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BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING'İN OYUNLARINDAKİ YANSIMALARI

Yıl 2006, Sayı: 8, 62 - 71, 07.05.2012

Öz

           

Kaynakça

  • ARENDT, Hannah, Between Past and Future, Penguin Books, New York, 1993
  • ARENDT, Hannah, Men in Dark Times, A Harvest/HBJ Book, New York, 1983
  • ARENDT, Hannah, The Origins of Totalitarianism, A Harvest/HBJ Book, New York, 1973
  • AYTAÇ, Gürsel, Yeni Alman Edebiyatı Tarihi, Kültür ve Turizm BakanlığıYayınları, Ankara ,1983
  • GANTER, Theresa Marie, Heiner Müller and the Geschichtsdrama: Searching for a New German Identiy in the Post-World War II and Post-Reunification Eras, The Pennsylvania State University, The Graduate School, College of Liberate Arts, Doctoral Dissertation, 2005
  • KAUFMANN, Walter, Nietzsche, Meridian Books, New York, 1956
  • LESSING, Gotthold Ephraim, Minna von Barnhelm, Çeviri Sebahattin Ali, Milli Eğitim Basımevi, Ankara, 1942
  • LESSING, Gotthold Ephraim, Bilge Nathan, Çeviri Hayrullah Örs, Kültür Bakanlığı
  • Yayınları, Ankara, 1981
  • MEHRING, Franz, The Lessing Legend, Translated by A.S. Grogan, Critics Group Press of New York, New York, 1938
  • WELLBERY, E. David (ed.), A New History of German Literature, Harvard University Press, Massachusetts, 2004 Abstract:
  • The very word “reason” has a significant place in the history of human mind. However, the dominant powers of the varying systems of social order have monopolized reason by imposing ethnic, religious and feudal allegiances on the individual throughout history. It was the Age of Enlightenment that people started to question those social etiquettes by thinking independently.
  • This article entitled “Reflections of the Individual, Free Will and Independent Thought Conceptions in Lessing’s Plays” investigates these conceptions in the light of the analyses of the German dramatist’s works “Minna von Barnhelm” and “Nathan the Wise”, taking Kant’s opinions regarding free will, pure and practical reason as a starting point. This article intends to show how an individual can act freely as a consequence regardless of any kind of social limitations.
Yıl 2006, Sayı: 8, 62 - 71, 07.05.2012

Öz

Kaynakça

  • ARENDT, Hannah, Between Past and Future, Penguin Books, New York, 1993
  • ARENDT, Hannah, Men in Dark Times, A Harvest/HBJ Book, New York, 1983
  • ARENDT, Hannah, The Origins of Totalitarianism, A Harvest/HBJ Book, New York, 1973
  • AYTAÇ, Gürsel, Yeni Alman Edebiyatı Tarihi, Kültür ve Turizm BakanlığıYayınları, Ankara ,1983
  • GANTER, Theresa Marie, Heiner Müller and the Geschichtsdrama: Searching for a New German Identiy in the Post-World War II and Post-Reunification Eras, The Pennsylvania State University, The Graduate School, College of Liberate Arts, Doctoral Dissertation, 2005
  • KAUFMANN, Walter, Nietzsche, Meridian Books, New York, 1956
  • LESSING, Gotthold Ephraim, Minna von Barnhelm, Çeviri Sebahattin Ali, Milli Eğitim Basımevi, Ankara, 1942
  • LESSING, Gotthold Ephraim, Bilge Nathan, Çeviri Hayrullah Örs, Kültür Bakanlığı
  • Yayınları, Ankara, 1981
  • MEHRING, Franz, The Lessing Legend, Translated by A.S. Grogan, Critics Group Press of New York, New York, 1938
  • WELLBERY, E. David (ed.), A New History of German Literature, Harvard University Press, Massachusetts, 2004 Abstract:
  • The very word “reason” has a significant place in the history of human mind. However, the dominant powers of the varying systems of social order have monopolized reason by imposing ethnic, religious and feudal allegiances on the individual throughout history. It was the Age of Enlightenment that people started to question those social etiquettes by thinking independently.
  • This article entitled “Reflections of the Individual, Free Will and Independent Thought Conceptions in Lessing’s Plays” investigates these conceptions in the light of the analyses of the German dramatist’s works “Minna von Barnhelm” and “Nathan the Wise”, taking Kant’s opinions regarding free will, pure and practical reason as a starting point. This article intends to show how an individual can act freely as a consequence regardless of any kind of social limitations.
Toplam 13 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm 2. BÖLÜM
Yazarlar

Burç Dinçel Bu kişi benim

Yayımlanma Tarihi 7 Mayıs 2012
Yayımlandığı Sayı Yıl 2006 Sayı: 8

Kaynak Göster

APA Dinçel, B. (2012). BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi(8), 62-71.
AMA Dinçel B. BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI. T.E.D. Dergi. Mayıs 2012;(8):62-71.
Chicago Dinçel, Burç. “BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, sy. 8 (Mayıs 2012): 62-71.
EndNote Dinçel B (01 Mayıs 2012) BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 8 62–71.
IEEE B. Dinçel, “BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI”, T.E.D. Dergi, sy. 8, ss. 62–71, Mayıs 2012.
ISNAD Dinçel, Burç. “BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 8 (Mayıs 2012), 62-71.
JAMA Dinçel B. BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI. T.E.D. Dergi. 2012;:62–71.
MLA Dinçel, Burç. “BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, sy. 8, 2012, ss. 62-71.
Vancouver Dinçel B. BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING’İN OYUNLARINDAKİ YANSIMALARI. T.E.D. Dergi. 2012(8):62-71.