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Dancing at the Cotyora Symposion in Xenophon’s Anabasis

Year 2025, Volume: 1, 47 - 55, 15.04.2025

Abstract

This paper presents the dances that are mentioned in Xenophon’s work Anabasis. These dances were performed by men, who were soldiers in the Greek army and had various ethnic origins, and a girl, after a banquet held at Cotyora, on the territory of Paphlagonia. Greek and Paphlagonian ambassadors ate and enjoyed themselves together in this banquet, listening to songs and music and watching the dance performances. The author describes different dances accompanied by aulos music: war dances with weapons (e.g. Pyrrhic), agricultural mimetic dances and an oriental one. We aim to identify and classify the dances combining the text with similar representations in the contemporary Classical art, focusing on Xenophon’s times (430/25 - 354 BCE). Selected examples are shown, especially from vase-paintings and figurines, which represent these dances performed at symposia. Another purpose of this paper is to show and emphasize the peaceful coexistence of people through common banquets, songs and dances and common entertainment and the peaceful resolution of problems.

References

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  • H. and Nielsen, T. H. (Eds.), An inventory of archaic and classical poleis: An investigation conducted by the Copenhagen Polis Centre for the Danish National Research Foundation, Oxford University Press, Oxford/New York, pp. 924-973. Avram, A., Hargrave, J. and Cecchladze, G. R. (Eds.), 2021. The Greeks and Romans in the Black Sea and the Importance of the Pontic Region for the Graeco-Roman World (7th century BC-5th century AD): 20 Years On (1997-2017) Proceedings of the Sixth International Congress on Black Sea Antiquities (Constanţa – 18-22 September 2017). Dedicated to Prof. Sir John Boardman to celebrate his exceptional achievements and his 90th birthday, Archaeopress, Oxford.
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  • Ceccarelli, P., 1998. La pirrica nell’antichità greco romana: studi sulla danza armata. Università degli studi di Urbino. Filologia e critica. Coll. diretta da Br. Gentili 83, ed. Istituti editoriali e poligrafici internazionali, Pisa and Rome.
  • Delavaud-Roux, M-H., 1993. Les danses armées en Grèce antique, ed. Presses de L'Université de Provence, Aix-en-Provence.
  • Filser, W., 2017. Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16, De Gruyter, Berlin, Munich, Boston.
  • Flower, M. A.. 2012. Xenophon’s Anabasis, or, the Expedition of Cyrus, third ed. Oxford University Press, New York.
  • Goulaki-Voutira, A., 1996. Pyrrhic Dance and Female Pyrrhic Dancers. Répertoire International d’Iconographie Musicale/Research Center for Music Iconography Newsletter. 21.1, 3-12.
  • Greaves, A., 2007. Milesians in the Black Sea: Trade, Settlement and Religion, in: Gabrielsen, V., Lund, J. (Eds.), The Black Sea in Antiquity: Regional and Interregional Economic Exchanges, Black Sea Studies, 6, The Danish National Research Foundation's Centre for Black Sea Studies, Aarhus University Press, Aarhus, pp. 9-21.
  • Koromila, M. (Ed.), 2022. Οι ΄Ελληνες στη Μαύρη Θάλασσα από την εποχή του Χαλκού ως τις αρχές του εικοστού αιώνα, third ed. Archive of the Cultural Society Panorama, Athens.
  • Lacroix, L., 1967. Les monnais de Mantinée et les traditions arcadiennes. Bulletin de la Classe des lettres et des sciences morales et politiques. 53, 303-311. https://doi.org/10.3406/barb.1967.54778.
  • Lane Fox, R. (Ed.), 2004. The long march: Xenophon and the ten thousand, Yale University Press, New Haven.
  • Laxander, H., 2000. Individuum und Gemeinschaft im Fest, Untersuchungen zu attischen Darstellungen von Festgeschehen im 6. und frühen 5. Jahrhundert v. Chr., Scriptorium, Münster.
  • Lissarrague, F. et al., 1984. La Cité des Images. Religion et Sociéte en Grèce Antique, F.Nathan, Lausanne.
