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Shaping The Meaning Through Simulation and Constructing Alternative Reality in Ian Mcewan’s Machines Like Me

Year 2023, , 1 - 19, 20.09.2023
https://doi.org/10.33692/avrasyad.1194514

Abstract

Ian McEwan uses elements of science-fiction and puts forwards some vague issues about artificial intelligence in Machines Like Me, thus leaving the reader in a technologically advanced, sci-fi utopia dominated by hyperrealism, subjectivity, and consumerism, which later turns into a moral dystopia with discrepancies of humankind’s interaction with AI humanoid robots. He offers a retro-futuristic universe where notions such as morality, human nature, and free will are challenged in an environment generated by postmodern tactics of historiographic metafiction and intertextuality as well as simulation. McEwan also provides us with a postmodern picture of contemporary individuals and conditions in which thin lines between the intrusion of artificial intelligence into our lives and the representation of truth and reality are blurred.
Making use of theoretical concepts such as postmodern simulation, historicity, and production of knowledge under how McEwan presents the major subject matters in the novel with the reflection and depiction of a futuristic world of artificial intelligence, this article tries to answer the questions about the condition of the postmodern individual who struggles with the issues of discerning reality and truth haunted by the existence and intrusion of AI Adams and Eves.

References

  • Bar-Yosef, Eitan. 2022. “Dr. Perowne and Mr. Baxter: Gothic Resonances in Ian McEwan’s Saturday”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 35:1, 75-81.
  • Baudrillard, Jean. 1994. Simulacra and Simulation. (S. Glaser, Trans.). University of Michigan Press.
  • Childs, Peter. 2007. Ian McEwan’s Enduring Love. Routledge.
  • Cormack, Alistair. 2013. “Postmodernism and Ethics of Fiction in Atonement”, 70-82, in Sebastian Groes’s Ian McEwan. Bloomsbury Academic.
  • Ferguson, R. James. 2013. “Great traditions and grand narratives.” Culture Mandala, 10(2): 5910.
  • Fukuyama, Francis. 2022. Liberalism and Its Discontents. Profile Books Ltd.
  • Green, Susan. 2010. “Consciousness and Ian McEwan's Saturday: ‘What Henry Knows’”. English Studies, 91:1, 58-73.
  • Groes, Sebastian. 2013. Ian McEwan. Bloomsbury Academic.
  • Head, Dominic. 2014. Ian McEwan. Manchester University Press
  • Hodgson, Thomas. 2020. “AI: More Than Human, Barbican, 6 May–26 August.” Sound Studies, 6:1,: 99-103.
  • Holland, Rachel. 2017. “Reality Check: Ian McEwan’s Rational Fictions”. Critique: Studies in Contemporary Fiction. 58:4, 387-400.
  • Hutcheon, Linda. 2001. The politics of postmodernism. New York: Routledge.
  • Hutcheon, Linda. 2004. A poetics of postmodernism: History, theory, fiction. New York: Routledge.
  • Ionescu, Andrei. 2017. “A Manifesto Against Failures of Understanding: Ian McEwan’s Atonement”. Critique: Studies in Contemporary Fiction, 58:5, 600-618.
  • Jameson, Fredric. 1984. “Foreword”, The postmodern condition: A report on knowledge. (Vol. 10). U of Minnesota Press.
  • Lyotard, Jean François. 1984. The postmodern condition: A report on knowledge. (G. Bennington & B. Massumi, Trans.) (Vol. 10), USA: Minnesota Press.
  • Malcolm, David. 2002. Understanding Ian McEwan. University of South Carolina Press.
  • Matthews, Graham John. 2019. “A State of Mathematical Grace: Risk, Expertise and Ontological Insecurity in Ian McEwan’s Enduring Love”. English Studies, 100:4, 478-494.
  • McEwan, Ian. 2019. Machines Like Me. Penguin.
  • Morrison, Jago. 2001. “Narration and Unease in Ian McEwan’s Later Fiction”. Critique: Studies in Contemporary Fiction, 42:3, 253-268.
  • Nayebpour, Karam. 2017. Mind Presentation in Ian McEwan’s Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach. Ibidem-Verlag.
  • Nicol, Bran. 2009. The Cambridge Introduction to Postmodern Fiction. UK: Cambridge University Press.
  • Oppermann, Serpil. 1998. “Historicist Inquiry in The New Historicism and British Historiographic Metafiction.” Hacettepe University Journal of Faculty of Letters, 15 (1): 39-52.
  • Qouzloo, Hourieh Maleki & Sadjadi, Bakhtiar. 2021. “The manifestation of Lacanian desire in Ian McEwan’s Atonement and Saturday”. Cogent Arts & Humanities, 8:1, 1892904.
  • Tan, Ian. 2022. “Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent”. Critique: Studies in Contemporary Fiction. DOI: 10.1080/00111619.2022.2066502
  • Van Raaij, W. Fred. 1993. “Postmodern consumption”. Journal of economic psychology, 14(3): 541-563.
  • White, Hayden. 2014. Metahistory: The historical imagination in nineteenth-century Europe. John Hopkins University Press.

