Olgu Sunumu
BibTex RIS Kaynak Göster
Yıl 2020, Cilt: 2 Sayı: 2, 173 - 181, 20.12.2020
https://doi.org/10.46474//jds.833050

Öz

Kaynakça

  • Alsaggar, M. A., & Al Atoum, M. S. (2019). The image as a method of teaching in art education. Gazi University Journal of Science Part B: Art, Humanities, Design and Planning, 7(2), 211-221.
  • Atik, D. (2020). An evaluation experience for interpretation diversity of basic design products. International Refereed Journal of Design and Architecture, 20, 97-127.
  • Aydınlı, S. (1996). An approach to architectural education based on hermeneutical understanding. ACTA Politechnica Scandinavia, 105, 97-101.
  • Aypek Arslan, A. (2012). An analysis of teaching methods used at the course of basic design. Procedia - Social and Behavioral Sciences, 51, 172-176.
  • Beşgen, A., & Köseoğlu, Ş. (2019). Sinema-mimarlık arakesitinde bir mekana dokunmak: Sine-tasarım atölyesi. SineFilozofi, 26-52.
  • Beşgen, A., Kuloğlu, N., & Fathalizadehalemdari, S. (2015). Teaching / learning strategies through art: Art and basic design education. Procedia - Social and Behavioral Sciences, 182, 428-432.
  • Bostancı, B., Akbulak, B., & Akgül Yalçın, E. (2016). The transformation of music into form: basic design education in architecture. Abant İzzet Baysal Üniversitesi Eğitim Fakültesi Dergisi (İpekyolu Özel Sayısı), 16, 2196-2207.
  • Boucharenc, C. (2006). Research on Basic Design Education: An International Survey. International Journal of Technology and Design Education, 16, 1-30.
  • Canbakal Ataoğlu, N. (2015). Basic design, theory and practice. Procedia-social and Behavioral Sciences, 197, 2051-2057.
  • Düzenli, T., Alpak, E. M., & Özkan, G. D. (2017). Effects on learning and creativity of basic design course in landscape architecture. Electronic Journal of Social Sciences, 16(64), 1450-1460.
  • Ertok Atmaca, A. (2014). Temel tasarım. Ankara: Nobel Akademik Yayıncılık Eğitim Danışmanlık Tic. Ltd. Şti. .
  • Eysenck, H. J. (1994). The measurement of creativity. In M. A. Borden (Ed.), Dimensions of Creativity (pp. 199-242). Cambridge: MIT Press.
  • Kavas, K. R., Erbaş, İ., & Danacı, H. M. (2016). A reinterpretation of the suprematist painterly space for the comprehension of basic design in architectural education. Journal of Human Sicences, 13(3), 5813-5825.
  • Ketizmen Önal, G. (2011). Architectural design process in creativity and cultural schema. Uludağ Üniversitesi Mühendislik-Mimarlık Fakültesi Dergisi, 16(1), 155-162.
  • Onur, D., & Zorlu, T. (2017). Tasarım stüdyolarında uygulanan eğitim metotları ve yaratıcılık ilişkisi. The Turkish Online Journal of Design, Art and Communication, 7(4), 542-555.
  • Pallasmaa, J. (2008). 11 2020 tarihinde http://v3.arkitera.com/g143-sinema-ve-mimarlik.html?year=&aID=2621 adresinden alındı
  • Pazarlıoğlu Bingöl, M. (2016). Temel tasarım eğitiminde kavramdan üç boyuta geçişe yönelik bir uygulama örneği. İdil Dergisi, 21(5), 339-362.
  • San, İ. (2010). Sanat eğitimi kuramları. Ankara: Ütopya Yayınevi.
  • Seylan, A. (2005). Basic design. Ankara: Dağdelen Publishing.
  • Smith, S. M., Ward, T. B., & Finke, R. A. (1995). Creative cognition approach. Cambridge: MIT Press.
  • Soliman, A. M. (2017). Appropriate teaching and learning strategies for the architectural design process in pedagogic design studios. Frontiers of Architectural Research, 204-217.
  • Spaihts, J. (Writer), & Tyldum, M. (Director). (2016). Passengers [Motion Picture].
  • Tanyeli, U. (2001). Sinema ve Mimarlık , Temsiliyet / Nesnenin Temsili, Sanatın Sanallıkla İfadesi. Arredamento(11), 66.
  • URL 1. (2020). 08 2020 tarihinde https://en.wikipedia.org/wiki/Passengers_(2016_film)) adresinden alındı
  • URL 2. (2020). 08 2020 tarihinde https://www.imdb.com/title/tt1355644/ adresinden alındı
  • URL 3. (2020). 11 2020 tarihinde https://www.amazon.com/Passengers-Blu-ray-Jennifer-Lawrence/dp/B01LTI0BPU adresinden alındı
  • URL 4. (2020). 08 2020 tarihinde https://www.overthinkingit.com/2017/01/03/morality-passengers-part-2/ adresinden alındı
  • Yürekli, İ., & Yürekli, H. (2004). Mimari tasarım eğitiminde enformellik. İTÜ Dergisi / A Mimarlık Planlama Tasarım, 3(1), 53-62.
  • Zülfikar, H. C., & Ertin, D. G. (2014). A case study in design education: Creative drama method with image. Global Journal of Arts Education, 4(2), 43-48.

