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MANIFESTO AND POETRY

Year 2021, Issue: 66, 451 - 465, 24.06.2021

Abstract

Manifesto has been one of the popular genres since its first examples in the 17th century. Its main function is to stimulate new ideas and form a guide to actualize these ideas and ambitions alike. Manifestoes have been investigated focusing on style, type, genre, etc. However, the relation between manifesto and poetry has not attracted much attention. Firstly, the manifesto’s argumentative utterance and poetry’s poetical verbalization posit them in the realm of discursive and rhetorical representations as both convey thoughts of an initiator to an audience. Moreover, the archaic modes of manifesto as a public declaration and the antique fashion of poetry as a shared experience owe much to orality and performance. This paper aims to give a brief history of manifesto and by setting a prime focus on the modernist manifestoes, it will present the analogies in manifesto and poetry and highlight the functional capacity of poetry in manifesto tradition.

References

  • Allain, Paul; Harvie, Jen. (2014). The Routledge Companion to Theatre and Performance. Routledge: London and New York.
  • Amidon, Russell. (2003). Manifestoes: A Study in Genre. Unpublished PhD Dissertation, University of Rhode Island, Kingston.
  • Ball, Hugo. (2005). “Dada Fragments [1916-1917]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 477-479). Malden, Mass: Blackwell.
  • Berman, Marshall. (1998). All That Is Solid Melts into the Air: The Experience of Modernity. London: Penguin Press.
  • Breton, Andre. (2005). “Manifesto of Surrealism [1924]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 718-742) Malden, Mass: Blackwell.
  • Caws, Mary A. (2001). Manifesto: A Century of Isms. London: University of Nebraska Press.
  • Daiches, David. (1942). “Six War Poems.” Poetry, Vol. 60 (5), 235–41. www.jstor.org/stable/20583100. Retrieved 22 April 2021.
  • Debord, Guy (2006). “Report on the Construction of Situations and on the International Situationist Tendency’s Conditions of Organization and Action”. Situationist International Anthology. Ken Knabb. (Ed. and Trans.) Internet Source. www.bopsecrets.org. Retrieved 22 April 2021.
  • Dennis, Carl. (2001). Poetry as Persuasion. Athens: University of Georgia Press.
  • Encke, Jeffrey. (2003). Manifestos: A Social History of Proclamation. Unpublished PhD Dissertation, Columbia University, USA.
  • Martin, J. V.; Strijbosch, Jan; Vaneigem, Raoul; Vienet, Rene. (2006). “All the King's Men”. Situationist International Anthology. Ken Knabb. (Ed. and Trans.) Internet Source. www.bopsecrets.org. Retrieved 22 April 2021.
  • Leet, Stephen Everett. (2019) Laughing Revolutions: The Popular Culture of Modern Aesthetic Manifestos. Unpublished PhD Dissertation, Univer-sity of Memphis: Memphis.
  • Little, William; Fowler, H. W.; Coulson, J. (1939). The Shorter Oxford English Dictionary. London: Oxford University Press.
  • Lynton, Norbert. (1991). Futurismo Conceitos Da Arte Moderna: Com 123 Ilustrações. Nikos Stangos (Ed.) Rio de Janeiro: Jorge Zahar.
  • https://comaarte.files.wordpress.com/2013/06/stangos-nikos-conceitos-da-arte-moderna.pdf. Retrieved 22 April 2021.
  • Lyon, Janet. (1999). Manifestoes: Provocations of The Modern. Ithaca, NY: Cornell University Press.
  • Marinetti, Filippo Tommaso. (2005). “The Founding and the Manifesto of Futurism”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 3-6). Malden, Mass: Blackwell. Perloff, Marjorie. (1986). The Futurist Moment: Avantgarde, Avant Guerre, and the Language of Rupture with a New Pref. Chicago: University of Chicago Press.
  • Pound, Ezra. (1938). Guide to Kulchur. London: Faber and Faber Press.
  • Pound, Ezra. (2005). “A Few Don’ts by an Imagiste [1912]”. Modernism: An Anthology. Lawrence S. Rainey (Ed.) Malden, Mass: Blackwell.
  • Puchner, Martin. (2006). Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton: Princeton University Press.
  • Schwitters, Kurt. (2005). “Merz [1920]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 484-489). Malden, Mass: Blackwell.
  • Somigli, Luca. (2003). Legitimizing the Artist: Manifesto Writing and European Modernism 1885-1915. Toronto: University of Toronto Press.
  • Thompson, Sorel L. (1984). Manifesto: A Preliminary Model for Discourse Analysis. Unpublished PhD Dissertation, National Library of Canada, Ottowa.
  • Tzara, Tristan. (2005) “Dada Manifesto [1918]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 479-484). Malden, Mass: Blackwell.
  • Vondeling, Jonathan E. (2000). “The Manifest Professional: Manifestos and Modernist Legitimation”. College Literature, Vol. 27 (2), 127-145.
  • Yacobi, Tamar. (1987). “Narrative Structure and Fictional Mediation”. Poetics Today, Vol 8 (2), 335-372.

