Research Article

Poetic limits of AI: a study on the visual representation of Mevlana’s works

Volume: 5 Number: Special Issue: Mevlana's Philosophy and Art December 30, 2024
EN

Poetic limits of AI: a study on the visual representation of Mevlana’s works

Abstract

This study examines how concepts and themes in the works of Mevlana are visually expressed using Artificial Intelligence (AI) algorithms. Born in 1207 in Balkh, one of the most important centers of Sufi thought, Mevlana left a rich literary legacy in both poetry and prose. His works, with their profound spiritual messages, have remained influential until today. In today's digital age, artificial intelligence offers new possibilities to interpret and visualize these timeless themes. Artificial intelligence, which simulates cognitive processes such as perception and decision-making, increases efficiency and provides new insights in various sectors. In this study, prompts created with artificial intelligence based on Mevlana's poems were used and how these spiritual themes were expressed visually was analyzed. By adopting the qualitative research method of textual analysis, the study investigates how artificial intelligence transforms Mevlana's poetic language into modern visual forms. By adopting qualitative methods that emphasize the constructed and open-ended nature of reality, this study reveals the transformative potential of artificial intelligence in the field of art and Sufi philosophy. Analyzing the visual outputs produced by artificial intelligence, the article aims to offer an original perspective on how Mevlana 's works can be re-imagined in the digital space. This analysis, by focusing on the synergy between artificial intelligence and mystical philosophy, fosters fresh discussions about how technology, art, and spirituality intersect.

Keywords

References

  1. Arpagus, S. (2007). Mevlâna Celâleddin Rûmî (Mevlana Celaleddin Rumi). İstem, 5(10), 91-111.
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  3. Bastaban, Ü., & Sarıhan, S. (2024). Comparative Analysis of AIs: a Stylistic Experiment with Paintings of Ai Weiwei, Nuri Iyem and Jacob Lawrence. Journal for the Interdisciplinary Art and Education, 5(3), 161-173.
  4. Beytur, M. (2005). Mesnevi Gözüyle Mevlâna (Mevlana through the perspective of Mesnevi). İstanbul: Tuba Kitabevi.
  5. Bishop, C., & Bishop, H. (2024). Deep Learning: Foundations and Concepts. Cambridge: Springer. Creswell, J. (1998). The Essential Peirce: Selected Philosophical Writings. Indiana: Indiana University Press.
  6. Dündar, M. (2021). Fîhi Mâ Fîh Kitabında Kur’anî Motifler (Quranic motifs in the book of Fîhi Mâ Fîh). Ankara: İksad Yayınevi.
  7. Gölpınarlı, A. (1974). Mevlâna Celaleddin Dîvân (The Divan of Mevlana Celaleddin). İstanbul: İnkılap ve Aka Yayınevi.
  8. Gölpınarlı, A. (1985). Mesnevi ve Şerhi (Cilt I) (Mesnevi and its commentary, Vol. I). İstanbul: M.E.G.S.B. Yayınları.

Details

Primary Language

English

Subjects

Painting

Journal Section

Research Article

Early Pub Date

December 30, 2024

Publication Date

December 30, 2024

Submission Date

October 24, 2024

Acceptance Date

December 22, 2024

Published in Issue

Year 2024 Volume: 5 Number: Special Issue: Mevlana's Philosophy and Art

APA
Aydoğan Kaymaz, A., & Akoğlu, E. (2024). Poetic limits of AI: a study on the visual representation of Mevlana’s works. Journal for the Interdisciplinary Art and Education, 5(Special Issue: Mevlana’s Philosophy and Art), 51-61. https://doi.org/10.5281/zenodo.14593826
AMA
1.Aydoğan Kaymaz A, Akoğlu E. Poetic limits of AI: a study on the visual representation of Mevlana’s works. JIAE. 2024;5(Special Issue: Mevlana’s Philosophy and Art):51-61. doi:10.5281/zenodo.14593826
Chicago
Aydoğan Kaymaz, Ayça, and Eren Akoğlu. 2024. “Poetic Limits of AI: A Study on the Visual Representation of Mevlana’s Works”. Journal for the Interdisciplinary Art and Education 5 (Special Issue: Mevlana’s Philosophy and Art): 51-61. https://doi.org/10.5281/zenodo.14593826.
EndNote
Aydoğan Kaymaz A, Akoğlu E (December 1, 2024) Poetic limits of AI: a study on the visual representation of Mevlana’s works. Journal for the Interdisciplinary Art and Education 5 Special Issue: Mevlana’s Philosophy and Art 51–61.
IEEE
[1]A. Aydoğan Kaymaz and E. Akoğlu, “Poetic limits of AI: a study on the visual representation of Mevlana’s works”, JIAE, vol. 5, no. Special Issue: Mevlana’s Philosophy and Art, pp. 51–61, Dec. 2024, doi: 10.5281/zenodo.14593826.
ISNAD
Aydoğan Kaymaz, Ayça - Akoğlu, Eren. “Poetic Limits of AI: A Study on the Visual Representation of Mevlana’s Works”. Journal for the Interdisciplinary Art and Education 5/Special Issue: Mevlana’s Philosophy and Art (December 1, 2024): 51-61. https://doi.org/10.5281/zenodo.14593826.
JAMA
1.Aydoğan Kaymaz A, Akoğlu E. Poetic limits of AI: a study on the visual representation of Mevlana’s works. JIAE. 2024;5:51–61.
MLA
Aydoğan Kaymaz, Ayça, and Eren Akoğlu. “Poetic Limits of AI: A Study on the Visual Representation of Mevlana’s Works”. Journal for the Interdisciplinary Art and Education, vol. 5, no. Special Issue: Mevlana’s Philosophy and Art, Dec. 2024, pp. 51-61, doi:10.5281/zenodo.14593826.
Vancouver
1.Ayça Aydoğan Kaymaz, Eren Akoğlu. Poetic limits of AI: a study on the visual representation of Mevlana’s works. JIAE. 2024 Dec. 1;5(Special Issue: Mevlana’s Philosophy and Art):51-6. doi:10.5281/zenodo.14593826
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