TR
EN
Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements
Abstract
Modern choreography is notable for its techniques and elements that transform dance into a free and creative form of expression. Compared to traditional ballet, it possesses a more natural structure; gravity and contact with the floor constitute one of the fundamental characteristics of modern dance. Movements are inspired by natural body movements in daily life, allowing dancers to express themselves more freely. With its emotional and narrative-focused approach, it concentrates on conveying a specific emotion or idea without the necessity of presenting a story. An impressive emotional atmosphere is created for the audience through contrasts such as oppositions, sudden pauses, and changes in speed. Unlike traditional techniques, in modern choreography, all parts of the body become part of the movement, and a three-dimensional expression is generated by utilizing every area of the stage space. With flow based on inner feeling, movements become open to improvisation, enabling the dancer to externalize their inner world. The physical structure, requiring strength and agility, combined with harmony with music, imparts a dynamic and aesthetic quality to modern choreography. All these nuances collectively transform modern dance into a profound artistic experience for both dancers and audiences. This research aims to contribute to the literature by offering a new perspective on dance education, choreography design, and staging techniques. The research was designed within the framework of a qualitative research approach and conducted using document analysis and comprehensive literature review methods. The data sources for the study consist of nationally and internationally published books related to modern choreography, articles in peer-reviewed journals, postgraduate theses, interviews conducted with expert choreographers, and recordings of stage performances. Modern choreography creates a freer and improvisation-based dance form by breaking classical rules. Techniques and elements such as gravity, contrast movements, improvisation, and the utilization of all aspects of the stage space enrich modern choreography both physically and emotionally. Dancers find the opportunity to project their inner worlds onto the stage through this art form, offering audiences a unique aesthetic experience.
Keywords
- Body movement analysis
- Contemporary dance techniques
- Dance aesthetics
- Improvisation and expression
- Modern choreography
- Performing arts education
Supporting Institution
No financial support or funding was received for this study.
Ethical Statement
This study does not involve human participants, experimental interventions, observations, or the use of personal data; therefore, ethics committee approval was not required. The research was conducted through the use of open-access sources, literature review, and document analysis methods. Both authors contributed equally to the writing and development of the article. The authors declare that there is no conflict of interest regarding this study. The authors express their sincere gratitude to everyone who supported the completion of this research.
Thanks
The authors would like to express their sincere thanks to everyone who contributed to the development of this research.
References
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- Aksu, G. (2021). The creation of contemporary dance choreography through proprioception researches. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
- Aşkar, F. (2021, April 23-25). An aesthetic interference in traditional dance: The example of Trabzon women dances (Paper presentation). ICTM Study Group for Music and Dance in South East Europe Seventh Symposium, Trabzon, Türkiye.
- Aşkar, F. (2024). Methodological analysis in choreography: The Bu100deN (Dance Narrative) ‘Union’ example. International Journal of Current Educational Research, 10(1), 16-30. https://dergipark.org.tr/tr/download/article-file/3735227
- Bloch, E., & Lukacs, G. (1985). Aesthetics and politics (Ü. Oskay, Trans.). Eleştiri Yayınları.
- Blom, L. A., & Chaplin, L. T. (1982). The intimate act of choreography. University of Pittsburgh Press.
- Bostancı, A. (2022). Creating a solo contemporary dance choreography with the integrity of sound and body. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
- Carter, A. (2010). Shaking the foundations of the discipline. In A. Carter (Ed.), Rethinking dance history (B. Zenginobuz, Trans.). BGST Yayınları.
Details
Primary Language
English
Subjects
Dance and Choreography
Journal Section
Research Article
Early Pub Date
October 21, 2025
Publication Date
December 30, 2025
Submission Date
June 17, 2025
Acceptance Date
September 23, 2025
Published in Issue
Year 2025 Volume: 6 Number: 4
APA
Ganioğlu, S., & Kılınç, E. (2025). Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. Journal for the Interdisciplinary Art and Education, 6(4), 307-320. https://doi.org/10.5281/zenodo.18016421
AMA
1.Ganioğlu S, Kılınç E. Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. JIAE. 2025;6(4):307-320. doi:10.5281/zenodo.18016421
Chicago
Ganioğlu, Sabina, and Esra Kılınç. 2025. “Reimagining Movement: A Qualitative Exploration of Modern Choreography’s Techniques and Expressive Elements”. Journal for the Interdisciplinary Art and Education 6 (4): 307-20. https://doi.org/10.5281/zenodo.18016421.
EndNote
Ganioğlu S, Kılınç E (December 1, 2025) Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. Journal for the Interdisciplinary Art and Education 6 4 307–320.
IEEE
[1]S. Ganioğlu and E. Kılınç, “Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements”, JIAE, vol. 6, no. 4, pp. 307–320, Dec. 2025, doi: 10.5281/zenodo.18016421.
ISNAD
Ganioğlu, Sabina - Kılınç, Esra. “Reimagining Movement: A Qualitative Exploration of Modern Choreography’s Techniques and Expressive Elements”. Journal for the Interdisciplinary Art and Education 6/4 (December 1, 2025): 307-320. https://doi.org/10.5281/zenodo.18016421.
JAMA
1.Ganioğlu S, Kılınç E. Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. JIAE. 2025;6:307–320.
MLA
Ganioğlu, Sabina, and Esra Kılınç. “Reimagining Movement: A Qualitative Exploration of Modern Choreography’s Techniques and Expressive Elements”. Journal for the Interdisciplinary Art and Education, vol. 6, no. 4, Dec. 2025, pp. 307-20, doi:10.5281/zenodo.18016421.
Vancouver
1.Sabina Ganioğlu, Esra Kılınç. Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. JIAE. 2025 Dec. 1;6(4):307-20. doi:10.5281/zenodo.18016421