Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2023, Cilt: 4 Sayı: 2, 57 - 71, 30.06.2023

Öz

Kaynakça

  • Albuz, A. & Demirel, S. (2019). 2009 Ortaöğretim müzik dersi öğretim programı ile 2018 ortaöğretim müzik dersi öğretim programının karşılaştırılmalı kuramsal çerçeve analizi . Güzel Sanatlar Enstitüsü Dergisi, (42) , 146-156 . DOI: 10.32547/ataunigsed.505277.
  • Dalkıran, E. (2011). Keman eğitiminde deşifre becerisi (Sight Reading Skill in Violin Training). Mehmet Akif Ersoy Üniversitesi Sosyal Bilimler Enstitüsü Dergisi (Mehmet Akif Ersoy University Journal of Social Sciences Institute), (4), 54-63.
  • Ercan, N. (2008). Piyano eğitiminde ilke ve yöntemler (Principles and methods in piano education). Ankara: Sözkesen.
  • Fenmen, M. (1991). Müzikçinin el kitabı. Ankara: Müzik Ansiklopedisi Yayınları.
  • Fidel, R., & Tabachnik, B. G. (2009). A multivariate approach to assessing normality and symmetry: The Mahalanobis–Taguchi system. Journal of Applied Statistics, 36(7), 783-802. doi: 10.1080/02664760902733129
  • Hardy, D. B. (1992). Teaching sight-reading at the piano: Methodology and significance. Master’s Thesis. Southwestern Oklahoma State University.
  • Karasar, N. (2013). Bilimsel Araştırma Yöntemi, Ankara: Nobel.
  • Kaynar, M. C. (2020). Gitar eğitiminde deşifre becerilerinin geliştirilmesi konusunda uzman görüşlerinin alınması ve bu görüşlerin uygulanmasına yönelik bir deneme çalışması (Getting opinions about improving sight-reading abilities on guitar education and an experimental study towards applying of these opinions). Master's thesis. Trabzon University, Trabzon, Türkiye.
  • Kılıc, S. (2016). Cronbach's alpha reliability coefficient. Psychiatry and Behavioral Sciences, 6(1), 47.
  • Leekitwattana, M. (2016). The development of a customer satisfaction index model for the hotel industry using the Rasch model approach. Journal of Quality Assurance in Hospitality & Tourism, 17(2), 139-156.
  • Likitwittaya, S., Promsukkul, P., & Buranaprapuk, A. (2021). A study of the guideline of sight-reading enhancement for violin beginning students: a case study for music campuses for general public, college of music, mahidol university. Journal of Humanities and Social Sciences, 13(26), 147–158. https://so04.tci-thaijo.org/index.php/swurd/article/view/258854
  • Oztutgan, K., & Akbulut, F. (2019). Müzikal deşifrenin boyutları ve etken faktörleri (Dimensions of the musical sight-reading and effective factors). Art-e Sanat Dergisi (Art-e Art Journal), 12(23), 65-87
  • Raengprapan, N. (2000). A comparison of four types of rating scales for measuring consumer attitudes. International Journal of Market Research, 42(3), 361-375.
  • Saunders, M., Lewis, P., & Thornhill, A. (2007). Research methods. Business Students 4th edition Pearson Education Limited, England, 6(3), 1-268.
  • Sever, G. (2014). Bireysel çalgı keman derslerinde çevrilmiş öğrenme modelinin uygulanması (The Application of Flipped Learning Model on Individual Violin Lessons). Eğitimde Nitel Araştırmalar Dergisi - Journal of Qualitative Research in Education, 2(2), 27-41.
  • Sonsel, O.B. (2017). Bireysel çalgı viyola dersi’nin öğretim elemanları görüşleri açısından incelenmesi (Analysis of the individual viola course in terms of instructor opinions). Fine Arts, 12(2), 125-134. http://dx.doi.org/10.12739/NWSA.2017.12.2.D0194
  • Uçar, A. & Tanınmış, G. E. (2022). Bireysel çalgı (keman) ders içeriğinde yer alan dizi çalışmalarının öğrencinin gelişimine katkısı üzerine eğitimci görüşleri (Instructors’ Views on the Contribution of the Scale Studies in the Content of the Individual Instrument (Violin) Course to the Development of Students). TEBD, 20(1), 286-302. https://doi.org/10.37217/tebd.1040270
  • Uslu, M. (1998). Türkiye’de çalgı eğitiminin yaygınlaştırılması ve geliştirilmesi (Dissemination and development of instrument education in Turkey). Doctoral Thesis. Marmara University, Istanbul, Turkiye.

Opinions of string instrument students of music education department on sight reading

Yıl 2023, Cilt: 4 Sayı: 2, 57 - 71, 30.06.2023

Öz

Our scientific article entitled "A bright representative of the composer school - Adil The aim of this study is to find out views on sight reading of undergraduate music education students who are mainly trained on bowed string instruments including the violin, the viola and the cello. The sub-problems of the research relate to the differentiation of the prospective music teachers’ views in terms of grade level, instrument education duration, and musical education duration. It is a descriptive study using literature review for qualitative data and survey methods for quantitative data. The study group consists of 43 string instrument students enrolled at Gazi University, Gazi Faculty of Education, Fine Arts Education Department, Music Education Branch during the 2021-2022 academic year. The quantitative pillar was carried out by using the Opinionnaire for Sight Reading on String Instruments (OSRSI). The opinion form is a 5-point Likert scale consisting of 35 items ranked across the options “Strongly disagree”, “Disagree”, “Neutral”, “Agree” and “Strongly agree”. The questions in the measurement tool have 7 dimensions. Dimension 1 is about the use of sight reading exercises in instrument lessons (4 items), Dimension 2 deals with practices to improve sight reading skills (4 items), Dimension 3 concerns attitudes towards new pieces for sight reading (2 items), Dimension 4 is related with another area of attitude towards new pieces for sight reading (5 items), Dimension 5 deals with difficulties encountered in sight reading (12 items), Dimension 6 is about factors affecting motivation in sight reading (6 items), and Dimension 7 covers the use of sight reading practices outside individual instrument lessons (2 items). The data were analyzed and interpreted with SPSS. The results revealed no significant relationship between the OSRSI scores and duration of instrument education or duration of music education. However, the grade level was shown to exert a significant effect on the scores obtained from the scale. These results can provide useful insights for developing strategies for music teachers and music education programs.

