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JAMES BOND FİLMLERİ VE İNSAN İSTİHBARATI

Year 2019, Volume: 6 Issue: 3, 51 - 60, 25.03.2019

Abstract

James Bond filmleri sinema sektöründe özel bir yere
sahiptir. Yarım asrı aşan bir süredir vizyonda gösterilen bu filmler hakkında hem
sinema camiasında hem de akademik çevrelerce birçok araştırma yapılmaktadır.
Her ne kadar konusu itibari ile bir espiyonaj filmi olmasına rağmen istihbarat
literatüründe çok fazla yer edinemeyen bu filmler bu makale çalışmasında insan
istihbaratı özelinde değerlendirilmiştir. İnsan istihbaratında kullanılan başlıca
yöntemler açık kaynaklardan elde edilen verilerden yola çıkılarak tespit
edilmiş ve James Bond filmleri bu yöntemler doğrultusunda incelenmiştir. Çalışma
sonucu James Bond filmlerinin birçok sahnesinin insan istihbaratında kullanılan
yöntemler açısından doğru bir şekilde yansıtılmadığı, rasyonaliteden uzak bir
kurgunun hâkim olduğu sonucuna yer verilmiştir.

References

  • Alleyne-Lawler,O.(2017).MI6 Speaks to the Diversity Dashboard. Blackhistorymonth:https://www.blackhistorymonth.org.uk/article/section/civil-service-careers/mi6-speaks-bhm/#comments (Erişim: 15.12.2018)
  • Anderson, P. (2017). Neocon Bond: The Cultural Politics of Skyfall. Quarterly Review of Film and Video, 34(1), 66-92.
  • Apted, M. (1999). The World Is Not Enough , EON Productions.
  • Bazna, E. ve Nogly, H. (1962). I was Cicero. (E. Mosbacher, Çev.) New York: Harper&Row Publishers.
  • Burkett, R. (2013). An Alternative Framework for Agent Recruitment: From MICE to RASCLS. Studies In Intelligence, 57(01), s. 7-17.
  • Campbell, M. (1995). GoldenEye , EON Productions.
  • Campbell, M. (2006). Casino Royale , EON Productions.
  • Cox, K. (2006). Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity in Casin Royale (2006). Journal of Gender Studies, 23(2), 184-196.
  • Dodds, K. (2003). Licensed to Stereotype: Geopolitics, James Bond and the Spectre of Balkanism. Geopolitics, 8(2), 125-156.
  • Escobar III, H. (2015). Developing a Better Understanding of the Personal Dimensions of Working at the Central Intelligence Agency. Journal of Strategic Security, 8(3), 1-14.
  • Eymür, M. (2005). Analiz Bir MİT Mensubunun Anıları. İstanbul: Elif Kitabevi Milenyum Yayıncılık.
  • Forster, M. (2008). Quantum of Solace , EON Productions.
  • Gilbert, L. (1967). You Only Live Twice , EON Productions.
  • Gilbert, L. (1977). The Spy Who Loved Me , EON Productions.
  • Gilbert, L. (1979). Moonraker , EON Productions.
  • Glen, J. (1981). For Your Eyes Only , EON Productions.
  • Glen, J. (1983). Octopussy , EON Productions.
  • Glen, J. (1985). A View to a Kill , EON Productions.
  • Glen, J. (1987). The Living Daylights , EON Productions.
  • Glen, J. (1989). Licence to Kill , EON Productions.
  • Hamilton, G. (1964). Goldfinger , EON Productions.
  • Hamilton, G. (1971). Diamonds Are Forever , EON Productions.
  • Hamilton, G. (1973). Live and Let Die , EON Productions.
  • Hamilton, G. (1974). The Man with the Golden Gun , EON Productions.
  • Herbig, K. ve Wiskoff, M. (2002). Espionage Against the United States by American Citizens 1947-2001. Monterey: Defense Personnel Security Research Center.
  • Hood, W. (1982). Mole. New York: W.W.Norton&Company.
  • Hunt, P. (1969). On Her Majesty's Secret Service , EON Productions.
  • Johnson, L. (2010). Evaluating “Humint”: The Role of Foreign Agents in U.S. Security. Comparative Strategy, 29(4), s. 308-332.
  • Levchenko, S. (1988). On The Wrong Side My Life In The KGB. New York: Pergamon Brassey's.
  • Lovell, S. (1966). Of Spies and Strategems. New Jersey: Prentice Hall.
  • Mendes, S. (2012). Skyfall , EON Productions.
  • Mendes, S. (2015). Spectre , EON Productions.
  • Monat, P., ve Dille, J. (1964). Spy In The U.S. London: Frederick Muller Limited.
  • Myagkov, A. (1976). Inside The KGB. New York: Ballantine Books.
  • Sano, J. (2015). The Changing Shape of HUMINT. Intelligencer Journal, 21(3), s. 77-80.
  • Shulsky, A., ve Schmitt, G. (1993). Silent Warfare. Brassey's.
  • Spottiswoode, R. (1997). Tomorrow Never Dies , EON Productions.
  • Tamahori, L. (2002). Die Another Day , EON Productions.
  • Young, T. (1962). Dr.No , EON Productions.
  • Young, T. (1963). From Russia with Love , EON Productions.
  • Young, T. (1965). Thunderball , EON Productions.
Year 2019, Volume: 6 Issue: 3, 51 - 60, 25.03.2019

