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ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC

Year 2020, Volume: 6 Issue: 11, 88 - 103, 27.01.2020

Abstract

Anton Webern is among the most important composer and music theorists of 20th-century music called as avant-garde. In the first stage of this study the ‘serial music understanding’ to which Anton Webern has contributed significantly in terms of theory and composition is presented in the context of the general situation of 20th century music. In the later stages, the component-complement connection of the composer's works and the simplicity principle, which is considered to be one of the most important building blocks of the music style, are discussed. In this process while making theoretical determinations through selected works of the composer, sensory and intellectual impressions in his works have been disclosed. In this way, it is expected that the composer will be understood better and the analysis will contribute to the theory, practice and listening processes.

References

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  • Koç, T. Yıldırım, (2008) V. Müzik Felsefesine Giriş (Introduction to the Music Philosophy) İstanbul: Bağlam Yayıncılık.
  • Lewin, D. (2007) Musical Form and Transformation Four Analytic Essays. NewYork: Oxford University Press. Manav, Ö. & Nemutlu, M. (2011) Müzikte Alımlama (Perception in Music) İstanbul: Pan Yayıncılık.
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  • https://monoskop.org, 2017 Date of retrieval 16.04.2017
  • http://filozof.net/Turkce/filozof/filozof-sozleri: Date of retrieval 07.04.2017
Year 2020, Volume: 6 Issue: 11, 88 - 103, 27.01.2020

Abstract

References

  • Boran, İ, (2004) Türkiye’de 12 Ton (12 Tones in Turkey), Sanat Dünyamız (Art World), Issue: 93
  • Copland, A. (2015) Yeni Müzik (The New Music)Translated by: Ali Cenk Gedik İstanbul: Yazılama Yayınevi.
  • Koç, T. Yıldırım, (2008) V. Müzik Felsefesine Giriş (Introduction to the Music Philosophy) İstanbul: Bağlam Yayıncılık.
  • Lewin, D. (2007) Musical Form and Transformation Four Analytic Essays. NewYork: Oxford University Press. Manav, Ö. & Nemutlu, M. (2011) Müzikte Alımlama (Perception in Music) İstanbul: Pan Yayıncılık.
  • Schoenberg, A. (1984) Style and Idea. California: University of California Press
  • Ünalp, A. (2003) Arvo Part’ın Nefes Alıp Veren Çanları (Arvo Part’s Breathing Bells) Andante-August/September Issue:6.
  • Webern, A. (1998) Yeni Müziğe Doğru (Towards the New Music) İstanbul: Pan Yayıncılık.
  • https://monoskop.org, 2017 Date of retrieval 16.04.2017
  • http://filozof.net/Turkce/filozof/filozof-sozleri: Date of retrieval 07.04.2017
There are 9 citations in total.

Details

Primary Language Turkish
Journal Section Articles
Authors

Mustafa Okan Kızılay 0000-0002-2323-9167

İsmail Gürkan Metin 0000-0003-2611-5810

Publication Date January 27, 2020
Acceptance Date January 15, 2020
Published in Issue Year 2020 Volume: 6 Issue: 11

Cite

APA Kızılay, M. O., & Metin, İ. G. (2020). ON STRUCTURAL AND INTELLECTUAL DIMENSIONS OF ANTON WEBERN’S MUSIC. Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi, 6(11), 88-103.
Dergimiz batı müziği (müzik), sahne sanatları, Türk sanat müziği, müzik eğitimi, müzikoloji ve müzik ile bağlantılı multidisipliner çalışmaları kabul etmektedir.