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LISTENING TO COLOURFUL VOICES: HOW DO CHILDREN IMAGINE THEIR MUSIC LESSONS IN SCHOOL?

Yıl 2020, Cilt: 9 Sayı: 1, 73 - 84, 30.06.2020

Öz

In this research, it was aimed to illustrate the voices of primary school students about how they imagine their music lessons in school and the classroom. For this purpose, a focus-group interview structure was based on children’s perspectives, ideas and imaginations about their music lessons. First, a pilot study consisting of a focus-group interview and a questionnaire was carried out with ten fourth grade primary school students who voluntarily took part in this research. The main study was carried out with nine different fourth grade students. Vernon Howard’s ‘continuum of imagination’ was used to categorise students’ statements and Vygotsky’s laws of imagination are the key role for analysing and interpreting students’ imaginative statements. Students’ imaginations about their music lessons were at first about different learning environments and instruments. The statements show the importance for children to do music activities in music rooms that are well equipped with instruments as well as outside the classroom and school. The research findings may help us to understand the problems in primary music education and provide a piece of evidence about the necessity of developing good classroom practices to promote children’s imaginative and creative thinking skills. Thus, we can develop an understanding that focuses on the creative needs of children in primary music education.

Kaynakça

  • Blenkinsop, S. (2009). From theory to practice, key challenges. In S. Blenkinsop (Ed.), The imagination in education: Extending the boundaries of theory and practice (pp. ix -xvi). Newcastle, UK: Cambridge Scholar Publishing.
  • De Vries, P. (2011). The first year of teaching in primary school: Where is the place of music? International Journal of Education and the Arts, 12(2), 1-25. Retrieved from http://www.ijea.org/v12n2/.
  • Eckhoff, A., & Urbach, J. (2008).Understanding imaginative thinking during childhood: Sociocultural conceptions of creativity and imaginative thought. Early Childhood Education Journal, 36(2), 179-185.doi: 10.1007/s10643-008-0261-4
  • Emberton, E. (2013). The power of music: Opening our minds to imagine a better life. Canadian Music Educator, 55(2), 29-32. Retrieved from Gale Academic One File.
  • Gajdamaschko, N. (2005). Vygotsky on imagination: Why an understanding of the imagination is an important issue for school teachers. Teaching Education, 16(1), 13-22. doi: 10.1080/1047621052000341581
  • Gibbs, A. (2012). Focus groups and group interviews. In J. Arthur, M. Waring, R. Coe, & L. V Hedges (Eds), Research methods and methodologies in education (pp. 186-192). Thousand Oaks: Sage.
  • Giles, A. M., & Frego, R. J. D. (2004). An inventory of music activities used by elementary classroom teachers: An exploratory study. Update: Applications of Research in Music Education, 22(2), 13-22. doi:https://doi.org/10.1177/87551233040220020103
  • Greene, M. (1995). Releasing the imagination: Essays on education, the arts, and social change. San Francisco: Jossey Bass Publishers.
  • Hackett, P., & Lindeman, C. A. (2016). The musical classroom: Backgrounds, models, and skills for elementary teaching (8th ed.). New York, NY: Routledge.
