: 3.
  • Bağce, H. Emre. 2015. “Dilemmas of Democratization in Turkey with Special Reference to “Modernization from Above”.” İnsan&İnsan, 4. Baysal, Ozan. 2018. “Reconsidering “Anadolu Pop”.” Rock Music Studies 5 (3): 205–19.
  • Biebricher, Thomas. 2005. Selbstkritik Der Moderne: Foucault Und Habermas Im Vergleich: Campus Verlag. Çakır, Ömer. 2020. “Çanakkale Türküsü'nün Öyküsü.” 2148-0877.
  • Ergun, Levent. 2017. “The Golden Microphone as a Moment of Hegemony.” Made in Turkey: Studies in Popular Music. New York: Routledge, 75–88. Feyizoğlu, Turhan. 2017. Deniz-Bir İsyancının İzleri: artcivic.
  • Foucault, M. 2002. The Archaeology of Knowledge: Routledge Classics: London.
  • Gedik, Ali C., and Levent Ergun. 2019. “Looking Beyond the Republic of Love or Hate in Turkey: Studies in Popular Music.” IASPM Journal 9 (2): 92–104.
  • Gökçedağ, Nuri Levent. 2007. Atatürk Dönemi Müzik Ideolojisi Ve Günümüze Yansımaları: Sosyal Bilimler Enstitüsü.
  • Güler, Mehmet Atilla. 2016. “1970'li Yıllarda Türkiye İşçi Sınıfını Cem Karaca Şarkıları Ile Okumak.” Calisma ve Toplum 49 (2).
  • Güler, Mehmet Atilla, and Serter Oran. 2020. “Emeğin Özneleşmesi Bağlamında Türkiye’de Politik Rock’un Gelişimi.” 1305-6182.
  • Gültekin, Setenay. 2019. “Turkish Psychedelia the Revival of Anatolian Pop.”
  • Huntington, Samuel P. 1993. The Third Wave: Democratization in the Late Twentieth Century: University of Oklahoma press.
  • Isik Dursun, Zeynep Isil. 2019. The Turkish Psychedelic Music Explosion: Anadolu Psych, 1965-1980: Taylor & Francis.
  • Jäger, Siegfried, and Florentine Maier. 2009. “Theoretical and Methodological Aspects of Foucauldian Critical Discourse Analysis and Dispositive Analysis.” Methods of critical discourse analysis 2: 34–61.
  • Karahasanoğlu, Songül, and Gabriel Skoog. 2009. “Synthesizing Identity: Gestures of Filiation and Affiliation in Turkish Popular Music.” Asian Music 40 (2): 52–71.
  • Laclau, Ernesto. 2012. Politics and Ideology in Marxist Theory: Capitalism, Fascism, Populism: Verso Trade.
  • Lund, Holger. 2013. “Anatolian Rock: Phenomena of Hybridization.” Beitrag im Rahmen der Tagung „This Is The Modern World–For A Social History Of Rock Music “, Université Charles-de-Gaulle Lille 3.
  • Lund, Holger. 2018. “Pop Und Hybrid-Pop.” Archive dekolonialisieren: Mediale und epistemische Transformationen in Kunst, Design und Film 173: 241.
  • Mardin, Şerif. 1973. “Center-Periphery Relations: A Key to Turkish Politics?” Daedalus, 169–90.
  • Martinsen, Renate. 2012. Negative Theoriesymbiose. Die Machtmodelle Von Niklas Luhmann Und Michel Foucault Im Vergleich: Nomos Verlagsgesellschaft mbH & Co. KG.
  • Nazlı, USTA. 2010. “ERKEN CUMHURİYET DÖNEMİ'nde TÜRKİYE'de MÜZİĞİN DÖNÜŞÜMÜ.” Erciyes İletişim Dergisi 1 (4).
  • Özgür, İren. 2006. “Arabesk Music in Turkey in the 1990s and Changes in National Demography, Politics, and Identity.” Turkish Studies 7 (2): 175–90.
  • ÖZTÜRK, Adil Adnan, and AKAY Melis. 2019. “KÖY ENSTİTÜLERİNDE KÜLTÜR DERSİ OLARAK: MÜZİK EĞİTİMİ.” IV. Uluslararası Rating Academy Kongresi “Köy Enstitüleri ve Eğitimde Yeni Arayışlar”: BİLDİRİLER, 27.
  • Ramm, Christoph. 2020. “Turkey’s “Light” Rock Revolution–Anadolu Pop, Political Music, and the Quest for the Authentic.” In Turkey in Turmoil, 256–78: De Gruyter Oldenbourg.
  • Reinhard, Kurt. 1972. “Grundlagen Und Ergebnisse Der Erforschung Türkischer Musik.” Acta musicologica, 266–80.
  • Rumpf, Christian, and Udo Steinbach. 2004. “Das Politische System Der Türkei.” In Die Politischen Systeme Osteuropas, 847–86: Springer.
  • Safa, Peyami. 1960. Türk Inkılâbına Bakışlar: Ötüken Neşriyat AŞ.
  • Soydaş, Emin. 2011. “Musical Performance at the Ottoman Court in the Sixteenth and Seventeenth Centuries.” PERFORMA'11 Proceedings and Abstracts Book.
  • Spicer, Daniel. 2018. The Turkish Psychedelic Explosion: Anadolu Psych 1965-1980: Watkins Media Limited.
  • Storey, John. 2018. Cultural Theory and Popular Culture: An Introduction: Routledge.
  • Varol, Ozan O. 2012. “The Democratic Coup D'état.” Harv. Int'l LJ 53: 291.
  • Way, Lyndon C. S. 2015. “Spaces of Protest in Turkish Popular Music.” In Relocating Popular Music, 27–43: Springer.
  • Yarar, Betül. 2008. “Politics Of/and Popular Music: An Analysis of the History of Arabesk Music from the 1960s to the 1990s in Turkey.” Cultural Studies 22 (1): 35–79.

