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Yıl 2016, Cilt: 29 Sayı: 3, 525 - 536, 30.09.2016

Öz

Kaynakça

  • Göğebakan, Y., Estetik ve kentsel yapılanma üzerindeki etkisi (Aesthetics and its effect on urban structure), İnönü Üniversitesi Sanat ve Tasarım Dergisi, 2012;2 (4):73-84 (in Turkish).
  • Berleant, A., The aesthetic field: a phenomenology of aesthetic experience, The Journal of Aesthetics and Art Criticism, 1971;30(1):125-128.
  • Reber, R., Schwarz, N., Winkielman, P., Processing fluency and aesthetic pleasure: is beauty in the perceiver's processing experience? Personality and Social Psychology Review, 2004;8(4):364-382.
  • Lounsbury, C.R., Architecture and cultural history, in M.C. Beaudry, D Hicks, (eds.), The Oxford Handbook of Material Culture Studies, Oxford: Oxford University Press, 2012.
  • Kopec, D., Lord, N., Scares of Communism: architectural and design remnants of an ideology, Space and Culture, 2010;13(4):436-454.
  • Seligmann, K., Seligmann, C., Architecture and language: notes on a metaphor. Journal of Architectural Education, 1977;30(4):23-27.
  • Pultar, M. A conceptual framework for values in the built environment, IAPS 14 Book of Proceedings. Proceedings of the IAPS 14 Conference, Stockholm, July 31 - August 3, 1996.
  • Flores Fratto, T., Undefining art: irrelevant categorization in the anthropology of aesthetics, Dialectical Anthropology, 1978;3(2):129-138.
  • Smith, L., Munzenrider, C., Raphael, B., Bakker, K, Cultural aesthetics and conservation in New Mexico, Waac Newsletter, 1993;15(1):23-26.
  • Bishop, A.R., Outside the square? Aesthetic response to the contemporary architecture of Federation Environmentalist, 2007;27(1):63-72. Melbourne, The
  • Berleant, A., The idea of a cultural aesthetic, Dialogue and Universalism, 2003;13 (11-12):113- 122.
  • John, E., Art and knowledge, in B. Gaut and D. Lopes (eds.), The Routledge Companion to Aesthetics, London: Routledge, 2001; 329-352.
  • Gagliardi, P., Exploring the aesthetic side of organizational life, in S.R. Clegg, C. Hardy and W.R. Nord (eds.) Handbook of Organization Studies, London: Sage; 1996.
  • Bamossy, G., Scammon D.L., Johnston, M., A preliminary investigation of the reliability and validity of an aesthetic judgment test, in R.P. Bagozzi, A.M. Tybout (eds.), Advances in Consumer Research, Ann Arbor, MI: Association for Consumer Research, 1993;10:685-690.
  • Arnheim, R., Art and visual perception: a psychology of the creative eye, Berkeley and Los Angeles, CA: University of California Press; 1974.
  • Berlyne, D.E., Studies in the new experimental aesthetics, New York: John Wiley and Sons; 1974.
  • Cuthbert, A.R., The form of cities, political economy and urban design, Oxford, UK: Blackwell Publishing; 2006.
  • Parsons, M.J., How we understand art: a cognitive developmental account of aesthetic experience. Cambridge, UK: Cambridge University Press; 1987.
  • Eaton, M.M., The social construction of aesthetic response, 1995;35(2):95-107. of Aesthetics,
  • Jacobsen, T., Beauty and the brain: culture, history and individual differences in aesthetic appreciation, Journal of Anatomy, 2010;216(2):184-191.
  • Gökay, M., Demir, A., Farklı eğitim seviyelerinde estetik beğeni (Aesthetics liking at different educational levels), Selcuk Universitesi Sosyal Bilimler Enstitüsü Dergisi 2006;1:329-342 (in Turkish).
  • Wenchun, W., Kazuhiro, I., Aesthetic development in cross-cultural contexts: a study of art appreciation in Japan, Taiwan, and the United States, Studies in Art Education 2002;43(4):373-391.
  • Çubukçu E., Diktaş E.O., 2013 ,"Turkish modern and post modern houses: Evaluative differences between Archnet-IJAR, Architectural Research, 7 (1) 37-51. students", Journal of