MANİFESTO VE ŞİİR

Year 2021, Issue: 66, 451 - 465, 24.06.2021

Abstract

Manifesto, 17. yüzyıldaki ilk örneklerinden bu yana popüler türler-den biri olmuştur. Ana işlevi, yeni fikirleri teşvik etmek ve bu fikirleri ve hedefleri benzer şekilde gerçekleştirmek için bir rehber oluşturmak-tır. Manifestolar üslup, tür, vb. konulara odaklanılarak incelenmiştir. Ancak manifesto ile şiir arasındaki ilişki pek ilgi görmemiştir. Birincisi, manifestonun tartışmacı yaklaşımı ve şiirin şiirsel konumu, konuşmacı-nın düşüncelerini bir izleyiciye aktarması yönüyle ikisini de söylemsel ve retorik temsiller alanına yerleştirir. Dahası, kamuya açık bir bildiri olarak arkaik manifesto biçimleri ve toplu paylaşım deneyimi olarak şii-rin kadim yönü sözlü geleneğe ve performansa dayanır. Bu çalışma, kı-sa bir manifesto tarihi vermeyi amaçlamakta ve modernist manifestolara öncelik vererek, manifesto ve şiirdeki analojileri ortaya koymayı ve manifesto geleneğinde şiirin işlevsel kapasitesini vurgulamayı planla-maktadır.