From Movie to Design: Interpretation of “Passengers” in the Form of Basic Design Principles

Yıl 2020, Cilt: 2 Sayı: 2, 173 - 181, 20.12.2020
https://doi.org/10.46474//jds.833050

Öz

Design is a tough process in which knowledge, skill, awareness, sophistication, inspiration, time and creativity should be brought together efficiently within artistic and aesthetic approach. Design education involves observing, researching, thinking, interpretation, designing and producing processes concordantly. Due to its unusual formation; students face difficulties while transforming intangible concepts into tangible products in basic design courses. An encouraging and inspiring teaching-learning process is required in this unique course. Conventional basic design education is structured on teaching the design elements and principles that make up a visual composition. Basic design curriculums of different departments are correlated with various branches of art and present interpretation diversity within students’ applications and basic design studio experiences. It is aimed to make a contribution to the wide range of basic design course within a case study themed on cinema in this study. Regarding to experimental method and watching a movie, students designed three dimensional models representing their inferences. Interpretation diversity has been observed due to students' cognition, observation, ways of access to information and creativity. As a result, deductive thinking and visual depiction of the movie through basic design principles have resulted creative products and benefited students' teaching-learning process.

Kaynakça

  • Alsaggar, M. A., & Al Atoum, M. S. (2019). The image as a method of teaching in art education. Gazi University Journal of Science Part B: Art, Humanities, Design and Planning, 7(2), 211-221.
  • Atik, D. (2020). An evaluation experience for interpretation diversity of basic design products. International Refereed Journal of Design and Architecture, 20, 97-127.
  • Aydınlı, S. (1996). An approach to architectural education based on hermeneutical understanding. ACTA Politechnica Scandinavia, 105, 97-101.
  • Aypek Arslan, A. (2012). An analysis of teaching methods used at the course of basic design. Procedia - Social and Behavioral Sciences, 51, 172-176.
  • Beşgen, A., & Köseoğlu, Ş. (2019). Sinema-mimarlık arakesitinde bir mekana dokunmak: Sine-tasarım atölyesi. SineFilozofi, 26-52.
  • Beşgen, A., Kuloğlu, N., & Fathalizadehalemdari, S. (2015). Teaching / learning strategies through art: Art and basic design education. Procedia - Social and Behavioral Sciences, 182, 428-432.
  • Bostancı, B., Akbulak, B., & Akgül Yalçın, E. (2016). The transformation of music into form: basic design education in architecture. Abant İzzet Baysal Üniversitesi Eğitim Fakültesi Dergisi (İpekyolu Özel Sayısı), 16, 2196-2207.
  • Boucharenc, C. (2006). Research on Basic Design Education: An International Survey. International Journal of Technology and Design Education, 16, 1-30.
  • Canbakal Ataoğlu, N. (2015). Basic design, theory and practice. Procedia-social and Behavioral Sciences, 197, 2051-2057.