  • Liveri, A. 2021. Soundscape of Public Festivals in Athens (Panathenaia and City Dionysia).Telestes I, 27-46. https://doi.org/10.19272/202114701003.
  • Liveri, A., 2023a. Ancient Greek Work Music, Songs and Dances, Telestes III, 45-71. https://doi.org/10.19272/202314701003.
  • Liveri, A., 2023b. Two Imported Dances in the Athenian Soundscape: Oklasma and Himation/Mantle Dance, in: Bellia, A. (Ed.), Dance, Space, Ritual. Material Evidence of Dance Performance in the Ancient World, Telestes 7, Fabrizio Serra ed., Pisa- Roma, pp. 129-155.
  • Liveri, A., 2024, Alabastron: a parfume vase par excellence, in: Lafli, E. and Kan Şahin, G. (Eds.), Unguentaria and Related Vessels in the Mediterranean from the Early Hellenistic to the Early Byzantine Period, BAI International Series 3165, Oxford, pp. 83-111. doi https://doi.org/10.30861/9781407360638.
  • Liveri, A. (forthcoming). Representations of ancient Greek beds (klinai) in vase painting, in: Andrianou, D., Killen, G.,(Eds.), Furnished Interiors in the Ancient Meditteranean and Egypt. Ed. Brepols.
  • Matheson, S. B., 1995. Polygnotos and Vase Painting in Classical Athens, The University of Wisconsin Press, Madison.
  • Meyer, M., 2017. Athena, Göttin von Athen. Kult und Mythos auf der Akropolis bis in klassische Zeit, Wiener Forschungen zur Archäologie 16, Phoibos Verlag, Wien.
  • Oakley, J. H., 2020. A Guide to Scenes of Daily Life on Athenian Vases, The University of Wisconsin Press, Madison.
  • Osborne, R., 2018. The Transformation of Athens Painted Pottery and the Creation of Classical Greece, Princeton University Press, Princeton and Oxford.
  • Poursat, J.-Cl., 1968. Les représentations de danse armée dans la céramique attique, Bulletin de Correspondance Hellénique XCII. II/92.2, 550-615. https://doi.org/10.3406/bch.1968.4916.
  • Schäfer, A., 1997. Unterhaltung beim griechischen Symposion. Darbietungen, Spiele und Wettkämpfe von homerischer bis in spätklassische Zeit, Philipp von Zabern, Mainz am Rhein.
  • Stampolidis, N.C. and Oikonomou, St. (eds.), 2014. Beyond. Death and Afterlife in Ancient Greece, Museum of Cycladic Art in collaboration with the A. S. Onassis Foundation, Athens.
  • Steinhart, M., 2004. Die Kunst der Nachahmung. Darstellungen mimetischer Vorführungen in der griechischen Bildkunst archaischer und klassischer Zeit. Philipp von Zabern, Mainz am Rhein.
  • Summerer, L., 2007, Greeks and natives on the southern Black Sea coast in antiquity, in: Erkut, G., Mitchell, S. (Eds.), The Black Sea: Past, Present and Future, Proceedings of the International, Interdisciplinary Conference, Istanbul, 14-16 October 2004, British Institute at Ankara, Monograph 42, British Institute at Ankara, London, pp. 27-36.
  • Tsetskhladze, G. R. (Ed.), 1998. The Greek Colonisation of the Black Sea Area, Frank Steiner Verlag, Stuttgart.
  • Tsetskhladze, G. R., 2006. Revisiting Ancient Greek Colonisation, in: Tsetskhladze,
  • G.R. (Ed.). Greek Colonisation. An Account of Greek Colonies and Other Settlements Overseas, Mnemosyne, Biblioteca Classica Batawa, Supplementum 193 (1-2), vol. 1, Leiden, Boston, pp. xxiii-lxxxiii.
  • Tsiafaki, D., 2021. Thracian Warriors Linking (?) Greeks and Thracians, in: Lang- Auinger, C. and Trinkl, E. (Eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte, Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017, Corpus Vasorum Antiquorum, Österreich, Beiheft 3, Verlag der österreichischen Akademie der Wischenschaften, Wien, pp. 249-261.
  • Waterfield, R., 2006. Xenophon’s retreat: Greece and the end of the Golden Age, Belknap Press of Harvard University Press, Cambdridge, Mass.
  • Williams, D., 1993. Great Britain. The British Museum, Corpus Vasorum Antiquorum 9; Grait Britain 17.
  • Wheeler, E. L., 1982. Hoplomachia and Greek Dances in Arms. Greek Roman and Byzantine Studies 23, 223-233.
  • Wylie, G., 1992. Cunaxa and Xenophon. L'antiquité classique. 61, 119-134.
Year 2025, Volume: 1, 47 - 55, 15.04.2025

