Araştırma Makalesi
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Yıl 2024, Cilt: 8 Sayı: 2, 12 - 30, 27.05.2024

Öz

Kaynakça

  • Amazing, Little-Known Ways Music Affects the Brain. (2013, November 20). Retrieved 11 January 2024, from Buffer Resources website: https://buffer.com/resources/music-and-the-brain/
  • Baines, L. (2008). A Teacher’s Guide to Multisensory Learning: Improving Literacy by Engaging the Senses. Association for Supervision and Curriculum Development. Retrieved from https://books.google.com.tr/books?id=6wQGmjH57-gC
  • Benefits of Music Education for Multisensory Learning – ShillerLearning. (n.d.). Retrieved 7 January 2024, from https://explore.shillermath.com/blogs/multisensoryeducation/benefits-of-music-education-for-multisensory-learning
  • Bhattacharya, J., Shams, L., & Shimojo, S. (2002). Sound-induced illusory flash perception: Role of gamma band responses. NeuroReport: For Rapid Communication of Neuroscience Research, 13(14), 1727–1730. https://doi.org/10.1097/00001756-200210070-00007
  • Connell, B. R., Jones, M., Mace, R., Mueller, J., Mullick, A., Ostroff, E., … Vanderheiden, G. (1997). THE PRINCIPLES WERE COMPILED BY ADVOCATES  OF UNIVERSAL DESIGN, IN ALPHABETICAL ORDER:
  • Custodero, L. (2002). Seeking Challenge, Finding Skill: Flow Experience and Music Education. Arts Education Policy Review, 103, 3–9. https://doi.org/10.1080/10632910209600288
  • Driver, J., & Noesselt, T. (2008). Multisensory interplay reveals crossmodal influences on ‘sensory-specific’ brain regions, neural responses, and judgments. Neuron, 57(1), 11–23. https://doi.org/10.1016/j.neuron.2007.12.013
  • Driver, J., & Spence, C. (2000). Multisensory perception: Beyond modularity and convergence. Current Biology, 10(20), R731–R735. https://doi.org/10.1016/S0960- 9822(00)00740-5
  • Eldridge, M., Saltzman, E., & Lahav, A. (2010). Seeing what you hear: Visual feedback improves pitch recognition. European Journal of Cognitive Psychology, 22(7), 1078–1091. https://doi.org/10.1080/09541440903316136
  • Erikson, J. M. (1985). Vital Senses: Sources of Lifelong Learning. The Journal of Education, 167(3), 85–96. Retrieved from https://www.jstor.org/stable/42742109 Food & Paper: Cross-modal Correspondences of Tonal Stability (Maimon) - RITMO
  • Centre for Interdisciplinary Studies in Rhythm, Time and Motion. (2019, December 11). Retrieved 7 January 2024, from https://www.uio.no/ritmo/english/news-and-events/events/food-andpaper/2019/maimon/index.html
  • Hirano, M., & Furuya, S. (2022). Multisensory interactions on auditory and somatosensory information in expert pianists. Scientific Reports, 12(1), 12503. https://doi.org/10.1038/s41598-022-16618-0
  • Huang, J., Gamble, D., Sarnlertsophon, K., Wang, X., & Hsiao, S. (2013). Integration of auditory and tactile inputs in musical meter perception. Advances in Experimental Medicine and Biology, 787, 453–461. https://doi.org/10.1007/978-1-4614- 1590-9_50
  • Janisauska, J., & Bernhofs, V. (2021). PERCEPTUAL ASPECTS OF MUSIC LISTENING: A THEORETICAL REVIEW. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 7, 108–122. https://doi.org/10.17770/sie2021vol7.6398
  • Johnson, R. M. G. (2014). In Touch with the Wild: Exploring Real-time Feedback for Learning to Play the Violin (Doctoral, UCL (University College London); p. ?- ?). UCL (University College London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/1452512/
  • Katai, Z., TOTH, L., & Adorjáni, A. (2014). Multi-Sensory Informatics Education. Informatics in Education, 13, 225–240. https://doi.org/10.15388/infedu.2014.04 Kuchenbuch, A., Paraskevopoulos, E., Herholz, S. C., & Pantev, C. (2014). AudioTactile Integration and the Influence of Musical Training. PLOS ONE, 9(1), e85743. https://doi.org/10.1371/journal.pone.0085743
  • Lage, G. M., Borém, F., Vieira, M. N., & Barreiros, J. P. (2007). Visual and tactile information in double bass intonation control. Motor Control, 11(2), 151–165. https://doi.org/10.1123/mcj.11.2.151
  • Lotze, M. (2003). The musician's brain: Functional imaging of amateurs and professionals during performance and imagery. Neuroimage. Retrieved from https://www.academia.edu/502216/The_musicians_brain_Functional_imaging_o f_amateurs_and_professionals_during_performance_and_imagery
