The Value of the Flute in the 20 th Century Music and the Leading Peices of The Flute Repertoire

Year 2015, Volume: 1 Issue: 2, 1 - 14, 07.08.2015

Cem Önertürk

Abstract

The Flute became an instrument in the 20th century that received a lot of interest both by composers and performers which was as a result of inventions that changed timbral and techniqual possibilities of the instrument. The flute which was the most preferred instrument during 20thcentury music enlarged it’s repertoire that included a lot of extended flute techniques. In this article, four solo flute pieces namely C. Debussy – “Syrinx”, E. Varése – “Density 21.5”, L. Berio – “Sequenza” ve B. Ferneyhough – “Cassandra’s Dream Song” were researched and the usage of the extended techniques on 20th century solo flute music repertoire was also studied

Keywords

-

20. YÜZYIL SOLO FLÜT REPERTUVARINA YÖN VEREN ESERLER

Abstract

20. yüzyılda yapılan yenilikler sayesinde flüt, tını çeşitliliği ve teknik özellikleri bakımından, gerek besteciler gerek yorumcular açısından ilgi gören bir çalgı haline gelmiştir. 20. yüzyıl bestecilerinin en çok tercih ettiği çalgılardan biri olan flüt için yeni teknikler içeren pek çok eser bestelenmiştir. Bu çalışmada, 20. yüzyıl müziğinde öne çıkan dört solo flüt eseri; C. Debussy – “Syrinx”, E. Varése – “Density 21.5”, L. Berio – “Sequenza” ve B. Ferneyhough – “Cassandra’s Dream Song” incelenerek, yeni flüt tekniklerinin kullanımı ve 20. yüzyıl solo flüt repertuvarına etkileri ele alınmıştır

Keywords

20. Yüzyıl Solo Flüt Repertuvarı, Flüt, Yeni Teknikler

References

• Baron, C. K. (1982). "Varèse's Explication of Debussy's Syrinx in Density 21.5 and An Analysis of Varèse's Composition: A Secret Model Revealed," The Music Review, 1982, 43/2
• Boehm, T. (1908). The Flute and Flute-Playing in Acoustical, Technical, and Artistic Aspects, (1. Baskı). Cleveland: Universite Yayınları
• Boulez P. (1991). StocktakingsFrom an Apprenticeship, (3. Baskı). Clarendon.
• Cowell, H. (1933). American Composers on American Music, (3. Baskı). Stanford: Üniversite Yayınları.
• Curinga, L. (2001). “Parallel paths: historical-documentary and analytical contributions as a basis for the performance of Debussy’s Syrinx” Analitica, 2001, sayı 2
• Dick, R. (1975) The Other Flute, (1. Baskı). Oxford: Üniversite Yayınları.
• Domínguez, L. T. (2011). Solo Flute Pıeces Throughout The Twentıeth Century. (Master Tezi) University Of Gothenburg, Gothenburg.
• Edgard, V. (1966). “The Liberation of Sound” Perspectives of New Music, 1966, sayı 5
• Ewell, L. A. (2004). A Symbolist Melodrama: The Confluence of Poem and Music Debussy’soLo flûte de Pan. (Doktora Tezi) West Virginia University, Virginia.
• Ferneyhough, B. Cassandra’s Dream Song Program Notes. 29 nisan 2015,http://www.editionpeters.com/resources/0001/stock/pdf/ cassandra_%27s_dream_song.pdf
• Grayson, D. (2001) Debussy and His World, (1. Baskı) Princeton: Universite Yayınları.
• Heile, L. B. (2009). The Modernist, (1. Baskı). Sussex: Universite Yayınları.
• Halfyard J. K. (2007) Berio's Sequenzas: Essays on Performance, Composition and Analysis (1. Baskı). Ashgate.
• Levine, C. (2002) The techniques of flute playing, (1. Baskı). Barenreiter
• Mciver, S. E. (2010). The Musıc Of Flutıst/Composers: Performances of Selected Works for Flute Composed Between 1852 And 2005. (Doktora Tezi) University of Maryland, Maryland.
• Osmond-Smith, D. (1985). Two nterv ews / Luc ano Ber o ; w th Rossana Dalmonte and B l nt Andr s Varga, (1. Baskı). Boyars, M.
• Osmond-Smith, D. (1991). Berio, (1. Baskı). Oxford: Üniversite Yayınları.
• Oteri, F. J. (1 eylül 2005). The Melting Point: Two European America. Composers http://www.newmusicbox.org 28 nisan 2015,
• Priore, I. (2007). Vestiges of Twelve-Tone Practice asCompositional Process in Berio’sSequenza Ifor Solo Flute. (1. Baskı). Birmingham, Ashgate.