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İllüstrasyonun Konsept Albümlerdeki Anlatı Rolü: ‘Cry Baby’, ‘Art Angels’ ve ‘Consolation’ Analizi

Year 2025, Issue: 16, 308 - 331

Eray Özkan

https://doi.org/10.32739/etkilesim.2025.8.16.315

Abstract

Bu çalışma, Melanie Martinez, Grimes ve Pomme'un konsept albümlerindeki illüstrasyonların şarkı sözleriyle nasıl anlatısal olarak etkileşime girdiğini araştırmak amacıyla gerçekleştirilmiştir. Çalışma sürecinde Cry Baby (2015), Art Angels (2015) ve Consolation (2022) incelenmiş, her şarkı için ayrılmış illüstrasyonların duygusal ve sembolik içeriklerini nasıl güçlendirdiği, karmaşıklaştırdığı veya genişlettiği analiz edilmiştir. Müzik videolarının ötesine geçen çalışma, illüstrasyonların parça-görüntü eşleşmeleri içinde odaklanmayı, tonu ve sembolik tutarlılığı aktif olarak şekillendirdiğini, çağdaş müzikte hikâye anlatımı literatürüne önemli ölçüde katkıda bulunduğunu ve popüler kültürdeki görsel anlatıların yeniden değerlendirilmesini gerektirdiğini savunmaktadır.

Keywords

Müzik albümü Görsel hikaye anlatımı Anlatı Ortamlararasılık İllüstrasyon

References

  • Bal, M. (2009). Narratology: Introduction to the theory of narrative (3rd ed.). University of Toronto Press.
  • Barthes, R. (1977). Image, music, text (S. Heath, Trans.). Hill and Wang.
  • Beyoncé. (2016). Lemonade [Visual Album]. Parkwood Entertainment, Columbia Records.
  • Bowie, D. (1972). The rise and fall of Ziggy Stardust and the Spiders from Mars [Album]. RCA Records.
  • Buhler, J., Neumeyer, D., & DeJarnett, R. (2010). Hearing the movies: Music and sound in film history. Oxford University Press.
  • Chion, M. (1994). Audio-vision: Sound on screen (C. Gorbman, Trans.). Columbia University Press.
  • Cook, N. (1998). Analysing musical multimedia. Oxford University Press.
  • Culler, J. (2001). The pursuit of signs: Semiotics, literature, deconstruction. Routledge.
  • Frank Ocean. (2016). Blonde [Album]. Boys Don’t Cry.
  • Genette, G. (1983). Narrative discourse: An essay in method (J. E. Lewin, Trans.). Cornell University Press.
  • Grimes. (2015a). Art Angels [Album]. 4AD.
  • Grimes. (2015b). Art Angels [Album Booklet]. 4AD.
  • Groensteen, T. (2007). The system of comics (B. Beaty, & N. Nguyen, Trans.). University Press of Mississippi.
  • Herman, D. (2004). Story logic: Problems and possibilities of narrative. University of Nebraska Press.
  • Herman, D. (2009). Basic elements of narrative. Wiley-Blackwell.
  • Janelle Monáe. (2010). The ArchAndroid [Album]. Bad Boy Records, Atlantic Records.
  • Kafalenos, E. (2006). Narrative causalities. Ohio State University Press.
  • Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design (2nd ed.). Routledge.
  • Martinez, M. (2015). Cry Baby [Album]. Atlantic Records.
  • Mitchell, W. J. T. (1994). Picture theory: Essays on verbal and visual representation. University of Chicago Press.
  • Patton, M. Q. (2015). Qualitative research & evaluation methods (4th ed.). SAGE.
  • Pink Floyd. (1979). The Wall [Album]. Harvest Records, Columbia Records.
  • Pomme. (2022). Consolation [Album]. Polydor.
  • Ponti, C. (2022). Consolation [Album Booklet]. Polydor.
  • Ryan, M.-L. (2004). Narrative across media: The languages of storytelling. University of Nebraska Press.
  • Seawright, J., & Gerring, J. (2008). Case selection techniques in case-study research. Political Research Quarterly, 61(2), 294-308.
  • Tagg, P. (2012). Music’s meanings: A modern musicology for non-musos. The Mass Media Music Scholars’ Press.
  • Tersigni, C. (2015) Cry Baby [Album Booklet]. Atlantic Records.
  • Wolf, W. (2003). Intermediality revisited: Reflections on word and music relations in the context of a general typology of intermediality. In S. Bernhart, & W. Wolf (Eds.), Word and music studies: Essays in honor of Steven Paul Scher and on cultural identity and the musical stage (Vol. 4, pp. 13-34). Rodopi.
  • Wolf, W. (2005). Intermediality. In D. Herman, M. Jahn, & M.-L. Ryan (Eds.), Routledge encyclopedia of narrative theory (pp. 252–256). Routledge.
  • Figure 1. (a) ‘Cry Baby’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015. Figure 1. (b) ‘Dollhouse’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 1. (c) ‘Sippy Cup’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (a) ‘Carousel’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (b) ‘Alphabet Boy’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (c) ‘Soap’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (a) ‘Training Wheels’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (b) ‘Pity Party’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (c) ‘Tag, You’re It’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (a) ‘Milk and Cookies’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (b) ‘Pacify Her’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (c) ‘Mrs. Potato Head,’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (d) ‘Mad Hatter’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 5. (a) ‘Laughing and Not Being Normal’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 5. (b) ‘California’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 5. (c) ‘Flesh without Blood’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (a) ‘Scream’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (b) ‘Belly of the Beat’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (c) ‘Kill V. Maim’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (a) ‘Artangels’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (b) ‘Easily’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (c) ‘REALiTi’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (a) ‘Pin’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (b) ‘Venus Fly’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (c) ‘World Princess Pt. II’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 9. (a)‘Butterfly’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 9. (b) ‘Life in the Vivid Dream’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 10. (a) ‘jardin’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 10. (b) ‘dans mes rêves’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 10. (c) ‘la rivière’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 10. (d) ‘Nelly’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (a) ‘septembre’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (b) ‘rien pour toi’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (c) ‘rdv’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (d) ‘bleu’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 12. (a) ‘when I c u’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 12. (b) ‘puppy’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 12. (c) ‘tombeau’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 12. (d) ‘allô’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 13. (a) ‘tout ça’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (b) ‘un million’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (c) ‘very bad’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (d) ‘B.’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.

Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’

Year 2025, Issue: 16, 308 - 331

Eray Özkan

https://doi.org/10.32739/etkilesim.2025.8.16.315

Abstract

This study investigates how illustrations in concept albums by Melanie Martinez, Grimes, and Pomme narratively interact with lyrics. Examining Cry Baby (2015), Art Angels (2015), and Consolation (2022), the research analyzes how dedicated illustrations for each song reinforce, complicate, or extend their emotional and symbolic content. Moving beyond music videos, the study argues that illustrations actively shape focalization, tone, and symbolic coherence within track-image pairings, contributing significantly to literature of storytelling in contemporary music and warranting a reevaluation of visual narratives in popular culture.

Keywords

Music album Visual storytelling Narrative Intermediality Illustration

References

  • Bal, M. (2009). Narratology: Introduction to the theory of narrative (3rd ed.). University of Toronto Press.
  • Barthes, R. (1977). Image, music, text (S. Heath, Trans.). Hill and Wang.
  • Beyoncé. (2016). Lemonade [Visual Album]. Parkwood Entertainment, Columbia Records.
  • Bowie, D. (1972). The rise and fall of Ziggy Stardust and the Spiders from Mars [Album]. RCA Records.
  • Buhler, J., Neumeyer, D., & DeJarnett, R. (2010). Hearing the movies: Music and sound in film history. Oxford University Press.
  • Chion, M. (1994). Audio-vision: Sound on screen (C. Gorbman, Trans.). Columbia University Press.
  • Cook, N. (1998). Analysing musical multimedia. Oxford University Press.
  • Culler, J. (2001). The pursuit of signs: Semiotics, literature, deconstruction. Routledge.
  • Frank Ocean. (2016). Blonde [Album]. Boys Don’t Cry.
  • Genette, G. (1983). Narrative discourse: An essay in method (J. E. Lewin, Trans.). Cornell University Press.
  • Grimes. (2015a). Art Angels [Album]. 4AD.
  • Grimes. (2015b). Art Angels [Album Booklet]. 4AD.
  • Groensteen, T. (2007). The system of comics (B. Beaty, & N. Nguyen, Trans.). University Press of Mississippi.
  • Herman, D. (2004). Story logic: Problems and possibilities of narrative. University of Nebraska Press.
  • Herman, D. (2009). Basic elements of narrative. Wiley-Blackwell.
  • Janelle Monáe. (2010). The ArchAndroid [Album]. Bad Boy Records, Atlantic Records.
  • Kafalenos, E. (2006). Narrative causalities. Ohio State University Press.
  • Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design (2nd ed.). Routledge.
  • Martinez, M. (2015). Cry Baby [Album]. Atlantic Records.
  • Mitchell, W. J. T. (1994). Picture theory: Essays on verbal and visual representation. University of Chicago Press.
  • Patton, M. Q. (2015). Qualitative research & evaluation methods (4th ed.). SAGE.
  • Pink Floyd. (1979). The Wall [Album]. Harvest Records, Columbia Records.
  • Pomme. (2022). Consolation [Album]. Polydor.
  • Ponti, C. (2022). Consolation [Album Booklet]. Polydor.
  • Ryan, M.-L. (2004). Narrative across media: The languages of storytelling. University of Nebraska Press.
  • Seawright, J., & Gerring, J. (2008). Case selection techniques in case-study research. Political Research Quarterly, 61(2), 294-308.
  • Tagg, P. (2012). Music’s meanings: A modern musicology for non-musos. The Mass Media Music Scholars’ Press.
  • Tersigni, C. (2015) Cry Baby [Album Booklet]. Atlantic Records.
  • Wolf, W. (2003). Intermediality revisited: Reflections on word and music relations in the context of a general typology of intermediality. In S. Bernhart, & W. Wolf (Eds.), Word and music studies: Essays in honor of Steven Paul Scher and on cultural identity and the musical stage (Vol. 4, pp. 13-34). Rodopi.
  • Wolf, W. (2005). Intermediality. In D. Herman, M. Jahn, & M.-L. Ryan (Eds.), Routledge encyclopedia of narrative theory (pp. 252–256). Routledge.
  • Figure 1. (a) ‘Cry Baby’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015. Figure 1. (b) ‘Dollhouse’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 1. (c) ‘Sippy Cup’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (a) ‘Carousel’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (b) ‘Alphabet Boy’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 2. (c) ‘Soap’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (a) ‘Training Wheels’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (b) ‘Pity Party’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 3. (c) ‘Tag, You’re It’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (a) ‘Milk and Cookies’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (b) ‘Pacify Her’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (c) ‘Mrs. Potato Head,’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 4. (d) ‘Mad Hatter’ digital illustration (50 × 50 cm) by Chloé Tersigni, created for ‘Cry Baby’ album (2015). ‘Cry Baby’ album booklet, © Atlantic Records 2015.
