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İngilizce Öğretmenliği Aday Öğretmenlerinin Drama Aktivitelerini İngiliz Dili Eğitimine Entegre Etme Konusundaki Görüşlerinin ve İngilizce Öğretiminde Drama Dersi’ndeki Deneyimlerinin Araştırılması

Year 2026, Volume: 26 Issue: 1, 325 - 343, 25.03.2026
https://doi.org/10.17240/aibuefd.2026..-1690551
https://izlik.org/JA56JE34TC

Abstract

Bu çalışma, İngiliz Dili Eğitimi bağlamında dramaya dayalı etkinliklerin entegrasyonuna ilişkin İngilizce öğretmen adaylarının algı ve deneyimlerini incelemektedir. Nitel araştırma desenine ve Temellendirilmiş Kuram yaklaşımına dayanan bu çalışmada, Türkiye’deki bir vakıf üniversitesinde “İngilizce Öğretiminde Drama” dersini alan 32 öğretmen adayıyla açık uçlu anketler ve yarı yapılandırılmış odak grup görüşmeleri yapılmıştır. Veriler, açık, eksenel ve seçici kodlama teknikleriyle analiz edilmiştir. Bulgular üç ana tematik boyutu ortaya koymuştur: duygusal dönüşüm, mesleki yeterlik ve kişisel katılım. Katılımcılar, başlangıçtaki kaygılarının zamanla özgüvene ve keyifli bir öğrenme sürecine dönüştüğünü belirtmiş; bu durum, dramaya dayalı öğretimin duygusal ve kişilerarası gelişim üzerindeki etkisini göstermiştir. Ayrıca dersin, pedagojik bilgi birikimlerini geliştirdiği; yaratıcı öğretim stratejileri, sınıf yönetimi becerileri ve öğrenci merkezli yöntemlerin uygulanmasında katkı sağladığı vurgulanmıştır. Drama, iletişimsel yeterlilik, yaratıcılık ve kültürel farkındalık kazandıran dinamik, motive edici ve özgün bir öğretim aracı olarak değerlendirilmiştir. Yaş gruplarına uygunlukla ilgili bazı çekinceler belirtilse de genel görüş, dramanın farklı öğretim bağlamlarında uyarlanabilir ve işlevsel olduğu yönündedir. Çalışma, öğretmen yetiştirme programlarında dramanın temel bir yöntem olarak benimsenmesi gerektiğini önermektedir. Bu doğrultuda, öğretim programı tasarımı ve öğretmen eğitimi için çeşitli çıkarımlar sunulmuştur.

