A new dance culture in Indonesia: Designing the dance 'Bedhayan Gagrag Sumirat Puspito' with deep learning and Muhammadiyah philosophy

Abstract

This research examines the value of the Muhammadiyah dance da'wah perspective. The aim of this research is to convey the meaning of Muhammadiyah Islamic da'wah in Indonesia and the perspective through the Bedhayan Gagrag Sumirat Puspito Malang dance in accordance with the Guidelines for 10 Indonesian Muhammadiyah personalities. This research uses descriptive qualitative research which contains a thorough examination of each movement of the Bedhayan Gagrag Sumirat Puspito Dance, with research object data on the Bedhayan Muhammadiyah Dance and guidelines for 10 personalities as subjects. Data was obtained from informants, documents and archives, as well as places and events. Data collection was carried out using interview techniques. Focus Group Discussion (FGD), participant observation and document analysis. In testing the validity of the data, the method of source triangulation and informant review was used. Interactive models are used to analyze data with data reduction procedures, data display, and data verification. Research findings show thatSumirat Puspito's bedhayan gagrag dance has the values of each movement which has 10 various findings that reflect the guidelines for the 10 personalities of Muhammadiyah in Indonesia which synergize with each other. The structure of the presentation of Sumirat Puspito's Bedhayan gagrag dance has, and has very critical thinking about upholding the teachings of ukhuwah. Islamiyah by helping the government collaborate to broadcast and practice Islamic teachings.

Keywords

• Deep learning
• Indonesian culture
• Islamic performing arts
• Javanese traditional dance
• Religious art
• Semiotic performance analysis
• Symbolic interaction

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