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Wilkie Collins'in Aytaşı Eserindeki Kültürel Silinme ve Sömürgeleştirilmiş Seslerin Analizi

Year 2025, Volume: 29 Issue: 3, 463 - 471
https://doi.org/10.53487/atasobed.1621645

Abstract

1868 yılında yayımlanan Aytaşı, Viktorya dönemi edebiyatının çok fazla dikkat çekmemiş ancak
son derece önemli bir eseridir. Dedektiflik hikâyesi arka planında geçen bu roman,
sömürgecilik ve ötekileştirme temalarına dair belirleyici bir bakış sunar. Bu makale, romanın
Britanya emperyalizmi ve ona bağlı kültürel meselelerle nasıl ilişkilendiğini çözümlemeye
çalışmaktadır. Hikâyenin en basit haliyle anlatımı, bir elmasın Hindistan’daki bir tapınaktan
çalınarak İngiltere’ye getirilmesi üzerine kuruludur. The Moonstone sadece fiziksel bir nesne
değildir; anlamı, sömürgeci fetih için gerekli olan kültürel ve ruhsal yağmanın bir sembolüne
dönüşmektedir. Roman, kayıp ve aidiyet kavramları ile emperyal güce sahip olmanın
doğurduğu sonuçlar üzerine düşünmeyi teşvik eder. Romanın çoklu anlatıcı yapısı, aynı konuya
sömürgecilik ve ötekileştirmeye ilişkin farklı bakış açılarını, sınıf ve ırk gibi etkenlerle nasıl
şekillenebileceğini anlamada önemli bir yöntem olarak görülmektedir. Bu bağlamda, Britanyalı
karakterlerin elmasın lanetine verdikleri çeşitli tepkiler ile elması geri almak isteyen Hintli
rahiplerin daha sessiz tepkileri arasındaki farkı anlamak özellikle önemlidir. Makale, Britanya
tarafından sömürgeleştirilen Hintli bireylerin seslerinin bastırılmasını ve söz konusu hazine
üzerinden ortaya çıkan ahlaki ikilemleri ele almaktadır. Collins’in eleştirdiği yapıyı yeniden
üreten bu anlatı, akılcı Batı ile mistik Doğu arasındaki ayrımı tekrar ederek sömürgeci iktidarı
süslemektedir. Bu çalışma, kolonyal bir bakış açısıyla romandaki suçluluk duygusu, kültürel
iade ve yerinden edilme temalarını incelemektedir.

References

  • AlYeadi, F. (2015). Postcolonial perspectives on the colonial exotic in multicultural Britain. Routledge.
  • Cain, P. J., & Hopkins, A. G. (2017). Gentlemanly capitalism and British expansion overseas: I. The old colonial system, 1688–1850. In The rise and fall of modern empires (Vol. 3, pp. 23–48). Routledge.
  • Collins, W. (1868). The Moonstone: A romance. EBooksDirectory.com. https://archive.org/details/moonstoneromance01coll
  • Darwin, J. (1997). Imperialism and the Victorians: The dynamics of territorial expansion. The English Historical Review, 112(447), 614–642.
  • Darwin, J. (2009). The empire project: The rise and fall of the British world-system, 1830–1970. Cambridge University Press.
  • Free, M. (2006). The Moonstone, Detective Fiction and Forensic Science. Victorian Literature and Culture, 34(2), 339–371.
  • Gilbert, P. (2023). Victorian guilt and postcolonial returns: Reimagining the colonial object in detective fiction. Cambridge Scholars Publishing.
  • Gooch, B. (2010). Multivocal Narrative and Imperial Critique in Wilkie Collins’s The Moonstone. Studies in the Novel, 42(2), 182–204.
  • Gould, W. (2011). Religion and conflict in modern South Asia. Cambridge University Press.
  • Harris, J. (1999). Civil society in British history: Reflections on the social and the political. Past & Present, 164, 917–943.
  • Hyam, R. (2002). Britain’s imperial century, 1815–1914: A study of empire and expansion. Palgrave Macmillan.
  • Louis, W. R., Robinson, R., & Taylor, A. J. P. (1999). The Oxford history of the British Empire: Volume 3: The nineteenth century. Oxford University Press.
  • Manavalli, S. (2007). The Moonstone: Postcolonialism and the Fiction of Empire. Victorian Literature and Culture, 35(1), 67-84.
  • Mehta, S. (1995). Surface tensions: The Moonstone and the legacy of empire. Modern Fiction Studies, 41(3–4), 611–634.
  • Moore, G. (2006). The moonstone and the imperial sublime. Nineteenth-Century Literature, 60(2), 256–279.
  • Nayder, L. (2006). Wilkie Collins. Twayne Publishers.
  • Parsons, T. (2019). The British imperial century, 1815–1914: A world history perspective. Rowman & Littlefield.
  • Pushpa, S., & Sundarsingh, M. J. (2021). Colonial Legacies and the Narratives of Loss in The Inheritance of Loss. International Journal of English Literature and Social Sciences, 6(1), 110–115.
  • Roberts, L. (1997). Colonialism, crime, and control in Wilkie Collins's The Moonstone. ELH, 64(1), 165–187.
  • Thompson, A. (1988). The Empire strikes back?: The impact of imperialism on Britain from the mid-nineteenth century. Longman.

