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When Orpheus looks back from the opera stage

Yıl 2023, Cilt: 4 Sayı: 3, 91 - 102, 30.09.2023

Öz

While mythology provides profound insights into the human condition and the universe, opera has drawn much of its thematic material from mythology, with a particular emphasis on the Orpheus myth. The main question of this research centers on the significance of the Orpheus myth within the realm of opera and the enduring reasons behind its selection as a recurring subject matter for centuries. To comprehend the import of Orpheus in opera, it becomes imperative to conduct an examination of the sources that piqued the interest of early opera composers and librettists. Furthermore, delving into the identity of Orpheus and its multifaceted connotations is essential for a comprehensive understanding. Opera, emerging during the Renaissance period, finds its roots in the cultural revival that sought inspiration from Ancient Greece. Hence, the foundational sources for opera lie in the musical heritage of Ancient Greece and the profound significance of Ancient Greek tragedy as an art form within Greek society. The Orpheus myth, distinguished as the paramount mythological narrative, became a pivotal source of inspiration for opera creators who sought to craft a novel and potent form of vocal expression reminiscent of the emotive potency witnessed in Ancient Greece. The portrayal of Orpheus as a heroic figure symbolizing the transcendent power of music, along with the dramatic intensity inherent in the myth, rendered it an alluring choice for opera. Consequently, this myth significantly influenced opera composers and librettists who, too, aspired to harness the captivating power of music. This resonance has led to the creation of numerous Orpheus-themed operas since the inception of opera itself. This research, undertaken from a historical perspective, employs qualitative research methodologies, encompassing historical and descriptive analysis methods. The corpus of analyzed documents comprises primary sources narrating the Orpheus story, as well as foundational, reliable, and current scholarly articles, theses, and books elucidating the interplay between mythology and opera. The journey of Orpheus within the realm of opera is observed to have commenced from the very inception of opera and appears to persist to the present day. Consequently, this research underscores the enduring relationship between opera and the Orpheus myth, spanning centuries, warranting recognition as an interdisciplinary field of study under the nomenclature 'Orpheus Opera.' Considering the limited scholarly attention devoted to the intersection of Orpheus and opera within our national context, this study aspires to serve as an inaugural foray into this domain.

Kaynakça

  • Agnew, V. (2008). Enlightenment Orpheus The Power of Music in Other Worlds. Oxford: Oxford University Press.
  • Berk, F. M. (2010). Düalist Bir Öğreti Olarak Orfizm (Orphism As a Dualistic Doctrine). Tarihin Peşinde Uluslararası Tarih ve Sosyal Araştırmalar Dergisi, 3, 107-118.
  • Buller, J. (1995, Winter). Looking Backwards: Baroque Opera and the Ending of the Orpheus Myth. International Journal of the Classical Tradition, s. 55 - 79.
  • Can, Ş. (1994). Klasik Yunan Mitolojisi (Classical Greek Mythology). İstanbul: İnkılap Yayınevi.
  • D’Aoust , J. (2013). The Orpheus Figure: The Voice in Writing, Music and Media. A Thesis Doctor of Philosophy. The University of Western Ontario.
  • Davidson Reid, J. (1993). The Oxford Guide to Classical Mythology in the Arts, 1300 - 1990s. Oxford: Oxford University Press.
  • Dycus, S. A. (2016, December). Interpreting The Journey of Orpheus: An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries. A Thesis Master of Music. Southern Illinois University Carbondale.
  • Erhat, A. (1996). Mitoloji Sözlüğü (Dictionary of Mythology). İstanbul: Remzi Kitabevi A. Ş.
  • Estin, C., & Laporte, H. (2003). Yunan ve Roma Mitolojisi. İstanbul: TÜBİTAK.
  • Floros, C. (2012). Humanism, Love and Music. Frankfurt: Peter Lang.
  • Graves, R. (2010). Yunan Mitleri Tanrılar, Kahramanlar, Söylenceler (Greek Gods and Heroes). Ankara: Say.
  • Grimal, P. (2005). Yunan Mitolojisi (Greek Mythology). Ankara: Dost Kitabevi.
  • Hoxby, B. (2005, November). The doleful airs of Euripides: The origins of opera and the spirit of tragedy reconsidered. Cambridge Opera Journal, s. 253 - 269.
  • Kapp, R. (no date). Orpheus ile ilgili veya ilgili olacak operaların, kantatların, enstrümantal müziklerin, edebi metinlerin, oyunların ve filmlerin kronolojik listesi (A chronological list of operas, cantatas, instrumental music, literary texts, plays, and films related to Orpheus or that will be related). musikgeschichte: https://www.musikgeschichte.at/materialien/verzeichnisse/ adresinden alındı
  • Lee, M. (2000). A Season of Opera From Orpheus to Ariadne. Toronto : University of Toronto Press.
  • Lévi-Strauss, C. (1971). The Naked Man Introduction to a Science of Mythology: 4. Harper & Low Publishers.
  • Loewenberg, A. (1978). Annals of Opera 1597 - 1940. London: John Calder.
  • Marchenkov, V. (1998). The Orpheus Myth in Musical Thought of Antiquity,The Renaissence, and the Modern Times Dissertation. Dissertation. The Ohio State University.
  • Moss, L. (1955, August). A Study of the Use of the Orphean Myth in Operatic Settings From 1600 - 1762. A Thesis Presented to the Faculty of the Graduate School University of Southern California . University of Southern California.
  • Nietzsche, F. (1999). The Birth of TGragedy and Other Writings. Cambridge University Press.
  • Ovidius. (1994). Dönüşümler (Metamorphoses). İstanbul: Payel Yayınevi.
  • Plato. (2012). The Republic. (B. Jowett, Çev.) Duke Classics.
  • Sadie, S. (1992). The New Grove Dictionary of Opera. Oxford: Oxford University Press.
  • Uraz, M. (tarih yok). Mitoloji Yunan – Roma (Mythology Greek –Roman). İstanbul: Türk Neşriyat Yurdu.
  • Vergilius. (2006). Georgics. (J. Mackail, Trans) Oxford University Press: The Riverside Press.
  • Web Sites Web 1. https://en.wikipedia.org/wiki/Orpheus
  • Web 2. https://en.wikipedia.org/wiki/Christian_Gottlieb_Kratzenstein_Stub
Yıl 2023, Cilt: 4 Sayı: 3, 91 - 102, 30.09.2023