  • Devlin, K. (1990) An Examination of Architectural Interpretation: Versus Non-architects. The Journal of Architectural and 7: 235-244.) Architects Planning Research,
  • Gifford, R., Hine, D.W., Muller-Clemm, W., Reynolds, (2000) Decoding modern architecture: A lensmodel approach the aesthetic differences of architects and laypersons. Behavior, 32: 163-187.) Shaw, K.T. for understanding Environment and
  • Hubbard, P. (1996) Conflicting interpretations of architecture: an empirical investigation. Journal of Environmental Psychology,16: 75-92.
  • Groat, L. (1994) Carbuncles, columns, and pyramids: Lay and expert evaluations of contextual design strategies. In: BC Scheer and WFE Preiser (Eds.), Design Review: Challenging Urban Aesthetic Control (pg. 156-164) Newyork: Chapman and Hall.
  • Jacobsen, T. Bridging the arts and sciences: a framework for the psychology of aesthetics. Leonardo. 2006;39:155–162.).
  • Tekel, A., Estetik Yargı ve Estetik Yargıyı Etkileyen Faktörler, STD, 149-157, Aralık 2015.
  • Baldwin, M.W., Relational schemas and the processing of social information, Psychological Bulletin, 1992;112(3):461-484.
  • Official Website of the city of Johannesburg, 2010 FIFA World Cup, Soccer city: an architect’s dream, accessed http://www.joburg.org.za/index.php?option=com_c ontent&view=article&id=4830#ixzz2ikP5cvpo at: [32] Resource (Figure 1): http://en.wikipedia.org/wiki/Calabash
  • Mumford, E.H., Calabash: a guide to the history, culture, and art of African Americans in Seattle and King 0960567072, (Paperback);1993. ISBN-13: Ananse Press Seattle WA: [34] Resource (Figure 2.1): http://en.wikipedia.org/wiki/Ouagadougou
  • Sanou, A., Analyse sémiotique du Mémorial aux Héros Nationaux - Mémoire de maîtrise, 2009. [36] Resource (Figure 2.2): http://www.burkinatourism.com/Monument-des- martyrs.html
  • Compaore, Th., Monument aux martyrs à Ouagadougou - Journée Nationale du Pardon, 2009. [38] Resource (Figure 2.3): http://www.stadiumguide.com/fnbstadium/
  • Bebber B.V., The Soccer City Stadium in Johannesburg - Boogertman Urban Edge & Partners, 2009.
  • Zeisel, J., Inquiry by Design. Los Angles: Brooks and cole Publishing Company, 1981.
  • Bourassa, S. C., The Aesthetic of Landscape. London: Belhaven Press, 105, 1991.
  • Imamoglu, C., Complexity, liking and familiarity: architecture and non-architecture Turkish students' assessments of traditional and modern house facades, Journal of Environmental Psychology, 2000; 20(1):5-16.
  • Kaya N., Weber M.J., Cross-cultural differences in the perception of crowding and privacy regulation: American and Turkish students, Journal of Environmental Psychology, 2003;23(3):301-309.
  • Yildirim, K., Akalin-Baskaya, A., Perceived crowding in a café-restaurant with different seating densities, 2007:42(9):3410-3417. and Environment,
  • Yildirim, K., Hidayetoglu, M.L., Çapanoglu, A., Effects of interior colors on mood and preference: comparisons of two living rooms, Perceptual and Motor Skills, 2011;112(2):509-524.
  • Karasar, N., Bilimsel Araştırma Yöntemi; 3 A Araştırma Eğt. Dan. Ltd. Şti., Ankara, 1995.
  • Bagozzi, R.P., Yi, Y., On the evaluation of structural equation models, Journal of the Academy of Marketing Science 1988;16(1):74-94.
  • Grewal, D., Krishnan, R., Baker, J., Borin, N.A., The effect of store name, brand name and price discounts on consumers' evaluations and purchase intentions, Journal of Retailing, 1998;74(3):331- 352.
  • Kim, J.O., Jin, B., Korean Customers’ Patronage of Discount Stores: Domestic vs Multinational Discount Store Shoppers’ Profiles, Journal of Consumer Marketing, Vol. 18, 236-255, 2001.
  • Purcell, J., Hutchinson, S., Kinnie, N., Swart, J. & Rayton, B. Vision and Values: Organisational culture and values as a source of competitive advantage, London: CIPD, 2004.

THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE

Yıl 2016, Cilt: 29 Sayı: 3, 525 - 536, 30.09.2016

Öz

The main purpose of this study was to examine the viewer’s opinion about aesthetic judgment related to the individual feeling that is transferred through the designed object to the viewer and that shows the effects of cultural differences on aesthetic judgment by comparing the liking rates of African and Turkish participants on various symbolic structures. Two groups of participants were selected for this study: African professionals (architects, planners and urban designers) and laypersons who had information about African culture and its effect on design elements. Another group was Turkish architects and laypersons who did not have any information about African culture and its effect on design elements. As a very important cultural value in Africa, the “Calabash” was used as the reference. Three architectural structures were used that have been designed with reference to the “Calabash”. According to the results, there were differences between the liking rates of African and Turkish participants: African laypersons as well as architects were impressed by symbolic structures and their cultural effects and they evaluated these three structures to be more impressive than the Turkish participants. After giving information about the deep meaning of these structures and the place occupied by the calabash in the African culture, the Turkish participants were also impressed and contrary to their previous evaluation, their aesthetic liking rates increased and approached the judgment levels of the Africans. 

Kaynakça

  • Göğebakan, Y., Estetik ve kentsel yapılanma üzerindeki etkisi (Aesthetics and its effect on urban structure), İnönü Üniversitesi Sanat ve Tasarım Dergisi, 2012;2 (4):73-84 (in Turkish).
  • Berleant, A., The aesthetic field: a phenomenology of aesthetic experience, The Journal of Aesthetics and Art Criticism, 1971;30(1):125-128.
  • Reber, R., Schwarz, N., Winkielman, P., Processing fluency and aesthetic pleasure: is beauty in the perceiver's processing experience? Personality and Social Psychology Review, 2004;8(4):364-382.
  • Lounsbury, C.R., Architecture and cultural history, in M.C. Beaudry, D Hicks, (eds.), The Oxford Handbook of Material Culture Studies, Oxford: Oxford University Press, 2012.
  • Kopec, D., Lord, N., Scares of Communism: architectural and design remnants of an ideology, Space and Culture, 2010;13(4):436-454.
  • Seligmann, K., Seligmann, C., Architecture and language: notes on a metaphor. Journal of Architectural Education, 1977;30(4):23-27.
  • Pultar, M. A conceptual framework for values in the built environment, IAPS 14 Book of Proceedings. Proceedings of the IAPS 14 Conference, Stockholm, July 31 - August 3, 1996.
  • Flores Fratto, T., Undefining art: irrelevant categorization in the anthropology of aesthetics, Dialectical Anthropology, 1978;3(2):129-138.
  • Smith, L., Munzenrider, C., Raphael, B., Bakker, K, Cultural aesthetics and conservation in New Mexico, Waac Newsletter, 1993;15(1):23-26.
  • Bishop, A.R., Outside the square? Aesthetic response to the contemporary architecture of Federation Environmentalist, 2007;27(1):63-72. Melbourne, The
  • Berleant, A., The idea of a cultural aesthetic, Dialogue and Universalism, 2003;13 (11-12):113- 122.
  • John, E., Art and knowledge, in B. Gaut and D. Lopes (eds.), The Routledge Companion to Aesthetics, London: Routledge, 2001; 329-352.
  • Gagliardi, P., Exploring the aesthetic side of organizational life, in S.R. Clegg, C. Hardy and W.R. Nord (eds.) Handbook of Organization Studies, London: Sage; 1996.
  • Bamossy, G., Scammon D.L., Johnston, M., A preliminary investigation of the reliability and validity of an aesthetic judgment test, in R.P. Bagozzi, A.M. Tybout (eds.), Advances in Consumer Research, Ann Arbor, MI: Association for Consumer Research, 1993;10:685-690.
  • Arnheim, R., Art and visual perception: a psychology of the creative eye, Berkeley and Los Angeles, CA: University of California Press; 1974.
  • Berlyne, D.E., Studies in the new experimental aesthetics, New York: John Wiley and Sons; 1974.
  • Cuthbert, A.R., The form of cities, political economy and urban design, Oxford, UK: Blackwell Publishing; 2006.
  • Parsons, M.J., How we understand art: a cognitive developmental account of aesthetic experience. Cambridge, UK: Cambridge University Press; 1987.
  • Eaton, M.M., The social construction of aesthetic response, 1995;35(2):95-107. of Aesthetics,