Analyzing Cultural Erasure and Colonized Voices in Wilkie Collins's The Moonstone

Year 2025, Volume: 29 Issue: 3, 463 - 471
https://doi.org/10.53487/atasobed.1621645

Abstract

The Moonstone, published in 1868, is a work of Victorian literature that has received little
attention but is profoundly important. It sheds a definitive light on colonialism and the theme of
othering set in the backdrop of a detective story. This paper discusses and attempts to unravel
how the novel engages with the theme of British imperialism and the associated cultural
considerations in its simplest form: a diamond is stolen from an Indian temple and brought to
England. The Moonstone is a physical item, but its meaning expands to the symbol of the cultural
and spiritual plundering requisite for colonial conquest. It prompts thinking around the notions
of loss and belonging and the consequences of having imperial power. The novel's multi-narrative
approach has been cited as a way of understanding how differing views on the same topic, in this
case, colonialism and othering, can be affected by class and race. This argument is significant for
understanding the different responses by British people to the curse of the diamond and the
muted responses from Indian priests who wanted the diamond back. The article covers the
erasure of the voices of the British-colonized Indian subjects and the moral dilemmas posed by
the treasure mentioned above. It pursues the very goals Collins was critiquing by restating the
divide between the rational West and the mystical East and how they embellish colonial rule.
With a postcolonial view, this article explores the themes of guilt, cultural restoration, and
displacement embedded in the text.

References

  • AlYeadi, F. (2015). Postcolonial perspectives on the colonial exotic in multicultural Britain. Routledge.
  • Cain, P. J., & Hopkins, A. G. (2017). Gentlemanly capitalism and British expansion overseas: I. The old colonial system, 1688–1850. In The rise and fall of modern empires (Vol. 3, pp. 23–48). Routledge.
  • Collins, W. (1868). The Moonstone: A romance. EBooksDirectory.com. https://archive.org/details/moonstoneromance01coll
  • Darwin, J. (1997). Imperialism and the Victorians: The dynamics of territorial expansion. The English Historical Review, 112(447), 614–642.
  • Darwin, J. (2009). The empire project: The rise and fall of the British world-system, 1830–1970. Cambridge University Press.
  • Free, M. (2006). The Moonstone, Detective Fiction and Forensic Science. Victorian Literature and Culture, 34(2), 339–371.
  • Gilbert, P. (2023). Victorian guilt and postcolonial returns: Reimagining the colonial object in detective fiction. Cambridge Scholars Publishing.
  • Gooch, B. (2010). Multivocal Narrative and Imperial Critique in Wilkie Collins’s The Moonstone. Studies in the Novel, 42(2), 182–204.
  • Gould, W. (2011). Religion and conflict in modern South Asia. Cambridge University Press.
  • Harris, J. (1999). Civil society in British history: Reflections on the social and the political. Past & Present, 164, 917–943.
  • Hyam, R. (2002). Britain’s imperial century, 1815–1914: A study of empire and expansion. Palgrave Macmillan.
  • Louis, W. R., Robinson, R., & Taylor, A. J. P. (1999). The Oxford history of the British Empire: Volume 3: The nineteenth century. Oxford University Press.
  • Manavalli, S. (2007). The Moonstone: Postcolonialism and the Fiction of Empire. Victorian Literature and Culture, 35(1), 67-84.
  • Mehta, S. (1995). Surface tensions: The Moonstone and the legacy of empire. Modern Fiction Studies, 41(3–4), 611–634.
  • Moore, G. (2006). The moonstone and the imperial sublime. Nineteenth-Century Literature, 60(2), 256–279.
  • Nayder, L. (2006). Wilkie Collins. Twayne Publishers.
  • Parsons, T. (2019). The British imperial century, 1815–1914: A world history perspective. Rowman & Littlefield.
  • Pushpa, S., & Sundarsingh, M. J. (2021). Colonial Legacies and the Narratives of Loss in The Inheritance of Loss. International Journal of English Literature and Social Sciences, 6(1), 110–115.
  • Roberts, L. (1997). Colonialism, crime, and control in Wilkie Collins's The Moonstone. ELH, 64(1), 165–187.
  • Thompson, A. (1988). The Empire strikes back?: The impact of imperialism on Britain from the mid-nineteenth century. Longman.
There are 20 citations in total.

Details

Primary Language English
Subjects World Languages, Literature and Culture (Other)
Journal Section Research Articles
Authors

Duygu Koroncu Özbilen 0000-0003-0018-6389

Early Pub Date July 14, 2025
Publication Date
Submission Date January 16, 2025
Acceptance Date July 1, 2025
Published in Issue Year 2025 Volume: 29 Issue: 3

Cite

APA Koroncu Özbilen, D. (2025). Analyzing Cultural Erasure and Colonized Voices in Wilkie Collins’s The Moonstone. Current Perspectives in Social Sciences, 29(3), 463-471. https://doi.org/10.53487/atasobed.1621645

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