The Instrumentalization of Fictional Narrative in Relation to Architecture-Urban Environment: The Example of “Laughable Places” Workshop

Yıl 2021, , 223 - 235, 30.12.2021

Merve Eflatun

https://doi.org/10.46474/jds.1020244

Öz

Interdisciplinary approaches and distinctive representation methods are needed to expand the range of meaning in the architecture and to consider the design process in unique frameworks. Literature disrupts the static images produced for the city in the context of the imaginative weight and the various dynamics it makes with the reader also uses the city, space, and architecture to create a different dimension of representation. This situation, which is inspected in the article regarding the relationship between literature, city, and architecture, will be examined through the "Laughable Places" workshop, that is part of the e-workshop days held at Gebze Technical University in February 2021. In this sense, firstly the relationship between literature and architecture and the revealing of their potentials are handled through the imaginative, representational and textual dimensions. Than through various workshops where the relationship between fictional narrative and architecture is applied, it is reviewed in which contexts fictional narrative can be included in the intellectual process of design. This review has been grouped according to the method in the workshop setups, using the fictional narrative based on literary works or the writing fictional narratives by participants. The workshop process was interpreted through the hybridity of the two approaches.

Anahtar Kelimeler

Literature, Architecture, Creativity, Workshop, Representation, Design

Teşekkür

This article was written within the scope of the "Theoretical Studies in Design" course conducted by Prof. Dr. Şebnem Timur at Istanbul Technical University. The workshop participants Nurseli Karatepe, Başak Akdaş, İlayda Polat, Beyzanur Yiğit, İkbal Şimşek, Beyzanur Kaymas, Güzin Eren, Fatma Karavar, Melisa Akkaya, Rumeysa Kolcu, Rana Özkan, Busenur Kalabalık and Cansu Sözer, who have a share in the theme of the article, thanks for your hardwork.

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