  • Mathias Wahl, & Ulf Ziemann. (2008). The Human Motor Corpus Callosum. Reviews in the Neurosciences, 19(6), 451–466. https://doi.org/10.1515/REVNEURO.2008.19.6.451
  • Mazur, J. E. (2016). Learning & Behavior: Eighth Edition (8th edition). New York: Routledge.
  • O’Brien, J., Mason, A., Chan, J., & Setti, A. (2023). Can We Train Multisensory Integration in Adults? A Systematic Review. Multisensory Research, 36(2), 111–180. https://doi.org/10.1163/22134808-bja10090
  • Pan, F., Zhang, L., Ou, Y., & Zhang, X. (2019). The audio-visual integration effect on music emotion: Behavioral and physiological evidence. PLOS ONE, 14(5), e0217040. https://doi.org/10.1371/journal.pone.0217040
  • Paraskevopoulos, E., & Herholz, S. (2013). Multisensory integration and neuroplasticity in the human cerebral cortex. Translational Neuroscience, 4, 337–348. https://doi.org/10.2478/s13380-013-0134-1
  • Pino, A., Rodríguez-Rossell, C., & Vallverdú, L. V. (2022). ‘How can I include them?’: Teaching pupils with visual impairment in the inclusive music classroom: Di- dacticae: Revista de Investigación En Didácticas Específicas, (12), 124–137. https://doi.org/10.1344/did.2022.12.124-137
  • Prychitko,Sonja. (2017). A NIRS Study of Violinists and Pianists Employing Motor and Music Imageries to Assess Neural Differences in Music Perception (For the degree of MASTER OF SCIENCE Office of Graduate Education and Research, Northern Michigan University). Northern Michigan University. Retrieved from https://commons.nmu.edu/theses/154/
  • Ritchie, L. (2023). Multisensory Music Performance with Cymatic Images. Music & Science, 6, 20592043231159065. https://doi.org/10.1177/20592043231159065
  • Rizzolatti, G., Luppino, G., & Matelli, M. (1998). The organization of the cortical motor system: New concepts. Electroencephalography and Clinical Neurophysiology, 106(4), 283–296. https://doi.org/10.1016/s0013-4694(98)00022-4
  • Russo, F. (2019). Multisensory processing in music. In The Oxford handbook of music and the brain (pp. 212–234). New York, NY, US: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198804123.001.0001
  • Schwenkreis, P., El Tom, S., Ragert, P., Pleger, B., Tegenthoff, M., & Dinse, H. R. (2007). Assessment of sensorimotor cortical representation asymmetries and motor skills in violin players. European Journal of Neuroscience, 26(11), 3291– 3302. https://doi.org/10.1111/j.1460-9568.2007.05894.x
  • Shams, L., & Seitz, A. R. (2008). Benefits of multisensory learning. Trends in Cognitive Sciences, 12(11), 411–417. https://doi.org/10.1016/j.tics.2008.07.006 Sorati, M., & Behne, D. M. (2020). Audiovisual Modulation in Music Perception for Musicians and Non-musicians. Frontiers in Psychology, 11, 1094. https://doi.org/10.3389/fpsyg.2020.01094
  • Stein, B. E., Stanford, T. R., & Rowland, B. A. (2009). The Neural Basis of Multisensory Integration in the Midbrain: Its Organization and Maturation. Hearing Research, 258(1–2), 4–15. https://doi.org/10.1016/j.heares.2009.03.012
  • Suryaratri, R. D., Prayitno, E. H., & Wuryani, W. (2019). The Implementation of Multisensory Learning at Elementary Schools in Jakarta. Jurnal Pendidikan Usia Dini, 13(1), 100–113. https://doi.org/10.21009/10.21009/JPUD.131.08
  • Swinnen, S. P. (2002). Intermanual coordination: From behavioural principles to neuralnetwork interactions. Nature Reviews Neuroscience, 3(5), 348–359. https://doi.org/10.1038/nrn807
  • Tang, T. T. (2017). Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities. Arizona State University. Retrieved from Arizona State University website: https://keep.lib.asu.edu/items/155911 Trainor, L. (2008). The neural roots of music. Nature, 453(7195), 598–599. https://doi.org/10.1038/453598a
  • Weigelt, M., & Stöckel, T. (2009). Lateral preferences and brain asymmetries: Common challenges for sports and finger athletes [A comment on the chapter by Walter Norris].
  • Wollman, I., Fritz, C., & Poitevineau, J. (2014). Influence of vibrotactile feedback on some perceptual features of violins. The Journal of the Acoustical Society of America, 136(2), 910–921. https://doi.org/10.1121/1.4889865
  • Wollman, I., Fritz, C., Poitevineau, J., & McAdams, S. (2014). Investigating the Role of Auditory and Tactile Modalities in Violin Quality Evaluation. PLOS ONE, 9(12), e112552. https://doi.org/10.1371/journal.pone.0112552