References

  • Alexander, P. A., & Murphy, P. K. (1998). The research base for APA's learner-centered psychological principles.
  • Astuti, D. (2016). Using local drama in writing and speaking: EFL learners’ creative expresssion. Journal of English Language Teaching and Linguistics, 1(1), 51-77.
  • Bolton, G. (1986). Freedom and imagination- and implications for teaching drama. In D. Davis & C. Lawrence (Eds.). Gavin Bolton: Selected writings. London: Longman.
  • Bolton, G. (1993). A brief history of classroom drama. In M. Schewe, & P. Shaw, owards trama as a method in the foreign language classroom. Frakfurt/Main: Verlag Peter Lang Publishing.
  • Booth, D., & Thornley-Hall, C. (1991). The talk curriculum (Vol. 1991). Heinemann Educational Books.
  • Bruner, J. S. (2009). Actual minds, possible worlds. Harvard university press.
  • Cebeci, N. (2016). Prospective teachers' beliefs about micro-teaching. ELT Research Journal, 5(1).
  • Courtney, R. (1990). Drama and intelligence: A cognitive theory. McGill-Queen's Press-MQUP.
  • Davies, P. (1990). The use of drama in English language teaching. TESL Canada Journal, 87-99.
  • Demircioğlu, Ş. (2010). Teaching English vocabulary to young learners via drama. Procedia-Social and Behavioral Sciences, 2(2), 439-443.
  • Desialova, L. (2009). Using different forms of Drama in EFL. Classroom. Humanizing LanguageTeaching Magazine, (4).
  • Dönük, D. (2018). IIncorporation of drama into elt methodology: a sample course procedure for initıal teacher education. International Journal of Language Academy, 6(3).
  • Fleming, M. (2006). Drama and language teaching: the relevance of Wittgenstein's concept of language games. Humanising Language Teaching, 8(4).
  • Fleming, M. (2018). The art of drama teaching. Routledge.
  • Gill, C. (2013). Enhancing the English-Language Oral Skills of International Students through Drama. English Language Teaching, 6(4), 29-41.
  • Green, D. O., Creswell, J. W., Shope, R. J., & Clark, V. L. P. (2007). Grounded theory and racial/ethnic diversity. The Sage handbook of grounded theory, 472-492.
  • Griggs, T. (2001). Teaching as acting: Considering acting as epistemology and its use in teaching and teacher preparation. Teacher Education Quarterly, 28, 23-37.
  • Güryay, B. (2015). Is Creative Drama a Way to Excellence in ELT Classrooms?. Yaratıcı Drama Dergisi, 10(2), 211-222.
  • Hall, G. (2005). Literature in Language Education. New York: Palgrave.
  • Heathcote, D. (1984). Drama and learning. In L. Johnson & C. O’Neill (Eds), Collected writings on education and drama. London: Hutchinson.
  • Johnson, L & O’Neill, C (Eds.) (1984) Dorothy Heathcote: Collected writings on education and drama. London: Hutchinson.
  • Iamsaard, P., & Kerdpol, S. (2015). A study of effect of dramatic activities on improving english communicative speaking skill of grade 11th students. English Language Teaching, 8(11), 69. doi:10.5539/elt.v8n11p69
  • Kao, S. M., & O'Neill, C. (1998). Words into worlds: Learning a second language through process drama. Praeger.
  • Köylüoğlu, N. (2010). Using drama in teaching English for young learners.
  • Liu, J. (2002). Process drama in second-and foreign-language classrooms. Body and language: Intercultural learning through drama, 51-70.
  • Mages, W. K. (2008). Does creative drama promote language development in early childhood? A review of the methods and measures employed in the empirical literature. Review of Educational Research, 78(1), 124-152.
  • Miles, M. B. (1994). Qualitative data analysis: An expanded sourcebook. Thousand Oaks.
  • O’Neill, C. (1995) Drama worlds: A framework for process drama. Portsmouth, NH: Heinemann.
  • Ogeyik, M. C. (2009). Attitudes of the Student Teachers in English Language Teaching Programs towards Microteaching Technique. English language teaching, 2(3), 205-212.
  • O’Toole, J. (1992) The process of drama: Negotiating art and meaning. Routledge.
  • Piaget, J. (1962). Play, dreams, and imitation in childhood (G. Gattegno & F. M. Hodgson, Trans.). New York, NY: Norton.
  • Purcell‐Gates, V., Degener, S. C., Jacobson, E., & Soler, M. (2002). Impact of authentic adult literacy instruction on adult literacy practices. Reading research quarterly, 37(1), 70-92.
  • Stinson, M., & Freebody, K. (2006). The DOL project: The contributions of process drama to improved results in English oral communication. Youth theatre journal, 20(1), 27-41.
  • Şimşek, H. (2016). Drama Yoluyla İngilizce Kelime Öğretimi: Gölbaşı MYO Örneği. The Journal of Academic Social Science Studies, 3(44), 421-430.
  • Tajareh, M. J., Oroji, M. R., & Damavand, I. (2017). The impact of drama on Iranian EFL young learners’ reading comprehension performance. Bulletin de la Société Royale des Sciences de Liège, 86, 67-80.
  • Tomlinson, B., & Masuhara, H. (2017). The complete guide to the theory and practice of materials development for language learning. John Wiley & Sons.
  • Ulas, A. H. (2008). Effects of creative, educational drama activities on developing oral skills in primary school children. American Journal of Applied Linguistics, 5(7), 876-880.
  • Vygotsky, L. (1978). Mind in society: The development of higher psychological processes. London: Harvard, UP.
  • Wessels, C. (1987). Drama. Oxford: Oxford University Press.
  • Yasar, M. (2006). An ethnographic case study of educational drama in teacher education settings: issues of resistance, community, and power. (Unpublished doctoral dissertation). The Ohio State University, Ohio, USA.
  • YÖK (Yuksekogretim Kurulu). (2018). İngilizce Ögretmenligi Lisans Programi [English language education teacher training undergraduate program]. Retrieved from https://www.yok.gov.tr/Documents/Kurumsal/egitim_ogretim_dairesi/Yeni-Ogretmen-Yetistirme-Lisans- Programlari/Ingilizce_Ogretmenligi_Lisans_Programi.pdf