References

  • Allain, Paul; Harvie, Jen. (2014). The Routledge Companion to Theatre and Performance. Routledge: London and New York.
  • Amidon, Russell. (2003). Manifestoes: A Study in Genre. Unpublished PhD Dissertation, University of Rhode Island, Kingston.
  • Ball, Hugo. (2005). “Dada Fragments [1916-1917]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 477-479). Malden, Mass: Blackwell.
  • Berman, Marshall. (1998). All That Is Solid Melts into the Air: The Experience of Modernity. London: Penguin Press.
  • Breton, Andre. (2005). “Manifesto of Surrealism [1924]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 718-742) Malden, Mass: Blackwell.
  • Caws, Mary A. (2001). Manifesto: A Century of Isms. London: University of Nebraska Press.
  • Daiches, David. (1942). “Six War Poems.” Poetry, Vol. 60 (5), 235–41. www.jstor.org/stable/20583100. Retrieved 22 April 2021.
  • Debord, Guy (2006). “Report on the Construction of Situations and on the International Situationist Tendency’s Conditions of Organization and Action”. Situationist International Anthology. Ken Knabb. (Ed. and Trans.) Internet Source. www.bopsecrets.org. Retrieved 22 April 2021.
  • Dennis, Carl. (2001). Poetry as Persuasion. Athens: University of Georgia Press.
  • Encke, Jeffrey. (2003). Manifestos: A Social History of Proclamation. Unpublished PhD Dissertation, Columbia University, USA.
  • Martin, J. V.; Strijbosch, Jan; Vaneigem, Raoul; Vienet, Rene. (2006). “All the King's Men”. Situationist International Anthology. Ken Knabb. (Ed. and Trans.) Internet Source. www.bopsecrets.org. Retrieved 22 April 2021.
  • Leet, Stephen Everett. (2019) Laughing Revolutions: The Popular Culture of Modern Aesthetic Manifestos. Unpublished PhD Dissertation, Univer-sity of Memphis: Memphis.
  • Little, William; Fowler, H. W.; Coulson, J. (1939). The Shorter Oxford English Dictionary. London: Oxford University Press.
  • Lynton, Norbert. (1991). Futurismo Conceitos Da Arte Moderna: Com 123 Ilustrações. Nikos Stangos (Ed.) Rio de Janeiro: Jorge Zahar.
  • https://comaarte.files.wordpress.com/2013/06/stangos-nikos-conceitos-da-arte-moderna.pdf. Retrieved 22 April 2021.
  • Lyon, Janet. (1999). Manifestoes: Provocations of The Modern. Ithaca, NY: Cornell University Press.
  • Marinetti, Filippo Tommaso. (2005). “The Founding and the Manifesto of Futurism”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 3-6). Malden, Mass: Blackwell. Perloff, Marjorie. (1986). The Futurist Moment: Avantgarde, Avant Guerre, and the Language of Rupture with a New Pref. Chicago: University of Chicago Press.
  • Pound, Ezra. (1938). Guide to Kulchur. London: Faber and Faber Press.
  • Pound, Ezra. (2005). “A Few Don’ts by an Imagiste [1912]”. Modernism: An Anthology. Lawrence S. Rainey (Ed.) Malden, Mass: Blackwell.
  • Puchner, Martin. (2006). Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton: Princeton University Press.
  • Schwitters, Kurt. (2005). “Merz [1920]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 484-489). Malden, Mass: Blackwell.
  • Somigli, Luca. (2003). Legitimizing the Artist: Manifesto Writing and European Modernism 1885-1915. Toronto: University of Toronto Press.
  • Thompson, Sorel L. (1984). Manifesto: A Preliminary Model for Discourse Analysis. Unpublished PhD Dissertation, National Library of Canada, Ottowa.
  • Tzara, Tristan. (2005) “Dada Manifesto [1918]”. Lawrence S. Rainey (Ed.) Modernism: An Anthology. (p. 479-484). Malden, Mass: Blackwell.
  • Vondeling, Jonathan E. (2000). “The Manifest Professional: Manifestos and Modernist Legitimation”. College Literature, Vol. 27 (2), 127-145.
  • Yacobi, Tamar. (1987). “Narrative Structure and Fictional Mediation”. Poetics Today, Vol 8 (2), 335-372.
There are 26 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section Articles
Authors

Murat Kadıroglu 0000-0002-6526-247X

Publication Date June 24, 2021
Submission Date May 3, 2021
Published in Issue Year 2021 Issue: 66

Cite

APA Kadıroglu, M. (2021). MANIFESTO AND POETRY. Atatürk Üniversitesi Edebiyat Fakültesi Dergisi(66), 451-465.
AMA Kadıroglu M. MANIFESTO AND POETRY. AUEDFD. June 2021;(66):451-465.
Chicago Kadıroglu, Murat. “MANIFESTO AND POETRY”. Atatürk Üniversitesi Edebiyat Fakültesi Dergisi, no. 66 (June 2021): 451-65.
EndNote Kadıroglu M (June 1, 2021) MANIFESTO AND POETRY. Atatürk Üniversitesi Edebiyat Fakültesi Dergisi 66 451–465.
IEEE M. Kadıroglu, “MANIFESTO AND POETRY”, AUEDFD, no. 66, pp. 451–465, June 2021.
ISNAD Kadıroglu, Murat. “MANIFESTO AND POETRY”. Atatürk Üniversitesi Edebiyat Fakültesi Dergisi 66 (June 2021), 451-465.
JAMA Kadıroglu M. MANIFESTO AND POETRY. AUEDFD. 2021;:451–465.
MLA Kadıroglu, Murat. “MANIFESTO AND POETRY”. Atatürk Üniversitesi Edebiyat Fakültesi Dergisi, no. 66, 2021, pp. 451-65.
Vancouver Kadıroglu M. MANIFESTO AND POETRY. AUEDFD. 2021(66):451-65.