Kaynakça

  • Albuz, A. & Demirel, S. (2019). 2009 Ortaöğretim müzik dersi öğretim programı ile 2018 ortaöğretim müzik dersi öğretim programının karşılaştırılmalı kuramsal çerçeve analizi . Güzel Sanatlar Enstitüsü Dergisi, (42) , 146-156 . DOI: 10.32547/ataunigsed.505277.
  • Dalkıran, E. (2011). Keman eğitiminde deşifre becerisi (Sight Reading Skill in Violin Training). Mehmet Akif Ersoy Üniversitesi Sosyal Bilimler Enstitüsü Dergisi (Mehmet Akif Ersoy University Journal of Social Sciences Institute), (4), 54-63.
  • Ercan, N. (2008). Piyano eğitiminde ilke ve yöntemler (Principles and methods in piano education). Ankara: Sözkesen.
  • Fenmen, M. (1991). Müzikçinin el kitabı. Ankara: Müzik Ansiklopedisi Yayınları.
  • Fidel, R., & Tabachnik, B. G. (2009). A multivariate approach to assessing normality and symmetry: The Mahalanobis–Taguchi system. Journal of Applied Statistics, 36(7), 783-802. doi: 10.1080/02664760902733129
  • Hardy, D. B. (1992). Teaching sight-reading at the piano: Methodology and significance. Master’s Thesis. Southwestern Oklahoma State University.
  • Karasar, N. (2013). Bilimsel Araştırma Yöntemi, Ankara: Nobel.
  • Kaynar, M. C. (2020). Gitar eğitiminde deşifre becerilerinin geliştirilmesi konusunda uzman görüşlerinin alınması ve bu görüşlerin uygulanmasına yönelik bir deneme çalışması (Getting opinions about improving sight-reading abilities on guitar education and an experimental study towards applying of these opinions). Master's thesis. Trabzon University, Trabzon, Türkiye.
  • Kılıc, S. (2016). Cronbach's alpha reliability coefficient. Psychiatry and Behavioral Sciences, 6(1), 47.
  • Leekitwattana, M. (2016). The development of a customer satisfaction index model for the hotel industry using the Rasch model approach. Journal of Quality Assurance in Hospitality & Tourism, 17(2), 139-156.
  • Likitwittaya, S., Promsukkul, P., & Buranaprapuk, A. (2021). A study of the guideline of sight-reading enhancement for violin beginning students: a case study for music campuses for general public, college of music, mahidol university. Journal of Humanities and Social Sciences, 13(26), 147–158. https://so04.tci-thaijo.org/index.php/swurd/article/view/258854
  • Oztutgan, K., & Akbulut, F. (2019). Müzikal deşifrenin boyutları ve etken faktörleri (Dimensions of the musical sight-reading and effective factors). Art-e Sanat Dergisi (Art-e Art Journal), 12(23), 65-87
  • Raengprapan, N. (2000). A comparison of four types of rating scales for measuring consumer attitudes. International Journal of Market Research, 42(3), 361-375.
  • Saunders, M., Lewis, P., & Thornhill, A. (2007). Research methods. Business Students 4th edition Pearson Education Limited, England, 6(3), 1-268.
  • Sever, G. (2014). Bireysel çalgı keman derslerinde çevrilmiş öğrenme modelinin uygulanması (The Application of Flipped Learning Model on Individual Violin Lessons). Eğitimde Nitel Araştırmalar Dergisi - Journal of Qualitative Research in Education, 2(2), 27-41.
  • Sonsel, O.B. (2017). Bireysel çalgı viyola dersi’nin öğretim elemanları görüşleri açısından incelenmesi (Analysis of the individual viola course in terms of instructor opinions). Fine Arts, 12(2), 125-134. http://dx.doi.org/10.12739/NWSA.2017.12.2.D0194
  • Uçar, A. & Tanınmış, G. E. (2022). Bireysel çalgı (keman) ders içeriğinde yer alan dizi çalışmalarının öğrencinin gelişimine katkısı üzerine eğitimci görüşleri (Instructors’ Views on the Contribution of the Scale Studies in the Content of the Individual Instrument (Violin) Course to the Development of Students). TEBD, 20(1), 286-302. https://doi.org/10.37217/tebd.1040270
  • Uslu, M. (1998). Türkiye’de çalgı eğitiminin yaygınlaştırılması ve geliştirilmesi (Dissemination and development of instrument education in Turkey). Doctoral Thesis. Marmara University, Istanbul, Turkiye.
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik, Müzik Eğitimi
Bölüm Music Education
Yazarlar

Özge Pehlivan 0000-0003-2683-4065

Gamze Elif Tanınmış 0000-0001-8593-8425

Erken Görünüm Tarihi 29 Haziran 2023
Yayımlanma Tarihi 30 Haziran 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 4 Sayı: 2

Kaynak Göster

APA Pehlivan, Ö., & Tanınmış, G. E. (2023). Opinions of string instrument students of music education department on sight reading. Journal for the Interdisciplinary Art and Education, 4(2), 57-71.

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