  • Higgins, C. (2008). Modest beginnings of a radical revision of the concept of imagination. In R. Fitzgerald, & T. W. Nielsen (Eds), Imaginative practice, imaginative inquiry: Proceedings of the sixth international conference on imagination and education (pp. 36-47). Australian Capital Territory: The University Of Canberra.
  • Holgersen, S. E. (2008). Music education for young children in Scandinavia: Policy, philosophy, or wishful thinking? Arts Education Policy Review, 109(3), 47-54.
  • House of Commons Education and Skills Committee. (2005). Education outside the classroom (Second report of session 2004-2005). London: The Stationery Office Limited. Retrieved from https://publications.parliament.uk/pa/cm200405/cmselect/cmeduski/120/120.pdf
  • Joubert, M. M. (2001). The art of creative teaching: NACCCE and beyond. In A. Craft, B. Jeffrey, & M. Leibling (Eds), Creativity in education (pp. 17-34). London: Continuum.
  • Kim, J. (2017). Transforming music education for the next generation: Planting ‘four cs’ through children’s songs. International Journal of Early Childhood, 49(2), 181-193. doi: https://doi.org/10.1007/s13158-017-0187-3
  • Kocabaş, A. (2000). Classroom teachers’ opinions on their inadequate in music lessons [Sınıf öğretmenlerinin müzik derslerindeki yetersizliklerine ilişkin görüşleri]. Pamukkale University Journal of Education, 7(7), 7-11. Retrieved from https://dergipark.org.tr/en/pub/pauefd/issue/11136/133195
  • Kokotsaki, D. (2011). Student-teachers' conceptions of creativity in the secondary music classroom. Thinking Skills & Creativity, 6(2), 100-113.
  • Kokotsaki, D., & Newton, D. P. (2015). Recognizing creativity in the music classroom. International Journal of Music Education, 33(4), 491-508. doi: 10.1177/0255761415607081
  • Koutsoupidou, T. (2005). Improvisation in the English primary music classroom: Teachers’ perceptions and practices. Music Education Research, 7(3), 363-381. doi: 10.1080/14613800500324432
  • Küçüköncü, Y. (2000). Music education in primary school teaching [Sınıf öğretmenliğinde müzik eğitimi]. Pamukkale University Journal of Educational Sciences, 7, 8-12. Retrieved from https://dergipark.org.tr/tr/download/article-file/114902
  • Mawang, L., L., Kigen, E., M., & Mutweleli, S., M. (2019).The relationship between musical self-concept and musical creativity among secondary school music students. International Journal of Music Education, 37(1), 78-90. doi: 10.1177/0255761418798402
  • Maynard, T., & Waters, J. (2007). Learning in the outdoor environment: A missed opportunity? Early Years, 27(3), 255-265. doi: 10.1080/09575140701594400.
  • McCaslin, N. (2016). Creative drama in the classroom and beyond (8th ed.). Boston, MA: Pearson.
  • Ministry of National Education (2018). Primary and secondary school music lesson teaching program/ 1-8. [Müzik dersi öğretim programı İlkokul ve ortaokul 1-8. sınıf]. Retrieved from http://mufredat.meb.gov.tr/ProgramDetay.aspx?PID=357
  • Özdemir, G., & Yıldız, G. (2010). Musical development in the process of development [Genel gelişim sürecinde müziksel gelişim]. Mehmet Akif Ersoy University Journal of Social Sciences Institute, 2(2), 77-90. Retrieved from https://dergipark.org.tr/en/pub/makusobed/issue/19434/206674
  • Reichling, M. J. (1997). Music, imagination, and play. Journal of Aesthetic Education, 31(1), 41-55. Retrieved from https://www.jstor.org/stable/3333470
  • Rivkin, M. (1998). "Happy play in grassy places": The importance of the outdoor environment in Dewey's educational ideal. Early Childhood Education Journal, 25(3), 199-202. 12 March 2019 retrieved from https://fr.slideshare.net/TuaNMaSTuRa/1-outdoor-environment-in-deweys-educational-ideal