Abstract

References

  • Avram, A., Hind, J. and Tsetskhladze, G., 2004. The Black Sea Area, in: Hansen, M.
  • H. and Nielsen, T. H. (Eds.), An inventory of archaic and classical poleis: An investigation conducted by the Copenhagen Polis Centre for the Danish National Research Foundation, Oxford University Press, Oxford/New York, pp. 924-973. Avram, A., Hargrave, J. and Cecchladze, G. R. (Eds.), 2021. The Greeks and Romans in the Black Sea and the Importance of the Pontic Region for the Graeco-Roman World (7th century BC-5th century AD): 20 Years On (1997-2017) Proceedings of the Sixth International Congress on Black Sea Antiquities (Constanţa – 18-22 September 2017). Dedicated to Prof. Sir John Boardman to celebrate his exceptional achievements and his 90th birthday, Archaeopress, Oxford.
  • Bundrick, S. D., 2005. Music and Image in Classical Athens, Cambridge University Press, Cambridge.
  • Cancik, H., Schneider, H., (Eds.) (1999). Der Neue Pauly Enzyklopädie der Antike, Bd. 6, Verlag J. B. Metzler Stuttgart-Weimar.
  • Ceccarelli, P., 1998. La pirrica nell’antichità greco romana: studi sulla danza armata. Università degli studi di Urbino. Filologia e critica. Coll. diretta da Br. Gentili 83, ed. Istituti editoriali e poligrafici internazionali, Pisa and Rome.
  • Delavaud-Roux, M-H., 1993. Les danses armées en Grèce antique, ed. Presses de L'Université de Provence, Aix-en-Provence.
  • Filser, W., 2017. Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16, De Gruyter, Berlin, Munich, Boston.
  • Flower, M. A.. 2012. Xenophon’s Anabasis, or, the Expedition of Cyrus, third ed. Oxford University Press, New York.
  • Goulaki-Voutira, A., 1996. Pyrrhic Dance and Female Pyrrhic Dancers. Répertoire International d’Iconographie Musicale/Research Center for Music Iconography Newsletter. 21.1, 3-12.
  • Greaves, A., 2007. Milesians in the Black Sea: Trade, Settlement and Religion, in: Gabrielsen, V., Lund, J. (Eds.), The Black Sea in Antiquity: Regional and Interregional Economic Exchanges, Black Sea Studies, 6, The Danish National Research Foundation's Centre for Black Sea Studies, Aarhus University Press, Aarhus, pp. 9-21.
  • Koromila, M. (Ed.), 2022. Οι ΄Ελληνες στη Μαύρη Θάλασσα από την εποχή του Χαλκού ως τις αρχές του εικοστού αιώνα, third ed. Archive of the Cultural Society Panorama, Athens.
  • Lacroix, L., 1967. Les monnais de Mantinée et les traditions arcadiennes. Bulletin de la Classe des lettres et des sciences morales et politiques. 53, 303-311. https://doi.org/10.3406/barb.1967.54778.
  • Lane Fox, R. (Ed.), 2004. The long march: Xenophon and the ten thousand, Yale University Press, New Haven.
  • Laxander, H., 2000. Individuum und Gemeinschaft im Fest, Untersuchungen zu attischen Darstellungen von Festgeschehen im 6. und frühen 5. Jahrhundert v. Chr., Scriptorium, Münster.
  • Lissarrague, F. et al., 1984. La Cité des Images. Religion et Sociéte en Grèce Antique, F.Nathan, Lausanne.
  • Liveri, A. 2021. Soundscape of Public Festivals in Athens (Panathenaia and City Dionysia).Telestes I, 27-46. https://doi.org/10.19272/202114701003.
  • Liveri, A., 2023a. Ancient Greek Work Music, Songs and Dances, Telestes III, 45-71. https://doi.org/10.19272/202314701003.
  • Liveri, A., 2023b. Two Imported Dances in the Athenian Soundscape: Oklasma and Himation/Mantle Dance, in: Bellia, A. (Ed.), Dance, Space, Ritual. Material Evidence of Dance Performance in the Ancient World, Telestes 7, Fabrizio Serra ed., Pisa- Roma, pp. 129-155.
  • Liveri, A., 2024, Alabastron: a parfume vase par excellence, in: Lafli, E. and Kan Şahin, G. (Eds.), Unguentaria and Related Vessels in the Mediterranean from the Early Hellenistic to the Early Byzantine Period, BAI International Series 3165, Oxford, pp. 83-111. doi https://doi.org/10.30861/9781407360638.