The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage

Year 2022, Issue: 9, 170 - 192, 27.04.2022

Seçkin Söylemez

https://doi.org/10.32739/etkilesim.2022.5.9.160

Abstract

The main purpose of this paper is to examine the genesis and development of politicized popular music in Turkey from a political science perspective. For a better understanding of specific factors influencing the content and music, or path dependencies arising from them, a discourse-theoretical framework based on the work of Michel Foucault is used. The main focus of the study is on the genre of Turkish Anatolian Rock of the 1960s and 1970s, which appears as a musical reservoir of hybrid musical forms and political lyricism.

Keywords

Anatolian Rock Political Science Protest Music World Music

References

  • Adorno, Theodor W., ed. 1973. Ästhetische Theorie. 1. Aufl. Suhrkamp-Taschenbuch Wissenschaft 2. Frankfurt am Main: Suhrkamp.
  • Adorno, Theodor W. 2002. “Résumé Über Kulturindustrie.” In Kursbuch Medienkultur : Die Maßgeblichen Theorien Von Brecht Bis Baudrillard, 202–8. Stuttgart: Dt. Verl.-anst.
  • Anikeeva, Tatyana A. 2016. “To the Question of Poetry and Folk Songs of Turkey About the First World War.” ВЕСТНИК, 257.
  • Arslan, Mustafa, and Ali AKSİT. 2014. “Toplum Tarafından Divan Edebiyatının Algılanması Üzerine Bir Araştırma.” Turkish Studies-İnternational Periodical for the Languages, Literature and History of Turkish or Turkic 9: 3.
  • Bağce, H. Emre. 2015. “Dilemmas of Democratization in Turkey with Special Reference to “Modernization from Above”.” İnsan&İnsan, 4. Baysal, Ozan. 2018. “Reconsidering “Anadolu Pop”.” Rock Music Studies 5 (3): 205–19.
  • Biebricher, Thomas. 2005. Selbstkritik Der Moderne: Foucault Und Habermas Im Vergleich: Campus Verlag. Çakır, Ömer. 2020. “Çanakkale Türküsü'nün Öyküsü.” 2148-0877.
  • Ergun, Levent. 2017. “The Golden Microphone as a Moment of Hegemony.” Made in Turkey: Studies in Popular Music. New York: Routledge, 75–88. Feyizoğlu, Turhan. 2017. Deniz-Bir İsyancının İzleri: artcivic.
  • Foucault, M. 2002. The Archaeology of Knowledge: Routledge Classics: London.
  • Gedik, Ali C., and Levent Ergun. 2019. “Looking Beyond the Republic of Love or Hate in Turkey: Studies in Popular Music.” IASPM Journal 9 (2): 92–104.
  • Gökçedağ, Nuri Levent. 2007. Atatürk Dönemi Müzik Ideolojisi Ve Günümüze Yansımaları: Sosyal Bilimler Enstitüsü.
  • Güler, Mehmet Atilla. 2016. “1970'li Yıllarda Türkiye İşçi Sınıfını Cem Karaca Şarkıları Ile Okumak.” Calisma ve Toplum 49 (2).
  • Güler, Mehmet Atilla, and Serter Oran. 2020. “Emeğin Özneleşmesi Bağlamında Türkiye’de Politik Rock’un Gelişimi.” 1305-6182.
  • Gültekin, Setenay. 2019. “Turkish Psychedelia the Revival of Anatolian Pop.”
  • Huntington, Samuel P. 1993. The Third Wave: Democratization in the Late Twentieth Century: University of Oklahoma press.
  • Isik Dursun, Zeynep Isil. 2019. The Turkish Psychedelic Music Explosion: Anadolu Psych, 1965-1980: Taylor & Francis.
  • Jäger, Siegfried, and Florentine Maier. 2009. “Theoretical and Methodological Aspects of Foucauldian Critical Discourse Analysis and Dispositive Analysis.” Methods of critical discourse analysis 2: 34–61.
  • Karahasanoğlu, Songül, and Gabriel Skoog. 2009. “Synthesizing Identity: Gestures of Filiation and Affiliation in Turkish Popular Music.” Asian Music 40 (2): 52–71.
  • Laclau, Ernesto. 2012. Politics and Ideology in Marxist Theory: Capitalism, Fascism, Populism: Verso Trade.
  • Lund, Holger. 2013. “Anatolian Rock: Phenomena of Hybridization.” Beitrag im Rahmen der Tagung „This Is The Modern World–For A Social History Of Rock Music “, Université Charles-de-Gaulle Lille 3.
  • Lund, Holger. 2018. “Pop Und Hybrid-Pop.” Archive dekolonialisieren: Mediale und epistemische Transformationen in Kunst, Design und Film 173: 241.
  • Mardin, Şerif. 1973. “Center-Periphery Relations: A Key to Turkish Politics?” Daedalus, 169–90.
  • Martinsen, Renate. 2012. Negative Theoriesymbiose. Die Machtmodelle Von Niklas Luhmann Und Michel Foucault Im Vergleich: Nomos Verlagsgesellschaft mbH & Co. KG.
  • Nazlı, USTA. 2010. “ERKEN CUMHURİYET DÖNEMİ'nde TÜRKİYE'de MÜZİĞİN DÖNÜŞÜMÜ.” Erciyes İletişim Dergisi 1 (4).
  • Özgür, İren. 2006. “Arabesk Music in Turkey in the 1990s and Changes in National Demography, Politics, and Identity.” Turkish Studies 7 (2): 175–90.
  • ÖZTÜRK, Adil Adnan, and AKAY Melis. 2019. “KÖY ENSTİTÜLERİNDE KÜLTÜR DERSİ OLARAK: MÜZİK EĞİTİMİ.” IV. Uluslararası Rating Academy Kongresi “Köy Enstitüleri ve Eğitimde Yeni Arayışlar”: BİLDİRİLER, 27.
  • Ramm, Christoph. 2020. “Turkey’s “Light” Rock Revolution–Anadolu Pop, Political Music, and the Quest for the Authentic.” In Turkey in Turmoil, 256–78: De Gruyter Oldenbourg.
  • Reinhard, Kurt. 1972. “Grundlagen Und Ergebnisse Der Erforschung Türkischer Musik.” Acta musicologica, 266–80.
  • Rumpf, Christian, and Udo Steinbach. 2004. “Das Politische System Der Türkei.” In Die Politischen Systeme Osteuropas, 847–86: Springer.
  • Safa, Peyami. 1960. Türk Inkılâbına Bakışlar: Ötüken Neşriyat AŞ.
  • Soydaş, Emin. 2011. “Musical Performance at the Ottoman Court in the Sixteenth and Seventeenth Centuries.” PERFORMA'11 Proceedings and Abstracts Book.
  • Spicer, Daniel. 2018. The Turkish Psychedelic Explosion: Anadolu Psych 1965-1980: Watkins Media Limited.
  • Storey, John. 2018. Cultural Theory and Popular Culture: An Introduction: Routledge.
  • Varol, Ozan O. 2012. “The Democratic Coup D'état.” Harv. Int'l LJ 53: 291.
  • Way, Lyndon C. S. 2015. “Spaces of Protest in Turkish Popular Music.” In Relocating Popular Music, 27–43: Springer.
  • Yarar, Betül. 2008. “Politics Of/and Popular Music: An Analysis of the History of Arabesk Music from the 1960s to the 1990s in Turkey.” Cultural Studies 22 (1): 35–79.
There are 35 citations in total.