MULTI SENSORY LEARNING IN VIOLIN TRAINING

Yıl 2024, Cilt: 8 Sayı: 2, 12 - 30, 27.05.2024

Öz

It is known that there are more than a hundred billion nerve cells in the human brain. Impulses from the five known sense organs are received by these neurons and transported to the central nervous system. The received stimuli are interpreted by comparing them with the information coming from other organs and the information previously stored in the brain, and converted into perception. Brain; There are different areas where all visual, auditory and tactile stimuli are related. When more than one stimulus specific to these areas is received, different regions interact. Thus, interactive learning can take place by using more than one interconnected path. When playing the violin, at least two or more senses are used. In violin learning and individual studies, there are generally auditory, visual sense-based and numerous repetition studies. This method can minimize the existing problems of the player, but it can often prolong the solution time of the problems and even cause the problems to be reinforced. It is known that multisensory learning-based learning and teaching strategies have a different effect than the unisensory repetition method by activating more than one sense, presenting information in different ways, and activating the right and left hemispheres of the brain. Studies have shown that by activating many regions of the brain with sensory integrations, more robust and permanent changes occur in the sound, rhythm and movement components of violin performance. In this study, it is aimed to discuss the Multi-Sensory Learning Approach, which can be defined as using more than one sense while receiving information, within the framework of various disciplines, and to reveal the effects of MultiSensory Learning-based learning-teaching strategies on music and violin education, and to discuss and conclude the studies on this in the form of a review.