  • Robinson, K. (2006, February). Do schools kill creativity? [Video]. Retrieved from https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity
  • Robinson, K., & Aronica, L. (2009). The element: How finding your passion changes everything. London: Penguin.
  • Russell-Bowie, D. (2010). A ten year follow-up investigation of preservice generalist primary teachers' background and confidence in teaching music. Australian Journal of Music Education, 2, 76-86. Retrieved from https://files.eric.ed.gov/fulltext/EJ916792.pdf
  • Salmon, A. (2010). Using music to promote children’s thinking and enhance their literacy development. Early Child Development and Care, 180(7), 937-945. doi: 10.1080/03004430802550755
  • Shin, J., & Seog, M. (2018). A collaborative group study of Korean mid-career elementary teachers for professional development in music. International Journal of Music Education, 36(1), 85-95.
  • Sternberg, R. J. (2007). Finding students who are wise, practical, and creative. Chronicle of Higher Education, 53(44), B11. Retrieved from https://www.chronicle.com/article/Finding-Students-Who-Are-Wise/15549
  • Sungurtekin, Ş. (2005). The importance of orff instruments in music education and evaluation of their application in pre-school education institutions [Orff çalgılarının okul müzik eğitimindeki yeri ve okul öncesi eğitim kurumlarındaki uygulamalarının değerlendirilmesi]. Uludağ University Social Sciences Institute, Unpublished Master Thesis, Bursa.
  • Sungurtekin, Ş., & İlhan, A. Ç. (2015). Evaluation of classroom teachers’ “art and aesthetics” competencies in terms of music education competencies based on the lecturers’ views [Müzik eğitimi yeterlikleri bağlamında sınıf öğretmeni “sanat ve estetik” yeterliklerinin öğretim elemanlarının görüşleri doğrultusunda değerlendirilmesi]. Journal of Uludag University of Faculty of Education, 28(1), 53-73.
  • Tavşancıl, E., & Aslan, A. E. (2001). The content analysis and application examples [Sözel, yazılı ve diğer materyaller için içerik analizi ve uygulama örnekleri]. İstanbul: Epsilon Publishing.
  • Vezne, R., & Günbayı, İ. (2016). The effect of informal learning on teachers' professional development: A case study. International Journal on New Trends in Education and Their Implications, 7(3), 11-22. Retrieved from https://files.eric.ed.gov/fulltext/ED585212.pdf
  • Vygotsky, L. S. (2004). Imagination and creativity in childhood. Journal of Russian and East European Psychology, 42(1), 7-97. doi: 10.1080/10610405.2004.11059210
  • Wagner, T. (2014). The global achievement gap: Why even our best schools don't teach the new survivals kills our children need-and what we can do about it. New York, NY: Basic Books.
  • Webster, P. R. (1990). Creativity as creative thinking. Music Educators Journal, 76(9), 22-28. doi: 10.2307/3401073
  • Yildirim, A., & Simsek, H. (2008). Qualitative research methods in social sciences [Sosyal bilimlerde nitel araştırma modelleri]. Ankara: Seçkin Publishing.
  • Yin, R. K. (2003). Case study research: Design and methods (3rd ed.). Thousand Oaks, CA: Sage.
  • Zheng, L., & Bian, C. (2018). Children’s music education from the perspective of positive psychology. Educational Sciences: Theory & Practice, 18(6), 3094-3100. doi: 10.12738/estp.2018.6.211
Yıl 2020, Cilt: 9 Sayı: 1, 73 - 84, 30.06.2020

