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BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?

Yıl 2019, Sayı: 42, 101 - 125, 29.03.2019
https://doi.org/10.21560/spcd.vi.546719

Öz

The word of ‘diaspora’ that refers to the dispersal of population to other places due to various reasons started in India with the sending of ‘indentured labor’ identified as ‘new slavery’
to the plantation regions under the administration of British Empire. It became possible to observe that Indian diaspora has transformed with the contribution of developments in both within the country and out of country. One of the most remarkable developments has been the period of globalization. This is because; globalization became the manifestation of cultural flow between homeland and the diaspora who had to migrate or preferred to migrate. Along with the development both information and communication technologies with globalization, Bollywood movies as an example of glocalization which brought together global with local became the most influential instrument of providing linkage between diaspora and homeland and reconstruction of the culture and values of India over Indian diasporas. Starting from this, this study will try to expose how Bollywood movie reconstruct Indian values for Indian diaspora. It also will be demonstrated how Bollywood cinema has an effect on both connecting with the homeland for diasporic Indian society and protecting and maintaining of the Indian customs and values with the help of three Indian movies.

Kaynakça

  • Acharya, S. (2004). Bollywood and Globalization . San Francisco State University.
  • Amrith, S. S. (2011). Asian Migrants in the Age of Globalization, 1970-2010. S. S. Amrith içinde, Migration and Diaspora in Modern Asia (s. 151-193). Cambridge University Press.
  • Amrith, S. S. (2011). The Making of Asian Diasporas, 1850-1930. Migration and Diaspora in Modern Asia (s. 57). içinde New York: Cambridge University Press.
  • Ariu, C. (2017). The South Asian Diaspora through the Eyes of British Indian Writers: Representatiton and Construction of a Hybrid Identity. Aydın, D. (tarih yok). Göstergebilim ve Sinemada Propaganda.
  • Bandyopadhyay, R. (2008). Nostalgia, Identity and Tourism: Bollywood in the Indian Diaspora. Journal of Tourism and Cultural Change , 79-100.
  • Bhargava, K., Soodabeh, S., & Sharma, J. (2008, September). Building Bridges: A Case Study on the Role of the Indian Diaspora in Canada Literature Review. Ontario, Canada: The Centre for the Study of Democracy.
  • Bhat, C., & Bhaskar, T. (2007). Contextualising Diasporic Identity:Implications of Time and Space on Telugu Immigrants. G. Oonk içinde, Global Indian Diasporas: Exploring Trajectories of Migration and Theory (s. 89-119). Amsterdam University Press.
  • Bhat, C., & Narayan, K. L. (2010). Indian Diaspora, Globalization and Transnational Networks: The South African Context. Journal of Social Sciences- Kamla-Raj Enterprises , 13-23.
  • Challagalla, S. (2018). The Diaspora and India’s Growth Story. Observer Research Foundation (ORF) Issue Brief.
  • Desai, J., & Dudrah, R. (2008). The Essential Bollywood. The Bollywood Reader. içinde London: Open University Press.
  • Dimitrova, D. (2015). Hinduism and Its Others in Bollywood Film of the 2000s. Journal of Religion& Film.
  • Dudrah, R. K. (2002). Vilayati Bollywood: Popular Hindi Cinema-Going and Diasporic South Asian Identity in Birmingham. the Public, 19-36.
  • Forestier, M. L. (2015, January). Representation of Indian Diasporic Female Subjectivities In Women’s Diasporic Cinema.
  • Gautam, M. (2013). Indian Diaspora: Ethnicity and Diasporic Identity. CARIM-India.
  • Giri, B. P., & Kumar, P. (2011). On South Asian Diasporas. South Asian Review, 11-26.
  • Haque, S. (2013, December). Victim Diaspora-Ethnic Minority Groups in South Asia: the Case of ‘ Biharis’ and ‘Rohingyas’ in Bangladesh.
  • Hasan, A., & Nika, F. (2014). Glocalization: A study of Bollywood Movies. International Journal of Communication and Social Research, 55-60.
  • India’s Policy Towards Her Diaspora and Diasporic Issues in the Region. (tarih yok). http://shodhganga.inflibnet.ac.in/bitstream/10603/16671/10/10_chapter%205.pdf adresinden alındı
  • İri, M. (2014). Bollywood Sineması: Hindistan’ın Hareketli Resim Sanayii Üzerine Notlar. Galatasaray Üniversitesi İleti-ş-im Dergisi, 21-34.
  • Juni, M. S. (2014). Impact of Bollywood Movies on Cultural Transformation among Pakistani Youth in University of Sargodha’s Students. International Journal of Research , 107-200.
  • Kara, E. Ş. (2013). Kültürlerarası İletişim: Kabhi Khushi Kabhie Gham Adlı Hint Filmindeki Kültürel Kodların İncelenmesi. Selçuk İletişim, 263-281.
  • Lorenzen, M. (2009). Go West: The Growth of Bollywood. Frederiksberg: Creative Encounters Working Paper.
  • Peng, S. (2014). High-skilled Migrants, Globalization, and the Emergence of Professional Hubs: Indian Diaspora in Three Global Cities. University Honors .
  • T.C. Milli Eğitim Bakanlığı. (2008). Dünya Ülke Sinemaları. Mesleki Eğitim ve Öğretim Sisteminin Güçlendirilmesi Projesi (MEGEP). Ankara: T.C. Milli Eğitim Bakanlığı.
  • Tirumala, L. N. (2009, August). Bollywood Movies and Cultural Identity Construction among Second Generation Indian Americans. Texas Tech University.
  • Tirumala, L. N. (2009). Bollywood Movies and Identity Construction Amongst Second Generation Indian Americans. Texas Tech University.
  • Vanore, M., Ragab, N., & Siegel, M. (2015). Roundtable: ‘ Diaspora and Peace: What Role For Development Cooperation?’. Maastricht Graduate School of Governance.
  • Varol, S. F. (2017). Medyanın Küreselleşmesi: Neden-Sonuç Ekseninde Bir Değerlendirme Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi (e-Gifder), 399-423.
  • Zhu, Z. (2007). Two Diasporas: Overseas Chinese and Non-resident Indians in Their Homelands’ Political Economy. Journal of Chinese Political Science, 281-296.

BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?

Yıl 2019, Sayı: 42, 101 - 125, 29.03.2019
https://doi.org/10.21560/spcd.vi.546719

Öz

The word of ‘diaspora’ that refers to the dispersal of population to other places due to various reasons started in India with the sending of ‘indentured labor’ identified as ‘new slavery’
to the plantation regions under the administration of British Empire. It became possible to observe that Indian diaspora has transformed with the contribution of developments in both within the country and out of country. One of the most remarkable developments has been the period of globalization. This is because; globalization became the manifestation of cultural flow between homeland and the diaspora who had to migrate or preferred to migrate. Along with the development both information and communication technologies with globalization, Bollywood movies as an example of glocalization which brought together global with local became the most influential instrument of providing linkage between diaspora and homeland and reconstruction of the culture and values of India over Indian diasporas. Starting from this, this study will try to expose how Bollywood movie reconstruct Indian values for Indian diaspora. It also will be demonstrated how Bollywood cinema has an effect on both connecting with the homeland for diasporic Indian society and protecting and maintaining of the Indian customs and values with the help of three Indian movies.

Kaynakça

  • Acharya, S. (2004). Bollywood and Globalization . San Francisco State University.
  • Amrith, S. S. (2011). Asian Migrants in the Age of Globalization, 1970-2010. S. S. Amrith içinde, Migration and Diaspora in Modern Asia (s. 151-193). Cambridge University Press.
  • Amrith, S. S. (2011). The Making of Asian Diasporas, 1850-1930. Migration and Diaspora in Modern Asia (s. 57). içinde New York: Cambridge University Press.
  • Ariu, C. (2017). The South Asian Diaspora through the Eyes of British Indian Writers: Representatiton and Construction of a Hybrid Identity. Aydın, D. (tarih yok). Göstergebilim ve Sinemada Propaganda.
  • Bandyopadhyay, R. (2008). Nostalgia, Identity and Tourism: Bollywood in the Indian Diaspora. Journal of Tourism and Cultural Change , 79-100.
  • Bhargava, K., Soodabeh, S., & Sharma, J. (2008, September). Building Bridges: A Case Study on the Role of the Indian Diaspora in Canada Literature Review. Ontario, Canada: The Centre for the Study of Democracy.
  • Bhat, C., & Bhaskar, T. (2007). Contextualising Diasporic Identity:Implications of Time and Space on Telugu Immigrants. G. Oonk içinde, Global Indian Diasporas: Exploring Trajectories of Migration and Theory (s. 89-119). Amsterdam University Press.
  • Bhat, C., & Narayan, K. L. (2010). Indian Diaspora, Globalization and Transnational Networks: The South African Context. Journal of Social Sciences- Kamla-Raj Enterprises , 13-23.
  • Challagalla, S. (2018). The Diaspora and India’s Growth Story. Observer Research Foundation (ORF) Issue Brief.
  • Desai, J., & Dudrah, R. (2008). The Essential Bollywood. The Bollywood Reader. içinde London: Open University Press.
  • Dimitrova, D. (2015). Hinduism and Its Others in Bollywood Film of the 2000s. Journal of Religion& Film.
  • Dudrah, R. K. (2002). Vilayati Bollywood: Popular Hindi Cinema-Going and Diasporic South Asian Identity in Birmingham. the Public, 19-36.
  • Forestier, M. L. (2015, January). Representation of Indian Diasporic Female Subjectivities In Women’s Diasporic Cinema.
  • Gautam, M. (2013). Indian Diaspora: Ethnicity and Diasporic Identity. CARIM-India.
  • Giri, B. P., & Kumar, P. (2011). On South Asian Diasporas. South Asian Review, 11-26.