Exploring the Perspectives of ELT Pre-Service Teachers on Integrating Drama Activities into English Language Teaching and their Experiences in Drama in ELT Course

Year 2026, Volume: 26 Issue: 1, 325 - 343, 25.03.2026
https://doi.org/10.17240/aibuefd.2026..-1690551
https://izlik.org/JA56JE34TC

Abstract

This study explores the perceptions and experiences of pre-service English language teachers regarding the integration of drama into English Language Teaching (ELT). Framed within a qualitative research design grounded in the principles of Grounded Theory, the study employed open-ended questionnaires and semi-structured focus group interviews with 32 participants enrolled in a Drama in ELT course at a foundation university in Türkiye. Data were analyzed using open, axial, and selective coding techniques.Findings revealed three major thematic dimensions: emotional transformation, professional competence, and personal engagement. Participants reported a significant shift from initial anxiety to increased self-confidence and enjoyment, highlighting drama’s impact on emotional and interpersonal development. The course also enhanced participants’ pedagogical knowledge, equipping them with creative teaching strategies, improved classroom management skills, and the ability to implement learner-centered methods. Moreover, drama was perceived as a dynamic, motivating, and authentic instructional tool that fosters communicative competence, creativity, and cultural awareness.Despite a few concerns regarding age appropriateness, the overall perception emphasized drama’s adaptability and relevance across diverse teaching contexts. The study concludes that drama should be regarded as a foundational method in teacher education programs, supporting the integration of emotional, cognitive, and linguistic dimensions in ELT. Implications for curriculum design and teacher training are also discussed.