  • Figure 5. (a) ‘Laughing and Not Being Normal’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 5. (b) ‘California’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 5. (c) ‘Flesh without Blood’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (a) ‘Scream’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (b) ‘Belly of the Beat’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 6. (c) ‘Kill V. Maim’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (a) ‘Artangels’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (b) ‘Easily’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 7. (c) ‘REALiTi’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (a) ‘Pin’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (b) ‘Venus Fly’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 8. (c) ‘World Princess Pt. II’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 9. (a)‘Butterfly’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 9. (b) ‘Life in the Vivid Dream’ digital illustration (50 × 50 cm) by Grimes, created for ‘Art Angels’ album (2015). ‘Art Angels’ album booklet, © 4AD 2015.
  • Figure 10. (a) ‘jardin’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 10. (b) ‘dans mes rêves’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 10. (c) ‘la rivière’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 10. (d) ‘Nelly’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (a) ‘septembre’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (b) ‘rien pour toi’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (c) ‘rdv’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 11. (d) ‘bleu’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 12. (a) ‘when I c u’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 12. (b) ‘puppy’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 12. (c) ‘tombeau’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 12. (d) ‘allô’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022. Figure 13. (a) ‘tout ça’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (b) ‘un million’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (c) ‘very bad’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
  • Figure 13. (d) ‘B.’ scanned ink & watercolour illustration (50 × 50 cm) by Claude Ponti, created for ‘Consolation’ album (2022). ‘Consolation’ album booklet, © Polydor 2022.
There are 68 citations in total.

Details

Primary Language English
Subjects Media Literacy, Transmedia, New Media
Journal Section Research Articles
Authors

Eray Özkan 0000-0001-9369-4336

Early Pub Date October 28, 2025
Publication Date October 30, 2025
Submission Date May 26, 2025
Acceptance Date September 27, 2025
Published in Issue Year 2025 Issue: 16

Cite

APA Özkan, E. (2025). Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’. Etkileşim(16), 308-331. https://doi.org/10.32739/etkilesim.2025.8.16.315
AMA Özkan E. Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’. Etkileşim. October 2025;(16):308-331. doi:10.32739/etkilesim.2025.8.16.315
Chicago Özkan, Eray. “Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’”. Etkileşim, no. 16 (October 2025): 308-31. https://doi.org/10.32739/etkilesim.2025.8.16.315.
EndNote Özkan E (October 1, 2025) Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’. Etkileşim 16 308–331.
IEEE E. Özkan, “Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’”, Etkileşim, no. 16, pp. 308–331, October2025, doi: 10.32739/etkilesim.2025.8.16.315.
ISNAD Özkan, Eray. “Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’”. Etkileşim 16 (October2025), 308-331. https://doi.org/10.32739/etkilesim.2025.8.16.315.
JAMA Özkan E. Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’. Etkileşim. 2025;:308–331.
MLA Özkan, Eray. “Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’”. Etkileşim, no. 16, 2025, pp. 308-31, doi:10.32739/etkilesim.2025.8.16.315.
Vancouver Özkan E. Narrative Role of Illustration in Concept Albums: Analyzing ‘Cry Baby’, ‘Art Angels’, and ‘Consolation’. Etkileşim. 2025(16):308-31.
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