  • Haque, S. (2013, December). Victim Diaspora-Ethnic Minority Groups in South Asia: the Case of ‘ Biharis’ and ‘Rohingyas’ in Bangladesh.
  • Hasan, A., & Nika, F. (2014). Glocalization: A study of Bollywood Movies. International Journal of Communication and Social Research, 55-60.
  • India’s Policy Towards Her Diaspora and Diasporic Issues in the Region. (tarih yok). http://shodhganga.inflibnet.ac.in/bitstream/10603/16671/10/10_chapter%205.pdf adresinden alındı
  • İri, M. (2014). Bollywood Sineması: Hindistan’ın Hareketli Resim Sanayii Üzerine Notlar. Galatasaray Üniversitesi İleti-ş-im Dergisi, 21-34.
  • Juni, M. S. (2014). Impact of Bollywood Movies on Cultural Transformation among Pakistani Youth in University of Sargodha’s Students. International Journal of Research , 107-200.
  • Kara, E. Ş. (2013). Kültürlerarası İletişim: Kabhi Khushi Kabhie Gham Adlı Hint Filmindeki Kültürel Kodların İncelenmesi. Selçuk İletişim, 263-281.
  • Lorenzen, M. (2009). Go West: The Growth of Bollywood. Frederiksberg: Creative Encounters Working Paper.
  • Peng, S. (2014). High-skilled Migrants, Globalization, and the Emergence of Professional Hubs: Indian Diaspora in Three Global Cities. University Honors .
  • T.C. Milli Eğitim Bakanlığı. (2008). Dünya Ülke Sinemaları. Mesleki Eğitim ve Öğretim Sisteminin Güçlendirilmesi Projesi (MEGEP). Ankara: T.C. Milli Eğitim Bakanlığı.
  • Tirumala, L. N. (2009, August). Bollywood Movies and Cultural Identity Construction among Second Generation Indian Americans. Texas Tech University.
  • Tirumala, L. N. (2009). Bollywood Movies and Identity Construction Amongst Second Generation Indian Americans. Texas Tech University.
  • Vanore, M., Ragab, N., & Siegel, M. (2015). Roundtable: ‘ Diaspora and Peace: What Role For Development Cooperation?’. Maastricht Graduate School of Governance.
  • Varol, S. F. (2017). Medyanın Küreselleşmesi: Neden-Sonuç Ekseninde Bir Değerlendirme Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi (e-Gifder), 399-423.
  • Zhu, Z. (2007). Two Diasporas: Overseas Chinese and Non-resident Indians in Their Homelands’ Political Economy. Journal of Chinese Political Science, 281-296.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Gamze Güneş

Yayımlanma Tarihi 29 Mart 2019
Yayımlandığı Sayı Yıl 2019 Sayı: 42

Kaynak Göster

APA Güneş, G. (2019). BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?. Sosyal Politika Çalışmaları Dergisi, 19(42), 101-125. https://doi.org/10.21560/spcd.vi.546719
AMA Güneş G. BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?. Sosyal Politika Çalışmaları Dergisi. Mart 2019;19(42):101-125. doi:10.21560/spcd.vi.546719
Chicago Güneş, Gamze. “BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?”. Sosyal Politika Çalışmaları Dergisi 19, sy. 42 (Mart 2019): 101-25. https://doi.org/10.21560/spcd.vi.546719.
EndNote Güneş G (01 Mart 2019) BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?. Sosyal Politika Çalışmaları Dergisi 19 42 101–125.
IEEE G. Güneş, “BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?”, Sosyal Politika Çalışmaları Dergisi, c. 19, sy. 42, ss. 101–125, 2019, doi: 10.21560/spcd.vi.546719.
ISNAD Güneş, Gamze. “BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?”. Sosyal Politika Çalışmaları Dergisi 19/42 (Mart 2019), 101-125. https://doi.org/10.21560/spcd.vi.546719.
JAMA Güneş G. BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?. Sosyal Politika Çalışmaları Dergisi. 2019;19:101–125.
MLA Güneş, Gamze. “BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?”. Sosyal Politika Çalışmaları Dergisi, c. 19, sy. 42, 2019, ss. 101-25, doi:10.21560/spcd.vi.546719.
Vancouver Güneş G. BOLLYWOOD MOVIES AND INDIAN DIASPORA HOW INDIAN VALUES ARE RECONSTRUCTED?. Sosyal Politika Çalışmaları Dergisi. 2019;19(42):101-25.