TÜRK MÛSIKÎSİ'NDE ENDERÛN'UN YERİ VE ÖNEMİ

Number: 4 August 22, 2010
  • İlhan Akdeniz
TR

TÜRK MÛSIKÎSİ'NDE ENDERÛN'UN YERİ VE ÖNEMİ

Abstract

SUMMARY

Enderun, the interior formation of the palace, has begun format/on in the period of Yıldırım Beyazıt and this forming is completed especially in Edirne Palace in the period of Sultun II. Murat. Enderun is known as the biggest formation In the palace of the Ottoman Empire. In Enderun, which has its own academic perspective. a wide range of education from management to arts and science to service methods is given . The importance of this school is understood better when it is considered that sixty four sadrazams in the Ottoman history had their education in this school. In Enderun. seven sections named as rooms and wards served for education. During the education music is meticulously educated and young people who inherited predisposition in music are sent to meskhane (music school) to be educated as instrument players and singers. Music including janissary band was taught by virtuosos In the meskhane which was open until evening. The start of the revolutionary movements and the incorrect practice of some of these movements soon affected Enderun. lt is tried to make the education system to have European features and the inner formation of the Ottoman palace to be like European palaces but it was not successful. Enderun began to lose its importance during this period and closed after the Constitutional Monarchy in 1908.

Keywords

Details

Primary Language

tr; en

Subjects

-

Journal Section

-

Authors

İlhan Akdeniz This is me

Publication Date

August 22, 2010

Submission Date

August 22, 2010

Acceptance Date

-

Published in Issue

Year 2003 Number: 4

APA
Akdeniz, İ. (2010). TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ. Sanat Dergisi, 4. https://izlik.org/JA92YE63EU
AMA
1.Akdeniz İ. TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ. Sanat Dergisi. 2010;(4). https://izlik.org/JA92YE63EU
Chicago
Akdeniz, İlhan. 2010. “TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ”. Sanat Dergisi, nos. 4. https://izlik.org/JA92YE63EU.
EndNote
Akdeniz İ (August 1, 2010) TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ. Sanat Dergisi 4
IEEE
[1]İ. Akdeniz, “TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ”, Sanat Dergisi, no. 4, Aug. 2010, [Online]. Available: https://izlik.org/JA92YE63EU
ISNAD
Akdeniz, İlhan. “TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ”. Sanat Dergisi. 4 (August 1, 2010). https://izlik.org/JA92YE63EU.
JAMA
1.Akdeniz İ. TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ. Sanat Dergisi. 2010. Available at https://izlik.org/JA92YE63EU.
MLA
Akdeniz, İlhan. “TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ”. Sanat Dergisi, no. 4, Aug. 2010, https://izlik.org/JA92YE63EU.
Vancouver
1.İlhan Akdeniz. TÜRK MÛSIKÎSİ’NDE ENDERÛN’UN YERİ VE ÖNEMİ. Sanat Dergisi [Internet]. 2010 Aug. 1;(4). Available from: https://izlik.org/JA92YE63EU