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New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars

Year 2022, Volume: 6 Issue: 1, 26 - 41, 30.06.2022
https://doi.org/10.33906/musicologist.1079674

Abstract

One of the modern classical guitar’s biggest strengths is also one of its biggest weaknesses. The instrument depends on an equal temperament fretboard system that has lent itself to brilliant repertoire and ease of production, yet this same fretboard system does not lend itself to perfectly tuned notes and tuning systems not found in Eurocentric classical music. Many guitarists and luthiers have sought a fretboard system that marries the benefits of equal temperament with the rich possibilities of just intonation and other tuning systems. This paper presents two new fretboard designs and discuss their role in the history of guitar fretboard construction. Our first design is a fully functional fretboard made from the popular toy ‘Legos’ and solves many of the problems that previous designs had, including ease of use and production, affordability, and versatility. Our second design is a one-string prototype for an automatic (automated) fretboard that would allow performers to switch tuning systems instantly at the press of a button.

References

  • Button, Stewart W. (1984). “The Guitar in England 1800-1924” PhD. Dissertation, University of Surrey, Surrey: United Kingdom.
  • Duffin, Ross W. (2007). How Equal Temperament Ruined Harmony (and Why You Should Care). New York: W.W. Norton and Company.
  • Field, Anthony (2008). “Tuning the Classical Guitar: A Commentary and Guide” Masters Thesis, The University of Melbourne, Melbourne: Australia.
  • Hermanny, Franck, (2017) Ibanez SR AS7 Ashula II TEASER - 7-string fretted/fretless hybrid bass. (screenshot) Retrieved from https://youtu.be/KEireRFmy7Q on 14th April 2022
  • Schneider, John. (2015). The Contemporary Guitar. Lanham: Rowman and Littlefield.
Year 2022, Volume: 6 Issue: 1, 26 - 41, 30.06.2022
https://doi.org/10.33906/musicologist.1079674

Abstract

References

  • Button, Stewart W. (1984). “The Guitar in England 1800-1924” PhD. Dissertation, University of Surrey, Surrey: United Kingdom.
  • Duffin, Ross W. (2007). How Equal Temperament Ruined Harmony (and Why You Should Care). New York: W.W. Norton and Company.
  • Field, Anthony (2008). “Tuning the Classical Guitar: A Commentary and Guide” Masters Thesis, The University of Melbourne, Melbourne: Australia.
  • Hermanny, Franck, (2017) Ibanez SR AS7 Ashula II TEASER - 7-string fretted/fretless hybrid bass. (screenshot) Retrieved from https://youtu.be/KEireRFmy7Q on 14th April 2022
  • Schneider, John. (2015). The Contemporary Guitar. Lanham: Rowman and Littlefield.
There are 5 citations in total.

Details

Primary Language English
Subjects Music
Journal Section Articles
Authors

Ruşen Can Acet 0000-0002-8575-2361

Batuhan Başar 0000-0002-3769-9164

Tolgahan Çoğulu 0000-0002-3599-0695

Atlas Çoğulu 0000-0003-4982-4011

Tony Italia 0000-0002-6606-9559

Selçuk Keser 0000-0002-3916-3005

Publication Date June 30, 2022
Published in Issue Year 2022 Volume: 6 Issue: 1

Cite

APA Can Acet, R., Başar, B., Çoğulu, T., Çoğulu, A., et al. (2022). New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars. Musicologist, 6(1), 26-41. https://doi.org/10.33906/musicologist.1079674