Öz

Kaynakça

  • Agnew, V. (2008). Enlightenment Orpheus The Power of Music in Other Worlds. Oxford: Oxford University Press.
  • Berk, F. M. (2010). Düalist Bir Öğreti Olarak Orfizm (Orphism As a Dualistic Doctrine). Tarihin Peşinde Uluslararası Tarih ve Sosyal Araştırmalar Dergisi, 3, 107-118.
  • Buller, J. (1995, Winter). Looking Backwards: Baroque Opera and the Ending of the Orpheus Myth. International Journal of the Classical Tradition, s. 55 - 79.
  • Can, Ş. (1994). Klasik Yunan Mitolojisi (Classical Greek Mythology). İstanbul: İnkılap Yayınevi.
  • D’Aoust , J. (2013). The Orpheus Figure: The Voice in Writing, Music and Media. A Thesis Doctor of Philosophy. The University of Western Ontario.
  • Davidson Reid, J. (1993). The Oxford Guide to Classical Mythology in the Arts, 1300 - 1990s. Oxford: Oxford University Press.
  • Dycus, S. A. (2016, December). Interpreting The Journey of Orpheus: An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries. A Thesis Master of Music. Southern Illinois University Carbondale.
  • Erhat, A. (1996). Mitoloji Sözlüğü (Dictionary of Mythology). İstanbul: Remzi Kitabevi A. Ş.
  • Estin, C., & Laporte, H. (2003). Yunan ve Roma Mitolojisi. İstanbul: TÜBİTAK.
  • Floros, C. (2012). Humanism, Love and Music. Frankfurt: Peter Lang.
  • Graves, R. (2010). Yunan Mitleri Tanrılar, Kahramanlar, Söylenceler (Greek Gods and Heroes). Ankara: Say.
  • Grimal, P. (2005). Yunan Mitolojisi (Greek Mythology). Ankara: Dost Kitabevi.
  • Hoxby, B. (2005, November). The doleful airs of Euripides: The origins of opera and the spirit of tragedy reconsidered. Cambridge Opera Journal, s. 253 - 269.
  • Kapp, R. (no date). Orpheus ile ilgili veya ilgili olacak operaların, kantatların, enstrümantal müziklerin, edebi metinlerin, oyunların ve filmlerin kronolojik listesi (A chronological list of operas, cantatas, instrumental music, literary texts, plays, and films related to Orpheus or that will be related). musikgeschichte: https://www.musikgeschichte.at/materialien/verzeichnisse/ adresinden alındı
  • Lee, M. (2000). A Season of Opera From Orpheus to Ariadne. Toronto : University of Toronto Press.
  • Lévi-Strauss, C. (1971). The Naked Man Introduction to a Science of Mythology: 4. Harper & Low Publishers.
  • Loewenberg, A. (1978). Annals of Opera 1597 - 1940. London: John Calder.
  • Marchenkov, V. (1998). The Orpheus Myth in Musical Thought of Antiquity,The Renaissence, and the Modern Times Dissertation. Dissertation. The Ohio State University.
  • Moss, L. (1955, August). A Study of the Use of the Orphean Myth in Operatic Settings From 1600 - 1762. A Thesis Presented to the Faculty of the Graduate School University of Southern California . University of Southern California.
  • Nietzsche, F. (1999). The Birth of TGragedy and Other Writings. Cambridge University Press.
  • Ovidius. (1994). Dönüşümler (Metamorphoses). İstanbul: Payel Yayınevi.
  • Plato. (2012). The Republic. (B. Jowett, Çev.) Duke Classics.
  • Sadie, S. (1992). The New Grove Dictionary of Opera. Oxford: Oxford University Press.
  • Uraz, M. (tarih yok). Mitoloji Yunan – Roma (Mythology Greek –Roman). İstanbul: Türk Neşriyat Yurdu.
  • Vergilius. (2006). Georgics. (J. Mackail, Trans) Oxford University Press: The Riverside Press.
  • Web Sites Web 1. https://en.wikipedia.org/wiki/Orpheus
  • Web 2. https://en.wikipedia.org/wiki/Christian_Gottlieb_Kratzenstein_Stub
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Performans Sanatları (Diğer)
Bölüm Opera
Yazarlar

Evrim Şahinkaya Kaplancık 0000-0002-5730-3526

Erken Görünüm Tarihi 12 Eylül 2023
Yayımlanma Tarihi 30 Eylül 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 4 Sayı: 3

Kaynak Göster

APA Şahinkaya Kaplancık, E. (2023). When Orpheus looks back from the opera stage. Journal for the Interdisciplinary Art and Education, 4(3), 91-102.

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