Details

Primary Language English
Subjects Communication and Media Studies
Journal Section Research Articles
Authors

Seçkin Söylemez 0000-0002-9012-858X

Publication Date April 27, 2022
Published in Issue Year 2022 Issue: 9

Cite

APA Söylemez, S. (2022). The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage. Etkileşim(9), 170-192. https://doi.org/10.32739/etkilesim.2022.5.9.160
AMA Söylemez S. The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage. Etkileşim. April 2022;(9):170-192. doi:10.32739/etkilesim.2022.5.9.160
Chicago Söylemez, Seçkin. “The Sound of Protest - The Development of Political Music in Turkey Between Hybridization and Cultural Heritage”. Etkileşim, no. 9 (April 2022): 170-92. https://doi.org/10.32739/etkilesim.2022.5.9.160.
EndNote Söylemez S (April 1, 2022) The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage. Etkileşim 9 170–192.
IEEE S. Söylemez, “The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage”, Etkileşim, no. 9, pp. 170–192, April 2022, doi: 10.32739/etkilesim.2022.5.9.160.
ISNAD Söylemez, Seçkin. “The Sound of Protest - The Development of Political Music in Turkey Between Hybridization and Cultural Heritage”. Etkileşim 9 (April 2022), 170-192. https://doi.org/10.32739/etkilesim.2022.5.9.160.
JAMA Söylemez S. The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage. Etkileşim. 2022;:170–192.
MLA Söylemez, Seçkin. “The Sound of Protest - The Development of Political Music in Turkey Between Hybridization and Cultural Heritage”. Etkileşim, no. 9, 2022, pp. 170-92, doi:10.32739/etkilesim.2022.5.9.160.
Vancouver Söylemez S. The Sound of Protest - The Development of Political Music in Turkey between Hybridization and Cultural Heritage. Etkileşim. 2022(9):170-92.
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