Abstract

References

  • Alleyne-Lawler,O.(2017).MI6 Speaks to the Diversity Dashboard. Blackhistorymonth:https://www.blackhistorymonth.org.uk/article/section/civil-service-careers/mi6-speaks-bhm/#comments (Erişim: 15.12.2018)
  • Anderson, P. (2017). Neocon Bond: The Cultural Politics of Skyfall. Quarterly Review of Film and Video, 34(1), 66-92.
  • Apted, M. (1999). The World Is Not Enough , EON Productions.
  • Bazna, E. ve Nogly, H. (1962). I was Cicero. (E. Mosbacher, Çev.) New York: Harper&Row Publishers.
  • Burkett, R. (2013). An Alternative Framework for Agent Recruitment: From MICE to RASCLS. Studies In Intelligence, 57(01), s. 7-17.
  • Campbell, M. (1995). GoldenEye , EON Productions.
  • Campbell, M. (2006). Casino Royale , EON Productions.
  • Cox, K. (2006). Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity in Casin Royale (2006). Journal of Gender Studies, 23(2), 184-196.
  • Dodds, K. (2003). Licensed to Stereotype: Geopolitics, James Bond and the Spectre of Balkanism. Geopolitics, 8(2), 125-156.
  • Escobar III, H. (2015). Developing a Better Understanding of the Personal Dimensions of Working at the Central Intelligence Agency. Journal of Strategic Security, 8(3), 1-14.
  • Eymür, M. (2005). Analiz Bir MİT Mensubunun Anıları. İstanbul: Elif Kitabevi Milenyum Yayıncılık.
  • Forster, M. (2008). Quantum of Solace , EON Productions.
  • Gilbert, L. (1967). You Only Live Twice , EON Productions.
  • Gilbert, L. (1977). The Spy Who Loved Me , EON Productions.
  • Gilbert, L. (1979). Moonraker , EON Productions.
  • Glen, J. (1981). For Your Eyes Only , EON Productions.
  • Glen, J. (1983). Octopussy , EON Productions.
  • Glen, J. (1985). A View to a Kill , EON Productions.
  • Glen, J. (1987). The Living Daylights , EON Productions.
  • Glen, J. (1989). Licence to Kill , EON Productions.
  • Hamilton, G. (1964). Goldfinger , EON Productions.
  • Hamilton, G. (1971). Diamonds Are Forever , EON Productions.
  • Hamilton, G. (1973). Live and Let Die , EON Productions.
  • Hamilton, G. (1974). The Man with the Golden Gun , EON Productions.
  • Herbig, K. ve Wiskoff, M. (2002). Espionage Against the United States by American Citizens 1947-2001. Monterey: Defense Personnel Security Research Center.
  • Hood, W. (1982). Mole. New York: W.W.Norton&Company.
  • Hunt, P. (1969). On Her Majesty's Secret Service , EON Productions.
  • Johnson, L. (2010). Evaluating “Humint”: The Role of Foreign Agents in U.S. Security. Comparative Strategy, 29(4), s. 308-332.
  • Levchenko, S. (1988). On The Wrong Side My Life In The KGB. New York: Pergamon Brassey's.
  • Lovell, S. (1966). Of Spies and Strategems. New Jersey: Prentice Hall.
  • Mendes, S. (2012). Skyfall , EON Productions.
  • Mendes, S. (2015). Spectre , EON Productions.
  • Monat, P., ve Dille, J. (1964). Spy In The U.S. London: Frederick Muller Limited.
  • Myagkov, A. (1976). Inside The KGB. New York: Ballantine Books.
  • Sano, J. (2015). The Changing Shape of HUMINT. Intelligencer Journal, 21(3), s. 77-80.
  • Shulsky, A., ve Schmitt, G. (1993). Silent Warfare. Brassey's.
  • Spottiswoode, R. (1997). Tomorrow Never Dies , EON Productions.
  • Tamahori, L. (2002). Die Another Day , EON Productions.
  • Young, T. (1962). Dr.No , EON Productions.
  • Young, T. (1963). From Russia with Love , EON Productions.
  • Young, T. (1965). Thunderball , EON Productions.
There are 41 citations in total.

Details

Primary Language Turkish
Journal Section Makaleler
Authors

Ahmet Egri 0000-0003-1888-1427

Publication Date March 25, 2019
Published in Issue Year 2019 Volume: 6 Issue: 3

Cite

APA Egri, A. (2019). JAMES BOND FİLMLERİ VE İNSAN İSTİHBARATI. Avrasya Sosyal Ve Ekonomi Araştırmaları Dergisi, 6(3), 51-60.