Öz

Kaynakça

  • Blenkinsop, S. (2009). From theory to practice, key challenges. In S. Blenkinsop (Ed.), The imagination in education: Extending the boundaries of theory and practice (pp. ix -xvi). Newcastle, UK: Cambridge Scholar Publishing.
  • De Vries, P. (2011). The first year of teaching in primary school: Where is the place of music? International Journal of Education and the Arts, 12(2), 1-25. Retrieved from http://www.ijea.org/v12n2/.
  • Eckhoff, A., & Urbach, J. (2008).Understanding imaginative thinking during childhood: Sociocultural conceptions of creativity and imaginative thought. Early Childhood Education Journal, 36(2), 179-185.doi: 10.1007/s10643-008-0261-4
  • Emberton, E. (2013). The power of music: Opening our minds to imagine a better life. Canadian Music Educator, 55(2), 29-32. Retrieved from Gale Academic One File.
  • Gajdamaschko, N. (2005). Vygotsky on imagination: Why an understanding of the imagination is an important issue for school teachers. Teaching Education, 16(1), 13-22. doi: 10.1080/1047621052000341581
  • Gibbs, A. (2012). Focus groups and group interviews. In J. Arthur, M. Waring, R. Coe, & L. V Hedges (Eds), Research methods and methodologies in education (pp. 186-192). Thousand Oaks: Sage.
  • Giles, A. M., & Frego, R. J. D. (2004). An inventory of music activities used by elementary classroom teachers: An exploratory study. Update: Applications of Research in Music Education, 22(2), 13-22. doi:https://doi.org/10.1177/87551233040220020103
  • Greene, M. (1995). Releasing the imagination: Essays on education, the arts, and social change. San Francisco: Jossey Bass Publishers.
  • Hackett, P., & Lindeman, C. A. (2016). The musical classroom: Backgrounds, models, and skills for elementary teaching (8th ed.). New York, NY: Routledge.
  • Higgins, C. (2008). Modest beginnings of a radical revision of the concept of imagination. In R. Fitzgerald, & T. W. Nielsen (Eds), Imaginative practice, imaginative inquiry: Proceedings of the sixth international conference on imagination and education (pp. 36-47). Australian Capital Territory: The University Of Canberra.
  • Holgersen, S. E. (2008). Music education for young children in Scandinavia: Policy, philosophy, or wishful thinking? Arts Education Policy Review, 109(3), 47-54.
  • House of Commons Education and Skills Committee. (2005). Education outside the classroom (Second report of session 2004-2005). London: The Stationery Office Limited. Retrieved from https://publications.parliament.uk/pa/cm200405/cmselect/cmeduski/120/120.pdf
  • Joubert, M. M. (2001). The art of creative teaching: NACCCE and beyond. In A. Craft, B. Jeffrey, & M. Leibling (Eds), Creativity in education (pp. 17-34). London: Continuum.
  • Kim, J. (2017). Transforming music education for the next generation: Planting ‘four cs’ through children’s songs. International Journal of Early Childhood, 49(2), 181-193. doi: https://doi.org/10.1007/s13158-017-0187-3
  • Kocabaş, A. (2000). Classroom teachers’ opinions on their inadequate in music lessons [Sınıf öğretmenlerinin müzik derslerindeki yetersizliklerine ilişkin görüşleri]. Pamukkale University Journal of Education, 7(7), 7-11. Retrieved from https://dergipark.org.tr/en/pub/pauefd/issue/11136/133195
  • Kokotsaki, D. (2011). Student-teachers' conceptions of creativity in the secondary music classroom. Thinking Skills & Creativity, 6(2), 100-113.
  • Kokotsaki, D., & Newton, D. P. (2015). Recognizing creativity in the music classroom. International Journal of Music Education, 33(4), 491-508. doi: 10.1177/0255761415607081
  • Koutsoupidou, T. (2005). Improvisation in the English primary music classroom: Teachers’ perceptions and practices. Music Education Research, 7(3), 363-381. doi: 10.1080/14613800500324432
  • Küçüköncü, Y. (2000). Music education in primary school teaching [Sınıf öğretmenliğinde müzik eğitimi]. Pamukkale University Journal of Educational Sciences, 7, 8-12. Retrieved from https://dergipark.org.tr/tr/download/article-file/114902
  • Mawang, L., L., Kigen, E., M., & Mutweleli, S., M. (2019).The relationship between musical self-concept and musical creativity among secondary school music students. International Journal of Music Education, 37(1), 78-90. doi: 10.1177/0255761418798402
  • Maynard, T., & Waters, J. (2007). Learning in the outdoor environment: A missed opportunity? Early Years, 27(3), 255-265. doi: 10.1080/09575140701594400.
  • McCaslin, N. (2016). Creative drama in the classroom and beyond (8th ed.). Boston, MA: Pearson.
  • Ministry of National Education (2018). Primary and secondary school music lesson teaching program/ 1-8. [Müzik dersi öğretim programı İlkokul ve ortaokul 1-8. sınıf]. Retrieved from http://mufredat.meb.gov.tr/ProgramDetay.aspx?PID=357
