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Familiarization with the elaborate creative work of one of the Uzbekistan’s most prominent contemporary composers - F.M.Yanov-Yanovskiy

Yıl 2024, Cilt: 5 Sayı: 2, 163 - 170, 30.06.2024
https://doi.org/10.5281/zenodo.12601866

Öz

This article examines the works of Yanov-Yanovskiy, Honored Artist of the Republic of Uzbekistan and one of the leading modern composers. Professor F. M. Yanov-Yanovsky played a vital role in advancing the Uzbek school of composers by demonstrating his unique talent, artistic insight and versatility as a composer, performer and educator. His influence spans the entire contemporary compositional art in Uzbekistan. The intertwining of his personal and professional life vividly mirrors the substantial changes that the country has undergone in the last fifty years. This article showcases his extensive repertoire, which spans both classical and modern compositions. Yanov-Yanovsky's determination to transcend a single artistic direction is apparent in his wide range of works, including poems, symphonic suites, instrumental concertos, and symphonies. His ability to blend classical traditions with contemporary stylistic elements highlights his mastery in both chamber music and large-scale symphonic compositions. He adeptly conveys lyrical, tragic, sarcastic, melancholic, and poetic themes. Some of his works are recognized for their subtlety, fragility, and meditative nature, while others are characterized by their intense emotional depth and internal tension. His precise attention to detail, artistic skill, and logical approach are reflected in the clarity and equilibrium of his musical ideas. Yanov-Yanovsky's oeuvre includes symphonies, concertos, oratorios, operas, chamber instrumental and vocal works, music for theater and film, and popular songs. He has significantly contributed to Uzbekistan's film industry, composing music for numerous films produced by the Uzbekfilm studio, which showcases the diversity of his work. Since the early stages of his career, Yanov-Yanovsky has also been involved in teaching at the State Conservatory of Uzbekistan, balancing his educational role with administrative responsibilities.

Etik Beyan

It does not require any ethical approval.

Destekleyen Kurum

No funding or project support was utilized in the research.

Kaynakça

  • Abdullaeva, E. (2015). Felix Yanov-Yanovsky. Tashkent:
  • Baker, D. (2016). Music in the cinema of Uzbekistan. Central Asian Review, 18(3), 212-230.
  • Faizieva, M. (2023). Study of small concert forms in the class of specialized piano (as an example of pieces ‘Tokkata’ and ‘Peshrav’ by F. Yanov-Yanovsky). Oriental Art and Culture, (3). Retrieved from https://cyberleninka.ru/article/n/izuchenie-malyh-kontsertnyh-form-v-klasse-spetsialnogo-fortepiano-na-primere-pies-tokkata-i-peshrav-f-yanov-yanovskogo
  • Ganihanova, Sh. (2022). Some trends in the development of film music in Uzbekistan. MIEATiS, (1). Retrieved from https://cyberleninka.ru/article/n/nekotorye-tendentsii-v-razvitii-kinomuzyki-uzbekistana
  • Ganihanova, Sh. (n.d.). F. M. Yanov-Yanovsky: Strokes to the portrait. Retrieved from http://www.musigi-dunya.az/new/read_magazine.asp?id=857
  • Ganikhanova, Sh., & Gafurova, S. A. (2024). Felix Yanov-Yanovsky, Natalia Yanov-Yanovskaya: Monograph. Tashkent:
  • Irziyaev, B. Sh. (2015). Art of Uzbek harmony: The past and today. Young Scientist, (7), 640-643. Retrieved from https://moluch.ru/archive/87/16203/
  • Kultura. Uz. (2020, November 30). Interview Boris Babaev: One of the oldest composers of Uzbekistan Felix Yanov-Yanovsky about his new works, creative path. Retrieved from https://www.kultura.uz/view_6_r_15826.html
  • Naroditskaya, I. (2002). Song from the Land of Fire: Continuity and Change in the Music of Azerbaijan. Routledge.
  • Nasirova, Yu. (2017). East-West issues based on the example of the Uzbek opera history. European Journal of Arts, 1, 28-30. DOI: http://dx.doi.org/10.20534/EJA-17-1-28-30. Retrieved from https://cyberleninka.ru/article/n/k- probleme-vostok-zapad-v-istorii-uzbekskoy-opery
  • Slobin, M. (1996). Central Asian Music: Essays in the History of the Music of the Peoples of the USSR. Wesleyan University Press.
  • Varelas, J. (2008). Felix Yanov-Yanovsky in the context of contemporary opera art. Sanat, (2).
  • Zokirova, V. (2016). Revival of the concerto grosso genre in the works of Felix Yanov-Yanovsky. Science Issues, (9), 51. Retrieved from https://cyberleninka.ru/article/n/vozrozhdenie-zhanra-concerto-grosso-v-tvorchestve-feliksa-yanov-yanovskogo
  • Web sites Web 1. https://www.editions-bim.com/composers/felix-yanov-yanovski
Yıl 2024, Cilt: 5 Sayı: 2, 163 - 170, 30.06.2024
https://doi.org/10.5281/zenodo.12601866