  • Liveri, A. (forthcoming). Representations of ancient Greek beds (klinai) in vase painting, in: Andrianou, D., Killen, G.,(Eds.), Furnished Interiors in the Ancient Meditteranean and Egypt. Ed. Brepols.
  • Matheson, S. B., 1995. Polygnotos and Vase Painting in Classical Athens, The University of Wisconsin Press, Madison.
  • Meyer, M., 2017. Athena, Göttin von Athen. Kult und Mythos auf der Akropolis bis in klassische Zeit, Wiener Forschungen zur Archäologie 16, Phoibos Verlag, Wien.
  • Oakley, J. H., 2020. A Guide to Scenes of Daily Life on Athenian Vases, The University of Wisconsin Press, Madison.
  • Osborne, R., 2018. The Transformation of Athens Painted Pottery and the Creation of Classical Greece, Princeton University Press, Princeton and Oxford.
  • Poursat, J.-Cl., 1968. Les représentations de danse armée dans la céramique attique, Bulletin de Correspondance Hellénique XCII. II/92.2, 550-615. https://doi.org/10.3406/bch.1968.4916.
  • Schäfer, A., 1997. Unterhaltung beim griechischen Symposion. Darbietungen, Spiele und Wettkämpfe von homerischer bis in spätklassische Zeit, Philipp von Zabern, Mainz am Rhein.
  • Stampolidis, N.C. and Oikonomou, St. (eds.), 2014. Beyond. Death and Afterlife in Ancient Greece, Museum of Cycladic Art in collaboration with the A. S. Onassis Foundation, Athens.
  • Steinhart, M., 2004. Die Kunst der Nachahmung. Darstellungen mimetischer Vorführungen in der griechischen Bildkunst archaischer und klassischer Zeit. Philipp von Zabern, Mainz am Rhein.
  • Summerer, L., 2007, Greeks and natives on the southern Black Sea coast in antiquity, in: Erkut, G., Mitchell, S. (Eds.), The Black Sea: Past, Present and Future, Proceedings of the International, Interdisciplinary Conference, Istanbul, 14-16 October 2004, British Institute at Ankara, Monograph 42, British Institute at Ankara, London, pp. 27-36.
  • Tsetskhladze, G. R. (Ed.), 1998. The Greek Colonisation of the Black Sea Area, Frank Steiner Verlag, Stuttgart.
  • Tsetskhladze, G. R., 2006. Revisiting Ancient Greek Colonisation, in: Tsetskhladze,
  • G.R. (Ed.). Greek Colonisation. An Account of Greek Colonies and Other Settlements Overseas, Mnemosyne, Biblioteca Classica Batawa, Supplementum 193 (1-2), vol. 1, Leiden, Boston, pp. xxiii-lxxxiii.
  • Tsiafaki, D., 2021. Thracian Warriors Linking (?) Greeks and Thracians, in: Lang- Auinger, C. and Trinkl, E. (Eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte, Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017, Corpus Vasorum Antiquorum, Österreich, Beiheft 3, Verlag der österreichischen Akademie der Wischenschaften, Wien, pp. 249-261.
  • Waterfield, R., 2006. Xenophon’s retreat: Greece and the end of the Golden Age, Belknap Press of Harvard University Press, Cambdridge, Mass.
  • Williams, D., 1993. Great Britain. The British Museum, Corpus Vasorum Antiquorum 9; Grait Britain 17.
  • Wheeler, E. L., 1982. Hoplomachia and Greek Dances in Arms. Greek Roman and Byzantine Studies 23, 223-233.
  • Wylie, G., 1992. Cunaxa and Xenophon. L'antiquité classique. 61, 119-134.
There are 37 citations in total.

Details

Primary Language English
Subjects Classical Greek and Roman History
Journal Section Research Articles
Authors

Angeliki Liveri

Publication Date April 15, 2025
Submission Date October 10, 2024
Acceptance Date November 7, 2024
Published in Issue Year 2025 Volume: 1

Cite

APA Liveri, A. (2025). Dancing at the Cotyora Symposion in Xenophon’s Anabasis. Archaeology of Western Anatolia, 1, 47-55.