References

  • Alexander, P. A., & Murphy, P. K. (1998). The research base for APA's learner-centered psychological principles.
  • Astuti, D. (2016). Using local drama in writing and speaking: EFL learners’ creative expresssion. Journal of English Language Teaching and Linguistics, 1(1), 51-77.
  • Bolton, G. (1986). Freedom and imagination- and implications for teaching drama. In D. Davis & C. Lawrence (Eds.). Gavin Bolton: Selected writings. London: Longman.
  • Bolton, G. (1993). A brief history of classroom drama. In M. Schewe, & P. Shaw, owards trama as a method in the foreign language classroom. Frakfurt/Main: Verlag Peter Lang Publishing.
  • Booth, D., & Thornley-Hall, C. (1991). The talk curriculum (Vol. 1991). Heinemann Educational Books.
  • Bruner, J. S. (2009). Actual minds, possible worlds. Harvard university press.
  • Cebeci, N. (2016). Prospective teachers' beliefs about micro-teaching. ELT Research Journal, 5(1).
  • Courtney, R. (1990). Drama and intelligence: A cognitive theory. McGill-Queen's Press-MQUP.
  • Davies, P. (1990). The use of drama in English language teaching. TESL Canada Journal, 87-99.
  • Demircioğlu, Ş. (2010). Teaching English vocabulary to young learners via drama. Procedia-Social and Behavioral Sciences, 2(2), 439-443.
  • Desialova, L. (2009). Using different forms of Drama in EFL. Classroom. Humanizing LanguageTeaching Magazine, (4).
  • Dönük, D. (2018). IIncorporation of drama into elt methodology: a sample course procedure for initıal teacher education. International Journal of Language Academy, 6(3).
  • Fleming, M. (2006). Drama and language teaching: the relevance of Wittgenstein's concept of language games. Humanising Language Teaching, 8(4).
  • Fleming, M. (2018). The art of drama teaching. Routledge.
  • Gill, C. (2013). Enhancing the English-Language Oral Skills of International Students through Drama. English Language Teaching, 6(4), 29-41.
  • Green, D. O., Creswell, J. W., Shope, R. J., & Clark, V. L. P. (2007). Grounded theory and racial/ethnic diversity. The Sage handbook of grounded theory, 472-492.
  • Griggs, T. (2001). Teaching as acting: Considering acting as epistemology and its use in teaching and teacher preparation. Teacher Education Quarterly, 28, 23-37.
  • Güryay, B. (2015). Is Creative Drama a Way to Excellence in ELT Classrooms?. Yaratıcı Drama Dergisi, 10(2), 211-222.
  • Hall, G. (2005). Literature in Language Education. New York: Palgrave.
  • Heathcote, D. (1984). Drama and learning. In L. Johnson & C. O’Neill (Eds), Collected writings on education and drama. London: Hutchinson.
  • Johnson, L & O’Neill, C (Eds.) (1984) Dorothy Heathcote: Collected writings on education and drama. London: Hutchinson.
  • Iamsaard, P., & Kerdpol, S. (2015). A study of effect of dramatic activities on improving english communicative speaking skill of grade 11th students. English Language Teaching, 8(11), 69. doi:10.5539/elt.v8n11p69
  • Kao, S. M., & O'Neill, C. (1998). Words into worlds: Learning a second language through process drama. Praeger.
  • Köylüoğlu, N. (2010). Using drama in teaching English for young learners.
  • Liu, J. (2002). Process drama in second-and foreign-language classrooms. Body and language: Intercultural learning through drama, 51-70.
  • Mages, W. K. (2008). Does creative drama promote language development in early childhood? A review of the methods and measures employed in the empirical literature. Review of Educational Research, 78(1), 124-152.
  • Miles, M. B. (1994). Qualitative data analysis: An expanded sourcebook. Thousand Oaks.
  • O’Neill, C. (1995) Drama worlds: A framework for process drama. Portsmouth, NH: Heinemann.
  • Ogeyik, M. C. (2009). Attitudes of the Student Teachers in English Language Teaching Programs towards Microteaching Technique. English language teaching, 2(3), 205-212.
  • O’Toole, J. (1992) The process of drama: Negotiating art and meaning. Routledge.
  • Piaget, J. (1962). Play, dreams, and imitation in childhood (G. Gattegno & F. M. Hodgson, Trans.). New York, NY: Norton.
  • Purcell‐Gates, V., Degener, S. C., Jacobson, E., & Soler, M. (2002). Impact of authentic adult literacy instruction on adult literacy practices. Reading research quarterly, 37(1), 70-92.
  • Stinson, M., & Freebody, K. (2006). The DOL project: The contributions of process drama to improved results in English oral communication. Youth theatre journal, 20(1), 27-41.
  • Şimşek, H. (2016). Drama Yoluyla İngilizce Kelime Öğretimi: Gölbaşı MYO Örneği. The Journal of Academic Social Science Studies, 3(44), 421-430.
  • Tajareh, M. J., Oroji, M. R., & Damavand, I. (2017). The impact of drama on Iranian EFL young learners’ reading comprehension performance. Bulletin de la Société Royale des Sciences de Liège, 86, 67-80.
  • Tomlinson, B., & Masuhara, H. (2017). The complete guide to the theory and practice of materials development for language learning. John Wiley & Sons.
  • Ulas, A. H. (2008). Effects of creative, educational drama activities on developing oral skills in primary school children. American Journal of Applied Linguistics, 5(7), 876-880.
  • Vygotsky, L. (1978). Mind in society: The development of higher psychological processes. London: Harvard, UP.
  • Wessels, C. (1987). Drama. Oxford: Oxford University Press.
  • Yasar, M. (2006). An ethnographic case study of educational drama in teacher education settings: issues of resistance, community, and power. (Unpublished doctoral dissertation). The Ohio State University, Ohio, USA.
  • YÖK (Yuksekogretim Kurulu). (2018). İngilizce Ögretmenligi Lisans Programi [English language education teacher training undergraduate program]. Retrieved from https://www.yok.gov.tr/Documents/Kurumsal/egitim_ogretim_dairesi/Yeni-Ogretmen-Yetistirme-Lisans- Programlari/Ingilizce_Ogretmenligi_Lisans_Programi.pdf
There are 41 citations in total.

Details

Primary Language English
Subjects Other Fields of Education (Other)
Journal Section Research Article
Authors

Manolya Sağlam 0009-0004-3610-0668

Submission Date May 3, 2025
Acceptance Date February 10, 2026
Publication Date March 25, 2026
DOI https://doi.org/10.17240/aibuefd.2026..-1690551
IZ https://izlik.org/JA56JE34TC
Published in Issue Year 2026 Volume: 26 Issue: 1

Cite

APA Sağlam, M. (2026). Exploring the Perspectives of ELT Pre-Service Teachers on Integrating Drama Activities into English Language Teaching and their Experiences in Drama in ELT Course. Abant İzzet Baysal Üniversitesi Eğitim Fakültesi Dergisi, 26(1), 325-343. https://doi.org/10.17240/aibuefd.2026..-1690551