Kaynakça

  • Amazing, Little-Known Ways Music Affects the Brain. (2013, November 20). Retrieved 11 January 2024, from Buffer Resources website: https://buffer.com/resources/music-and-the-brain/
  • Baines, L. (2008). A Teacher’s Guide to Multisensory Learning: Improving Literacy by Engaging the Senses. Association for Supervision and Curriculum Development. Retrieved from https://books.google.com.tr/books?id=6wQGmjH57-gC
  • Benefits of Music Education for Multisensory Learning – ShillerLearning. (n.d.). Retrieved 7 January 2024, from https://explore.shillermath.com/blogs/multisensoryeducation/benefits-of-music-education-for-multisensory-learning
  • Bhattacharya, J., Shams, L., & Shimojo, S. (2002). Sound-induced illusory flash perception: Role of gamma band responses. NeuroReport: For Rapid Communication of Neuroscience Research, 13(14), 1727–1730. https://doi.org/10.1097/00001756-200210070-00007
  • Connell, B. R., Jones, M., Mace, R., Mueller, J., Mullick, A., Ostroff, E., … Vanderheiden, G. (1997). THE PRINCIPLES WERE COMPILED BY ADVOCATES  OF UNIVERSAL DESIGN, IN ALPHABETICAL ORDER:
  • Custodero, L. (2002). Seeking Challenge, Finding Skill: Flow Experience and Music Education. Arts Education Policy Review, 103, 3–9. https://doi.org/10.1080/10632910209600288
  • Driver, J., & Noesselt, T. (2008). Multisensory interplay reveals crossmodal influences on ‘sensory-specific’ brain regions, neural responses, and judgments. Neuron, 57(1), 11–23. https://doi.org/10.1016/j.neuron.2007.12.013
  • Driver, J., & Spence, C. (2000). Multisensory perception: Beyond modularity and convergence. Current Biology, 10(20), R731–R735. https://doi.org/10.1016/S0960- 9822(00)00740-5
  • Eldridge, M., Saltzman, E., & Lahav, A. (2010). Seeing what you hear: Visual feedback improves pitch recognition. European Journal of Cognitive Psychology, 22(7), 1078–1091. https://doi.org/10.1080/09541440903316136
  • Erikson, J. M. (1985). Vital Senses: Sources of Lifelong Learning. The Journal of Education, 167(3), 85–96. Retrieved from https://www.jstor.org/stable/42742109 Food & Paper: Cross-modal Correspondences of Tonal Stability (Maimon) - RITMO
  • Centre for Interdisciplinary Studies in Rhythm, Time and Motion. (2019, December 11). Retrieved 7 January 2024, from https://www.uio.no/ritmo/english/news-and-events/events/food-andpaper/2019/maimon/index.html
  • Hirano, M., & Furuya, S. (2022). Multisensory interactions on auditory and somatosensory information in expert pianists. Scientific Reports, 12(1), 12503. https://doi.org/10.1038/s41598-022-16618-0
  • Huang, J., Gamble, D., Sarnlertsophon, K., Wang, X., & Hsiao, S. (2013). Integration of auditory and tactile inputs in musical meter perception. Advances in Experimental Medicine and Biology, 787, 453–461. https://doi.org/10.1007/978-1-4614- 1590-9_50
  • Janisauska, J., & Bernhofs, V. (2021). PERCEPTUAL ASPECTS OF MUSIC LISTENING: A THEORETICAL REVIEW. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 7, 108–122. https://doi.org/10.17770/sie2021vol7.6398
  • Johnson, R. M. G. (2014). In Touch with the Wild: Exploring Real-time Feedback for Learning to Play the Violin (Doctoral, UCL (University College London); p. ?- ?). UCL (University College London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/1452512/
  • Katai, Z., TOTH, L., & Adorjáni, A. (2014). Multi-Sensory Informatics Education. Informatics in Education, 13, 225–240. https://doi.org/10.15388/infedu.2014.04 Kuchenbuch, A., Paraskevopoulos, E., Herholz, S. C., & Pantev, C. (2014). AudioTactile Integration and the Influence of Musical Training. PLOS ONE, 9(1), e85743. https://doi.org/10.1371/journal.pone.0085743
  • Lage, G. M., Borém, F., Vieira, M. N., & Barreiros, J. P. (2007). Visual and tactile information in double bass intonation control. Motor Control, 11(2), 151–165. https://doi.org/10.1123/mcj.11.2.151
  • Lotze, M. (2003). The musician's brain: Functional imaging of amateurs and professionals during performance and imagery. Neuroimage. Retrieved from https://www.academia.edu/502216/The_musicians_brain_Functional_imaging_o f_amateurs_and_professionals_during_performance_and_imagery
  • Mathias Wahl, & Ulf Ziemann. (2008). The Human Motor Corpus Callosum. Reviews in the Neurosciences, 19(6), 451–466. https://doi.org/10.1515/REVNEURO.2008.19.6.451
  • Mazur, J. E. (2016). Learning & Behavior: Eighth Edition (8th edition). New York: Routledge.
  • O’Brien, J., Mason, A., Chan, J., & Setti, A. (2023). Can We Train Multisensory Integration in Adults? A Systematic Review. Multisensory Research, 36(2), 111–180. https://doi.org/10.1163/22134808-bja10090
  • Pan, F., Zhang, L., Ou, Y., & Zhang, X. (2019). The audio-visual integration effect on music emotion: Behavioral and physiological evidence. PLOS ONE, 14(5), e0217040. https://doi.org/10.1371/journal.pone.0217040
  • Paraskevopoulos, E., & Herholz, S. (2013). Multisensory integration and neuroplasticity in the human cerebral cortex. Translational Neuroscience, 4, 337–348. https://doi.org/10.2478/s13380-013-0134-1
  • Pino, A., Rodríguez-Rossell, C., & Vallverdú, L. V. (2022). ‘How can I include them?’: Teaching pupils with visual impairment in the inclusive music classroom: Di- dacticae: Revista de Investigación En Didácticas Específicas, (12), 124–137. https://doi.org/10.1344/did.2022.12.124-137
  • Prychitko,Sonja. (2017). A NIRS Study of Violinists and Pianists Employing Motor and Music Imageries to Assess Neural Differences in Music Perception (For the degree of MASTER OF SCIENCE Office of Graduate Education and Research, Northern Michigan University). Northern Michigan University. Retrieved from https://commons.nmu.edu/theses/154/
  • Ritchie, L. (2023). Multisensory Music Performance with Cymatic Images. Music & Science, 6, 20592043231159065. https://doi.org/10.1177/20592043231159065
  • Rizzolatti, G., Luppino, G., & Matelli, M. (1998). The organization of the cortical motor system: New concepts. Electroencephalography and Clinical Neurophysiology, 106(4), 283–296. https://doi.org/10.1016/s0013-4694(98)00022-4
  • Russo, F. (2019). Multisensory processing in music. In The Oxford handbook of music and the brain (pp. 212–234). New York, NY, US: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198804123.001.0001
  • Schwenkreis, P., El Tom, S., Ragert, P., Pleger, B., Tegenthoff, M., & Dinse, H. R. (2007). Assessment of sensorimotor cortical representation asymmetries and motor skills in violin players. European Journal of Neuroscience, 26(11), 3291– 3302. https://doi.org/10.1111/j.1460-9568.2007.05894.x
  • Shams, L., & Seitz, A. R. (2008). Benefits of multisensory learning. Trends in Cognitive Sciences, 12(11), 411–417. https://doi.org/10.1016/j.tics.2008.07.006 Sorati, M., & Behne, D. M. (2020). Audiovisual Modulation in Music Perception for Musicians and Non-musicians. Frontiers in Psychology, 11, 1094. https://doi.org/10.3389/fpsyg.2020.01094
  • Stein, B. E., Stanford, T. R., & Rowland, B. A. (2009). The Neural Basis of Multisensory Integration in the Midbrain: Its Organization and Maturation. Hearing Research, 258(1–2), 4–15. https://doi.org/10.1016/j.heares.2009.03.012
  • Suryaratri, R. D., Prayitno, E. H., & Wuryani, W. (2019). The Implementation of Multisensory Learning at Elementary Schools in Jakarta. Jurnal Pendidikan Usia Dini, 13(1), 100–113. https://doi.org/10.21009/10.21009/JPUD.131.08
  • Swinnen, S. P. (2002). Intermanual coordination: From behavioural principles to neuralnetwork interactions. Nature Reviews Neuroscience, 3(5), 348–359. https://doi.org/10.1038/nrn807
  • Tang, T. T. (2017). Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities. Arizona State University. Retrieved from Arizona State University website: https://keep.lib.asu.edu/items/155911 Trainor, L. (2008). The neural roots of music. Nature, 453(7195), 598–599. https://doi.org/10.1038/453598a
  • Weigelt, M., & Stöckel, T. (2009). Lateral preferences and brain asymmetries: Common challenges for sports and finger athletes [A comment on the chapter by Walter Norris].
  • Wollman, I., Fritz, C., & Poitevineau, J. (2014). Influence of vibrotactile feedback on some perceptual features of violins. The Journal of the Acoustical Society of America, 136(2), 910–921. https://doi.org/10.1121/1.4889865
  • Wollman, I., Fritz, C., Poitevineau, J., & McAdams, S. (2014). Investigating the Role of Auditory and Tactile Modalities in Violin Quality Evaluation. PLOS ONE, 9(12), e112552. https://doi.org/10.1371/journal.pone.0112552
Toplam 37 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Yetişkin Eğitimi
Bölüm Makaleler
Yazarlar

