This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: "My Father's Hands" by Sardar Amin, "The Bitten apple" by Atagam, and "The Silence of the Bees" by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the author's portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amin's narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The author's withdrawal from the characters, adoption of a language reflective of the story's environment, and adherence to existing aesthetics augment the narrative's allure.
modernity aesthetic ideal context aesthetic culture social and political environment structure artistic and aesthetic
This paper delves into the artistic-aesthetic dimensions present in three contemporary narratives: "My Father's Hands" by Sardar Amin, "The Bitten apple" by Atagam, and "The Silence of the Bees" by Sharif Agh. It elucidates how these stories embody the artistic-aesthetic ideal while underscoring the intrinsic connection between aesthetic expression and the socio-political milieu. Furthermore, it posits that the author's portrayal of reality inherently reflects ethical-aesthetic intentions. Sardar Amin's narrative places the moral-aesthetic quandary at the forefront, emanating from the national-moral framework characteristic of an oriental writer. Sharif Agh elucidates rape as a manifestation of wartime aggression, categorizing it as an archetype of aesthetic repugnance. This portrayal suggests that warfare itself embodies elements akin to rape. Atagam presents a distinct artistic and aesthetic narrative, delineating contrasting worldviews within the story. The author's withdrawal from the characters, adoption of a language reflective of the story's environment, and adherence to existing aesthetics augment the narrative's allure.
modernity aesthetic ideal context aesthetic culture social and political environment structure artistic and aesthetic
Primary Language | Turkish |
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Subjects | World Languages, Literature and Culture (Other) |
Journal Section | Articles |
Authors | |
Early Pub Date | May 20, 2024 |
Publication Date | |
Submission Date | January 18, 2024 |
Acceptance Date | March 15, 2024 |
Published in Issue | Year 2024 Volume: 11 Issue: 2 |
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