Research Article

From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History

Volume: 6 Number: 1 September 2, 2022
EN TR

From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History

Abstract

References

  1. Antmen, A. (2008). Sanat Cinsiyet: Sanat Tarihi ve Feminist Eleştiri. İstanbul: İletişim Yayınları.
  2. Broude, N. Garrard, M. (1992). The Expanding Discourse: Feminism and Art History. New York: Westview Press.
  3. Chadwick, W. (2007). Women, Art, and Society. London: Thames & Hudson.
  4. Çelebi, N. (1990). Kadınlarımızın Cinsiyet Rolü Tutumları. Konya: Sebat Ofset.
  5. Deepwell, K. (1995). New Feminist Art Criticism. Manchester University Press. Donovan,J. (2001). Feminist Teori. İstanbul: İletişim Yayınları. Nochlin, L. (1989). Women, Art, And Power And Other Essays. New York: Westview Press.
  6. Paterson, T.G. Mathews, P. (1987). The Feminist Critique of Art History. The Art Bulletin, cilt.69, sayı.3, s. 326 – 357.
  7. Pollock, G. (1983). Women, Art and Ideology: Questions for Feminist Art Historians. Woman’s Art Journal, cilt.4, Sayı1, s.39 – 47.
  8. Robinson, H. (2001). Feminism-Art-Theory: An Anthology 1968–2000. NJ: Wiley- Blackwell.

Details

Primary Language

English

Subjects

-

Journal Section

Research Article

Publication Date

September 2, 2022

Submission Date

June 20, 2022

Acceptance Date

August 16, 2022

Published in Issue

Year 2022 Volume: 6 Number: 1

APA
Tufan, A. (2022). From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History. Yıldız Sosyal Bilimler Enstitüsü Dergisi, 6(1), 1-10. https://izlik.org/JA59PU22FJ
AMA
1.Tufan A. From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History. Yıldız Sosyal Bilimler Enstitüsü Dergisi. 2022;6(1):1-10. https://izlik.org/JA59PU22FJ
Chicago
Tufan, Ayça. 2022. “From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History”. Yıldız Sosyal Bilimler Enstitüsü Dergisi 6 (1): 1-10. https://izlik.org/JA59PU22FJ.
EndNote
Tufan A (September 1, 2022) From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History. Yıldız Sosyal Bilimler Enstitüsü Dergisi 6 1 1–10.
IEEE
[1]A. Tufan, “From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History”, Yıldız Sosyal Bilimler Enstitüsü Dergisi, vol. 6, no. 1, pp. 1–10, Sept. 2022, [Online]. Available: https://izlik.org/JA59PU22FJ
ISNAD
Tufan, Ayça. “From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History”. Yıldız Sosyal Bilimler Enstitüsü Dergisi 6/1 (September 1, 2022): 1-10. https://izlik.org/JA59PU22FJ.
JAMA
1.Tufan A. From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History. Yıldız Sosyal Bilimler Enstitüsü Dergisi. 2022;6:1–10.
MLA
Tufan, Ayça. “From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History”. Yıldız Sosyal Bilimler Enstitüsü Dergisi, vol. 6, no. 1, Sept. 2022, pp. 1-10, https://izlik.org/JA59PU22FJ.
Vancouver
1.Ayça Tufan. From Being the Object of Art to Being the Producer of the Image: The Case of Women in Art History. Yıldız Sosyal Bilimler Enstitüsü Dergisi [Internet]. 2022 Sep. 1;6(1):1-10. Available from: https://izlik.org/JA59PU22FJ