  • Jacobsen, T., Beauty and the brain: culture, history and individual differences in aesthetic appreciation, Journal of Anatomy, 2010;216(2):184-191.
  • Gökay, M., Demir, A., Farklı eğitim seviyelerinde estetik beğeni (Aesthetics liking at different educational levels), Selcuk Universitesi Sosyal Bilimler Enstitüsü Dergisi 2006;1:329-342 (in Turkish).
  • Wenchun, W., Kazuhiro, I., Aesthetic development in cross-cultural contexts: a study of art appreciation in Japan, Taiwan, and the United States, Studies in Art Education 2002;43(4):373-391.
  • Çubukçu E., Diktaş E.O., 2013 ,"Turkish modern and post modern houses: Evaluative differences between Archnet-IJAR, Architectural Research, 7 (1) 37-51. students", Journal of
  • Devlin, K. (1990) An Examination of Architectural Interpretation: Versus Non-architects. The Journal of Architectural and 7: 235-244.) Architects Planning Research,
  • Gifford, R., Hine, D.W., Muller-Clemm, W., Reynolds, (2000) Decoding modern architecture: A lensmodel approach the aesthetic differences of architects and laypersons. Behavior, 32: 163-187.) Shaw, K.T. for understanding Environment and
  • Hubbard, P. (1996) Conflicting interpretations of architecture: an empirical investigation. Journal of Environmental Psychology,16: 75-92.
  • Groat, L. (1994) Carbuncles, columns, and pyramids: Lay and expert evaluations of contextual design strategies. In: BC Scheer and WFE Preiser (Eds.), Design Review: Challenging Urban Aesthetic Control (pg. 156-164) Newyork: Chapman and Hall.
  • Jacobsen, T. Bridging the arts and sciences: a framework for the psychology of aesthetics. Leonardo. 2006;39:155–162.).
  • Tekel, A., Estetik Yargı ve Estetik Yargıyı Etkileyen Faktörler, STD, 149-157, Aralık 2015.
  • Baldwin, M.W., Relational schemas and the processing of social information, Psychological Bulletin, 1992;112(3):461-484.
  • Official Website of the city of Johannesburg, 2010 FIFA World Cup, Soccer city: an architect’s dream, accessed http://www.joburg.org.za/index.php?option=com_c ontent&view=article&id=4830#ixzz2ikP5cvpo at: [32] Resource (Figure 1): http://en.wikipedia.org/wiki/Calabash
  • Mumford, E.H., Calabash: a guide to the history, culture, and art of African Americans in Seattle and King 0960567072, (Paperback);1993. ISBN-13: Ananse Press Seattle WA: [34] Resource (Figure 2.1): http://en.wikipedia.org/wiki/Ouagadougou
  • Sanou, A., Analyse sémiotique du Mémorial aux Héros Nationaux - Mémoire de maîtrise, 2009. [36] Resource (Figure 2.2): http://www.burkinatourism.com/Monument-des- martyrs.html
  • Compaore, Th., Monument aux martyrs à Ouagadougou - Journée Nationale du Pardon, 2009. [38] Resource (Figure 2.3): http://www.stadiumguide.com/fnbstadium/
  • Bebber B.V., The Soccer City Stadium in Johannesburg - Boogertman Urban Edge & Partners, 2009.
  • Zeisel, J., Inquiry by Design. Los Angles: Brooks and cole Publishing Company, 1981.
  • Bourassa, S. C., The Aesthetic of Landscape. London: Belhaven Press, 105, 1991.
  • Imamoglu, C., Complexity, liking and familiarity: architecture and non-architecture Turkish students' assessments of traditional and modern house facades, Journal of Environmental Psychology, 2000; 20(1):5-16.
  • Kaya N., Weber M.J., Cross-cultural differences in the perception of crowding and privacy regulation: American and Turkish students, Journal of Environmental Psychology, 2003;23(3):301-309.
  • Yildirim, K., Akalin-Baskaya, A., Perceived crowding in a café-restaurant with different seating densities, 2007:42(9):3410-3417. and Environment,
  • Yildirim, K., Hidayetoglu, M.L., Çapanoglu, A., Effects of interior colors on mood and preference: comparisons of two living rooms, Perceptual and Motor Skills, 2011;112(2):509-524.
  • Karasar, N., Bilimsel Araştırma Yöntemi; 3 A Araştırma Eğt. Dan. Ltd. Şti., Ankara, 1995.
  • Bagozzi, R.P., Yi, Y., On the evaluation of structural equation models, Journal of the Academy of Marketing Science 1988;16(1):74-94.
  • Grewal, D., Krishnan, R., Baker, J., Borin, N.A., The effect of store name, brand name and price discounts on consumers' evaluations and purchase intentions, Journal of Retailing, 1998;74(3):331- 352.
  • Kim, J.O., Jin, B., Korean Customers’ Patronage of Discount Stores: Domestic vs Multinational Discount Store Shoppers’ Profiles, Journal of Consumer Marketing, Vol. 18, 236-255, 2001.
  • Purcell, J., Hutchinson, S., Kinnie, N., Swart, J. & Rayton, B. Vision and Values: Organisational culture and values as a source of competitive advantage, London: CIPD, 2004.
Toplam 46 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mühendislik
Bölüm Architecture & City and Urban Planning
Yazarlar