Ian Mcewan’ın Benim Gibi Makineler Romanında Simülasyon Yoluyla Anlamı Şekillendirme ve Alternatif Gerçeklik Oluşturma

Year 2023, , 1 - 19, 20.09.2023
https://doi.org/10.33692/avrasyad.1194514

Abstract

Ian McEwan Benim Gibi Makineler adlı romanında bilimkurgu öğelerini kullanarak ve yapay zeka hakkında belirsiz meseleleri öne çıkararak, okuyucuyu sonrasında ahlaki bir distopyaya dönüşen, yapay zeka insansı robotların insanlarla uyuşmayan etkileşimlerinin var olduğu, teknolojik olarak gelişmiş, hipergerçekçilik, öznellik ve tüketimciliğin hakim olduğu bir bilimkurgu ütopyasının ortasında bırakır. Yazar aynı zamanda ahlak, insan doğası ve özgür irade gibi kavramların, postmodern tarihyazımsal üstkurmaca ve metinlerarasılık tekniklerinin yanı sıra simülasyon tarafından üretilen bir ortamda sorgulandığı retro-fütüristik bir evren sunar. Bunun yanı sıra, yapay zekanın hayatımıza girmesi ile gerçeğin ve gerçekliğin temsili arasındaki ince çizgilerin bulanıklaştığı çağdaş bireylerin ve koşulların postmodern bir resmini gösterir.
Bu makale, gerçeklik ile yanılsama arasındaki farkı ayırt etmeye çalışan postmodern bireyin, yapay zeka insansı robotlar olan Adem ve Havvaların varlığı ve insan yaşamına müdahil olmalarından doğan karmaşık durumu hakkında sorulara yanıt ararken, postmodern simülasyon, tarihsellik ve bilgi üretimi gibi teorik kavramlardan yararlanarak, yapay zekanın fütüristik bir dünyasının yansıması ve tasvirini ele alır.

References

  • Bar-Yosef, Eitan. 2022. “Dr. Perowne and Mr. Baxter: Gothic Resonances in Ian McEwan’s Saturday”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 35:1, 75-81.
  • Baudrillard, Jean. 1994. Simulacra and Simulation. (S. Glaser, Trans.). University of Michigan Press.
  • Childs, Peter. 2007. Ian McEwan’s Enduring Love. Routledge.
  • Cormack, Alistair. 2013. “Postmodernism and Ethics of Fiction in Atonement”, 70-82, in Sebastian Groes’s Ian McEwan. Bloomsbury Academic.
  • Ferguson, R. James. 2013. “Great traditions and grand narratives.” Culture Mandala, 10(2): 5910.
  • Fukuyama, Francis. 2022. Liberalism and Its Discontents. Profile Books Ltd.
  • Green, Susan. 2010. “Consciousness and Ian McEwan's Saturday: ‘What Henry Knows’”. English Studies, 91:1, 58-73.
  • Groes, Sebastian. 2013. Ian McEwan. Bloomsbury Academic.
  • Head, Dominic. 2014. Ian McEwan. Manchester University Press
  • Hodgson, Thomas. 2020. “AI: More Than Human, Barbican, 6 May–26 August.” Sound Studies, 6:1,: 99-103.
  • Holland, Rachel. 2017. “Reality Check: Ian McEwan’s Rational Fictions”. Critique: Studies in Contemporary Fiction. 58:4, 387-400.
  • Hutcheon, Linda. 2001. The politics of postmodernism. New York: Routledge.
  • Hutcheon, Linda. 2004. A poetics of postmodernism: History, theory, fiction. New York: Routledge.
  • Ionescu, Andrei. 2017. “A Manifesto Against Failures of Understanding: Ian McEwan’s Atonement”. Critique: Studies in Contemporary Fiction, 58:5, 600-618.
  • Jameson, Fredric. 1984. “Foreword”, The postmodern condition: A report on knowledge. (Vol. 10). U of Minnesota Press.
  • Lyotard, Jean François. 1984. The postmodern condition: A report on knowledge. (G. Bennington & B. Massumi, Trans.) (Vol. 10), USA: Minnesota Press.
  • Malcolm, David. 2002. Understanding Ian McEwan. University of South Carolina Press.
  • Matthews, Graham John. 2019. “A State of Mathematical Grace: Risk, Expertise and Ontological Insecurity in Ian McEwan’s Enduring Love”. English Studies, 100:4, 478-494.
  • McEwan, Ian. 2019. Machines Like Me. Penguin.
  • Morrison, Jago. 2001. “Narration and Unease in Ian McEwan’s Later Fiction”. Critique: Studies in Contemporary Fiction, 42:3, 253-268.
  • Nayebpour, Karam. 2017. Mind Presentation in Ian McEwan’s Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach. Ibidem-Verlag.
  • Nicol, Bran. 2009. The Cambridge Introduction to Postmodern Fiction. UK: Cambridge University Press.
  • Oppermann, Serpil. 1998. “Historicist Inquiry in The New Historicism and British Historiographic Metafiction.” Hacettepe University Journal of Faculty of Letters, 15 (1): 39-52.
  • Qouzloo, Hourieh Maleki & Sadjadi, Bakhtiar. 2021. “The manifestation of Lacanian desire in Ian McEwan’s Atonement and Saturday”. Cogent Arts & Humanities, 8:1, 1892904.
  • Tan, Ian. 2022. “Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent”. Critique: Studies in Contemporary Fiction. DOI: 10.1080/00111619.2022.2066502
  • Van Raaij, W. Fred. 1993. “Postmodern consumption”. Journal of economic psychology, 14(3): 541-563.
  • White, Hayden. 2014. Metahistory: The historical imagination in nineteenth-century Europe. John Hopkins University Press.
There are 27 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section Articles
Authors

İsmail Avcu 0000-0002-8320-920X

Early Pub Date September 13, 2023
Publication Date September 20, 2023
Submission Date October 25, 2022
Published in Issue Year 2023

Cite

APA Avcu, İ. (2023). Shaping The Meaning Through Simulation and Constructing Alternative Reality in Ian Mcewan’s Machines Like Me. Avrasya Uluslararası Araştırmalar Dergisi, 11(36), 1-19. https://doi.org/10.33692/avrasyad.1194514

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