Beyza Karakaş

Mehlika Dündar

Yayımlanma Tarihi 27 Mayıs 2024
Gönderilme Tarihi 8 Mart 2023
Yayımlandığı Sayı Yıl 2024 Cilt: 8 Sayı: 2

Kaynak Göster

APA Karakaş, B., & Dündar, M. (2024). MULTI SENSORY LEARNING IN VIOLIN TRAINING. International Journal of Quality in Education, 8(2), 12-30.
AMA Karakaş B, Dündar M. MULTI SENSORY LEARNING IN VIOLIN TRAINING. IJQE. Mayıs 2024;8(2):12-30.
Chicago Karakaş, Beyza, ve Mehlika Dündar. “MULTI SENSORY LEARNING IN VIOLIN TRAINING”. International Journal of Quality in Education 8, sy. 2 (Mayıs 2024): 12-30.
EndNote Karakaş B, Dündar M (01 Mayıs 2024) MULTI SENSORY LEARNING IN VIOLIN TRAINING. International Journal of Quality in Education 8 2 12–30.
IEEE B. Karakaş ve M. Dündar, “MULTI SENSORY LEARNING IN VIOLIN TRAINING”, IJQE, c. 8, sy. 2, ss. 12–30, 2024.
ISNAD Karakaş, Beyza - Dündar, Mehlika. “MULTI SENSORY LEARNING IN VIOLIN TRAINING”. International Journal of Quality in Education 8/2 (Mayıs 2024), 12-30.
JAMA Karakaş B, Dündar M. MULTI SENSORY LEARNING IN VIOLIN TRAINING. IJQE. 2024;8:12–30.
MLA Karakaş, Beyza ve Mehlika Dündar. “MULTI SENSORY LEARNING IN VIOLIN TRAINING”. International Journal of Quality in Education, c. 8, sy. 2, 2024, ss. 12-30.
Vancouver Karakaş B, Dündar M. MULTI SENSORY LEARNING IN VIOLIN TRAINING. IJQE. 2024;8(2):12-30.