Ayşe Tekel

Kemal Yıldırım

Leila Akbarishahabi

Bassirou Bande

Yayımlanma Tarihi 30 Eylül 2016
Yayımlandığı Sayı Yıl 2016 Cilt: 29 Sayı: 3

Kaynak Göster

APA Tekel, A., Yıldırım, K., Akbarishahabi, L., Bande, B. (2016). THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE. Gazi University Journal of Science, 29(3), 525-536.
AMA Tekel A, Yıldırım K, Akbarishahabi L, Bande B. THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE. Gazi University Journal of Science. Eylül 2016;29(3):525-536.
Chicago Tekel, Ayşe, Kemal Yıldırım, Leila Akbarishahabi, ve Bassirou Bande. “THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN ‘CALABASH’ FIGURE”. Gazi University Journal of Science 29, sy. 3 (Eylül 2016): 525-36.
EndNote Tekel A, Yıldırım K, Akbarishahabi L, Bande B (01 Eylül 2016) THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE. Gazi University Journal of Science 29 3 525–536.
IEEE A. Tekel, K. Yıldırım, L. Akbarishahabi, ve B. Bande, “THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN ‘CALABASH’ FIGURE”, Gazi University Journal of Science, c. 29, sy. 3, ss. 525–536, 2016.
ISNAD Tekel, Ayşe vd. “THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN ‘CALABASH’ FIGURE”. Gazi University Journal of Science 29/3 (Eylül 2016), 525-536.
JAMA Tekel A, Yıldırım K, Akbarishahabi L, Bande B. THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE. Gazi University Journal of Science. 2016;29:525–536.
MLA Tekel, Ayşe vd. “THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN ‘CALABASH’ FIGURE”. Gazi University Journal of Science, c. 29, sy. 3, 2016, ss. 525-36.
Vancouver Tekel A, Yıldırım K, Akbarishahabi L, Bande B. THE ROLE OF SYMBOLIC ARCHITECTURE ON AESTHETIC JUDGMENT: A CROSS-CULTURAL INVESTIGATION ON THE PERCEPTION OF AFRICAN “CALABASH” FIGURE. Gazi University Journal of Science. 2016;29(3):525-36.