Yıl 2018, Cilt 2 , Sayı 2, Sayfalar 166 - 182 2018-12-29

The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition

Anna OLDFİELD [1] , Behrang NİKAEEN [2]


The Azeri aşıq tradition is a genre of musical storytelling that has circulated through the Caucasus and Northern Iran for over 500 years. Aşıqs travelled between regions to perform, and practitioners remained in contact for most of the genre’s history. This contact was disrupted in the early 20th century, when northern Azerbaijan was incorporated into the USSR. Divided between two countries, the aşıqs of the Republic of Azerbaijan and Northern Iran have developed along separate paths. This paper will compare contemporary aşıq performances as observed in The Republic of Azerbaijan and Northern Iran, focusing on historical factors, performance contexts, and gender. Finally, it will consider how increased interaction between the two regions since the 1990s may influence the future of the genre. This study is based on the fieldwork and research of Anna Oldfield in the Republic of Azerbaijan and Behrang Nikaeen in Iran.

Azerbaijan, Azeri, Iran, Caucasus, Bardic, Ashiq, Aşıq, Musico-Poetic, Dastan
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Birincil Dil en
Konular Sanat
Bölüm Articles
Yazarlar

Orcid: 0000-0002-9641-2002
Yazar: Anna OLDFİELD (Sorumlu Yazar)
Kurum: Coastal Carolina University
Ülke: United States


Yazar: Behrang NİKAEEN (Sorumlu Yazar)
Ülke: Iran


Tarihler

Yayımlanma Tarihi : 29 Aralık 2018

Bibtex @araştırma makalesi { musicologist493221, journal = {Musicologist}, issn = {}, eissn = {2618-5652}, address = {Karadeniz Teknik Üniversitesi Faik Ahmet Barutçu Kütüphanesi 61030 TRABZON}, publisher = {Trabzon Üniversitesi}, year = {2018}, volume = {2}, pages = {166 - 182}, doi = {10.33906/musicologist.493221}, title = {The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition}, key = {cite}, author = {OLDFİELD, Anna and NİKAEEN, Behrang} }
APA OLDFİELD, A , NİKAEEN, B . (2018). The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition. Musicologist , 2 (2) , 166-182 . DOI: 10.33906/musicologist.493221
MLA OLDFİELD, A , NİKAEEN, B . "The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition". Musicologist 2 (2018 ): 166-182 <https://dergipark.org.tr/tr/pub/musicologist/issue/41866/493221>
Chicago OLDFİELD, A , NİKAEEN, B . "The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition". Musicologist 2 (2018 ): 166-182
RIS TY - JOUR T1 - The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition AU - Anna OLDFİELD , Behrang NİKAEEN Y1 - 2018 PY - 2018 N1 - doi: 10.33906/musicologist.493221 DO - 10.33906/musicologist.493221 T2 - Musicologist JF - Journal JO - JOR SP - 166 EP - 182 VL - 2 IS - 2 SN - -2618-5652 M3 - doi: 10.33906/musicologist.493221 UR - https://doi.org/10.33906/musicologist.493221 Y2 - 2018 ER -
EndNote %0 Musicologist The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition %A Anna OLDFİELD , Behrang NİKAEEN %T The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition %D 2018 %J Musicologist %P -2618-5652 %V 2 %N 2 %R doi: 10.33906/musicologist.493221 %U 10.33906/musicologist.493221
ISNAD OLDFİELD, Anna , NİKAEEN, Behrang . "The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition". Musicologist 2 / 2 (Aralık 2018): 166-182 . https://doi.org/10.33906/musicologist.493221
AMA OLDFİELD A , NİKAEEN B . The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition. Musicologist. 2018; 2(2): 166-182.
Vancouver OLDFİELD A , NİKAEEN B . The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition. Musicologist. 2018; 2(2): 182-166.