BORIS VIAN'IN KIRMIZI OT ROMANINDA NESNEL TASARIMLAR / THE REPRESENTATIONS OF OBJECTS IN THE BORIS VIAN'S NOVEL RED GRASS

Year 2011, Issue: 22, - , 27.01.2013

Dr. Yavuz Kızılçim

Abstract

Boris Vian 'zn Kmnm Ot romanznda nesneye aynlan alan ayncalzklzdzr ve nesnel tasanmlar onemli bir 

yer tutar. Romancz tumuyle kendine ozgiJ bu tuhaf uzamda kurdugu imgelerle canlz varlzklara, 

nesneleri    ekleyerek    t;e0itli    egretilemeler    yapar.    Bu    imgeletici

egretilemelerin   en   belirgin   ozellifji   ise   alz0zlmamz   baglantzlar!a aktanlmaszdzr. 

Nesneler  insansal degerler kazanarak hayvanlann  oyun

arkada z  olur; romanda aniden yatakta  beliren yavru  kostebek bu !Ur gosterimlerdendir.  

Yalanluzak  t;agrz:;zmlar  saglayan  nesnelere  vurgu yapzlarak  ve  bunlar  bilint;li  bir 

:;ektlde bir arada  kullanzlarak  set;ili nesneyi butun gornnilmleri altznda gosterme yolu 

set;ilmi:;tir. $a:;zrtzcz nesnelerle gosterme eylemi, onun oykilleme arat;larzndan one t;zkan 

bit;em ozelliklerinden biridir. 0, romanz daha t;ok bir goruntu olarak gornr ve imgenin soyutlamaya 

uygun yapzsz, okurun dil:; giJcilnu eyleme get;irerek romano   geni   bir   betimsel   alan   

kazandzrzr.   Romanda   bir  zaman maktnesine binen Wolf, bu :;ektlde get;mi:;indekt kotu izleri 

silme firsatznz

yakalar,   yani   iiykillenenler   ef;retileme   sznzrlannz   a§arak   nesnel   bir

tasarzma donu§Ur.

Anahtar Siizciikler: Nesne, Tasarzm, Kzrmzzz, jnce Alay, ay/arzlzk, uyumsuzluk, reli§ki.

In this work we try to indicate the representations of objects in the novel Boris Vian's Red  

Grass. That is he tries hard to show the object under all its aspects. It requires impersonality 

and objectivity. He transcribes most faithfully possible the object. In the novel Boris Vian's "Red 

Grass "smooth a particular atmosphere. The novel opens a totally closed internal space where the 

characters are condemned to live. So, the space retrace and the solitude threatening from the 

outside invade more and more the intrigue. This article wonders the surrealistic optics of Boris 

Vian who is distinguished by the employment of the object and the red with metamorphosis, the use 

of a singular language as well as by a strange atmosphere, often reflection of the unusual.

Key words: Object, representation, red, inconsistent, absurd, opposition, to humor.

Keywords

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