  • Özdemir, G., & Yıldız, G. (2010). Musical development in the process of development [Genel gelişim sürecinde müziksel gelişim]. Mehmet Akif Ersoy University Journal of Social Sciences Institute, 2(2), 77-90. Retrieved from https://dergipark.org.tr/en/pub/makusobed/issue/19434/206674
  • Reichling, M. J. (1997). Music, imagination, and play. Journal of Aesthetic Education, 31(1), 41-55. Retrieved from https://www.jstor.org/stable/3333470
  • Rivkin, M. (1998). "Happy play in grassy places": The importance of the outdoor environment in Dewey's educational ideal. Early Childhood Education Journal, 25(3), 199-202. 12 March 2019 retrieved from https://fr.slideshare.net/TuaNMaSTuRa/1-outdoor-environment-in-deweys-educational-ideal
  • Robinson, K. (2006, February). Do schools kill creativity? [Video]. Retrieved from https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity
  • Robinson, K., & Aronica, L. (2009). The element: How finding your passion changes everything. London: Penguin.
  • Russell-Bowie, D. (2010). A ten year follow-up investigation of preservice generalist primary teachers' background and confidence in teaching music. Australian Journal of Music Education, 2, 76-86. Retrieved from https://files.eric.ed.gov/fulltext/EJ916792.pdf
  • Salmon, A. (2010). Using music to promote children’s thinking and enhance their literacy development. Early Child Development and Care, 180(7), 937-945. doi: 10.1080/03004430802550755
  • Shin, J., & Seog, M. (2018). A collaborative group study of Korean mid-career elementary teachers for professional development in music. International Journal of Music Education, 36(1), 85-95.
  • Sternberg, R. J. (2007). Finding students who are wise, practical, and creative. Chronicle of Higher Education, 53(44), B11. Retrieved from https://www.chronicle.com/article/Finding-Students-Who-Are-Wise/15549
  • Sungurtekin, Ş. (2005). The importance of orff instruments in music education and evaluation of their application in pre-school education institutions [Orff çalgılarının okul müzik eğitimindeki yeri ve okul öncesi eğitim kurumlarındaki uygulamalarının değerlendirilmesi]. Uludağ University Social Sciences Institute, Unpublished Master Thesis, Bursa.
  • Sungurtekin, Ş., & İlhan, A. Ç. (2015). Evaluation of classroom teachers’ “art and aesthetics” competencies in terms of music education competencies based on the lecturers’ views [Müzik eğitimi yeterlikleri bağlamında sınıf öğretmeni “sanat ve estetik” yeterliklerinin öğretim elemanlarının görüşleri doğrultusunda değerlendirilmesi]. Journal of Uludag University of Faculty of Education, 28(1), 53-73.
  • Tavşancıl, E., & Aslan, A. E. (2001). The content analysis and application examples [Sözel, yazılı ve diğer materyaller için içerik analizi ve uygulama örnekleri]. İstanbul: Epsilon Publishing.
  • Vezne, R., & Günbayı, İ. (2016). The effect of informal learning on teachers' professional development: A case study. International Journal on New Trends in Education and Their Implications, 7(3), 11-22. Retrieved from https://files.eric.ed.gov/fulltext/ED585212.pdf
  • Vygotsky, L. S. (2004). Imagination and creativity in childhood. Journal of Russian and East European Psychology, 42(1), 7-97. doi: 10.1080/10610405.2004.11059210
  • Wagner, T. (2014). The global achievement gap: Why even our best schools don't teach the new survivals kills our children need-and what we can do about it. New York, NY: Basic Books.
  • Webster, P. R. (1990). Creativity as creative thinking. Music Educators Journal, 76(9), 22-28. doi: 10.2307/3401073
  • Yildirim, A., & Simsek, H. (2008). Qualitative research methods in social sciences [Sosyal bilimlerde nitel araştırma modelleri]. Ankara: Seçkin Publishing.
  • Yin, R. K. (2003). Case study research: Design and methods (3rd ed.). Thousand Oaks, CA: Sage.
  • Zheng, L., & Bian, C. (2018). Children’s music education from the perspective of positive psychology. Educational Sciences: Theory & Practice, 18(6), 3094-3100. doi: 10.12738/estp.2018.6.211
Toplam 42 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Alan Eğitimleri
Bölüm Research Articles
Yazarlar

Şehnaz Sungurtekin Bu kişi benim 0000-0002-3581-2848

Hülya Kartal Bu kişi benim

Yayımlanma Tarihi 30 Haziran 2020
Yayımlandığı Sayı Yıl 2020 Cilt: 9 Sayı: 1

Kaynak Göster

APA Sungurtekin, Ş., & Kartal, H. (2020). LISTENING TO COLOURFUL VOICES: HOW DO CHILDREN IMAGINE THEIR MUSIC LESSONS IN SCHOOL?. International Online Journal of Primary Education, 9(1), 73-84.

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