  • Düzenli, T., Alpak, E. M., & Özkan, G. D. (2017). Effects on learning and creativity of basic design course in landscape architecture. Electronic Journal of Social Sciences, 16(64), 1450-1460.
  • Ertok Atmaca, A. (2014). Temel tasarım. Ankara: Nobel Akademik Yayıncılık Eğitim Danışmanlık Tic. Ltd. Şti. .
  • Eysenck, H. J. (1994). The measurement of creativity. In M. A. Borden (Ed.), Dimensions of Creativity (pp. 199-242). Cambridge: MIT Press.
  • Kavas, K. R., Erbaş, İ., & Danacı, H. M. (2016). A reinterpretation of the suprematist painterly space for the comprehension of basic design in architectural education. Journal of Human Sicences, 13(3), 5813-5825.
  • Ketizmen Önal, G. (2011). Architectural design process in creativity and cultural schema. Uludağ Üniversitesi Mühendislik-Mimarlık Fakültesi Dergisi, 16(1), 155-162.
  • Onur, D., & Zorlu, T. (2017). Tasarım stüdyolarında uygulanan eğitim metotları ve yaratıcılık ilişkisi. The Turkish Online Journal of Design, Art and Communication, 7(4), 542-555.
  • Pallasmaa, J. (2008). 11 2020 tarihinde http://v3.arkitera.com/g143-sinema-ve-mimarlik.html?year=&aID=2621 adresinden alındı
  • Pazarlıoğlu Bingöl, M. (2016). Temel tasarım eğitiminde kavramdan üç boyuta geçişe yönelik bir uygulama örneği. İdil Dergisi, 21(5), 339-362.
  • San, İ. (2010). Sanat eğitimi kuramları. Ankara: Ütopya Yayınevi.
  • Seylan, A. (2005). Basic design. Ankara: Dağdelen Publishing.
  • Smith, S. M., Ward, T. B., & Finke, R. A. (1995). Creative cognition approach. Cambridge: MIT Press.
  • Soliman, A. M. (2017). Appropriate teaching and learning strategies for the architectural design process in pedagogic design studios. Frontiers of Architectural Research, 204-217.
  • Spaihts, J. (Writer), & Tyldum, M. (Director). (2016). Passengers [Motion Picture].
  • Tanyeli, U. (2001). Sinema ve Mimarlık , Temsiliyet / Nesnenin Temsili, Sanatın Sanallıkla İfadesi. Arredamento(11), 66.
  • URL 1. (2020). 08 2020 tarihinde https://en.wikipedia.org/wiki/Passengers_(2016_film)) adresinden alındı
  • URL 2. (2020). 08 2020 tarihinde https://www.imdb.com/title/tt1355644/ adresinden alındı
  • URL 3. (2020). 11 2020 tarihinde https://www.amazon.com/Passengers-Blu-ray-Jennifer-Lawrence/dp/B01LTI0BPU adresinden alındı
  • URL 4. (2020). 08 2020 tarihinde https://www.overthinkingit.com/2017/01/03/morality-passengers-part-2/ adresinden alındı
  • Yürekli, İ., & Yürekli, H. (2004). Mimari tasarım eğitiminde enformellik. İTÜ Dergisi / A Mimarlık Planlama Tasarım, 3(1), 53-62.
  • Zülfikar, H. C., & Ertin, D. G. (2014). A case study in design education: Creative drama method with image. Global Journal of Arts Education, 4(2), 43-48.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimarlık
Bölüm Design Studio Cases
Yazarlar

Damla Atik 0000-0003-3963-3844

Yayımlanma Tarihi 20 Aralık 2020
Yayımlandığı Sayı Yıl 2020 Cilt: 2 Sayı: 2

Kaynak Göster

APA Atik, D. (2020). From Movie to Design: Interpretation of “Passengers” in the Form of Basic Design Principles. Journal of Design Studio, 2(2), 173-181. https://doi.org/10.46474//jds.833050

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