Öz

Kaynakça

  • Abdullaeva, E. (2015). Felix Yanov-Yanovsky. Tashkent:
  • Baker, D. (2016). Music in the cinema of Uzbekistan. Central Asian Review, 18(3), 212-230.
  • Faizieva, M. (2023). Study of small concert forms in the class of specialized piano (as an example of pieces ‘Tokkata’ and ‘Peshrav’ by F. Yanov-Yanovsky). Oriental Art and Culture, (3). Retrieved from https://cyberleninka.ru/article/n/izuchenie-malyh-kontsertnyh-form-v-klasse-spetsialnogo-fortepiano-na-primere-pies-tokkata-i-peshrav-f-yanov-yanovskogo
  • Ganihanova, Sh. (2022). Some trends in the development of film music in Uzbekistan. MIEATiS, (1). Retrieved from https://cyberleninka.ru/article/n/nekotorye-tendentsii-v-razvitii-kinomuzyki-uzbekistana
  • Ganihanova, Sh. (n.d.). F. M. Yanov-Yanovsky: Strokes to the portrait. Retrieved from http://www.musigi-dunya.az/new/read_magazine.asp?id=857
  • Ganikhanova, Sh., & Gafurova, S. A. (2024). Felix Yanov-Yanovsky, Natalia Yanov-Yanovskaya: Monograph. Tashkent:
  • Irziyaev, B. Sh. (2015). Art of Uzbek harmony: The past and today. Young Scientist, (7), 640-643. Retrieved from https://moluch.ru/archive/87/16203/
  • Kultura. Uz. (2020, November 30). Interview Boris Babaev: One of the oldest composers of Uzbekistan Felix Yanov-Yanovsky about his new works, creative path. Retrieved from https://www.kultura.uz/view_6_r_15826.html
  • Naroditskaya, I. (2002). Song from the Land of Fire: Continuity and Change in the Music of Azerbaijan. Routledge.
  • Nasirova, Yu. (2017). East-West issues based on the example of the Uzbek opera history. European Journal of Arts, 1, 28-30. DOI: http://dx.doi.org/10.20534/EJA-17-1-28-30. Retrieved from https://cyberleninka.ru/article/n/k- probleme-vostok-zapad-v-istorii-uzbekskoy-opery
  • Slobin, M. (1996). Central Asian Music: Essays in the History of the Music of the Peoples of the USSR. Wesleyan University Press.
  • Varelas, J. (2008). Felix Yanov-Yanovsky in the context of contemporary opera art. Sanat, (2).
  • Zokirova, V. (2016). Revival of the concerto grosso genre in the works of Felix Yanov-Yanovsky. Science Issues, (9), 51. Retrieved from https://cyberleninka.ru/article/n/vozrozhdenie-zhanra-concerto-grosso-v-tvorchestve-feliksa-yanov-yanovskogo
  • Web sites Web 1. https://www.editions-bim.com/composers/felix-yanov-yanovski
Toplam 14 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik (Diğer), Klasik Bale, Opera Şarkıcılığı ve Rejisörlüğü
Bölüm Music
Yazarlar

Munavara Abdullaeva

Shokhida Gafurova 0000-0002-6993-7702

Muradjon Turajanov Bu kişi benim

Erken Görünüm Tarihi 1 Temmuz 2024
Yayımlanma Tarihi 30 Haziran 2024
Gönderilme Tarihi 9 Haziran 2024
Kabul Tarihi 30 Haziran 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 5 Sayı: 2

Kaynak Göster

APA Abdullaeva, M., Gafurova, S., & Turajanov, M. (2024). Familiarization with the elaborate creative work of one of the Uzbekistan’s most prominent contemporary composers - F.M.Yanov-Yanovskiy. Journal for the Interdisciplinary Art and Education, 5(2), 163-170. https://doi.org/10.5281/zenodo.12601866

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