Orhan Pamuk’un Beyaz Kale Eserinde Oryantalizm

Abstract

Orhan Pamuk’un en çok bilinen eserlerinden olan Beyaz Kale ve Benim Adım Kırmızı, Osmanlı İmparatorluğu döneminde geçen tarihi romanlardır. Bu romanlar Doğu-Batı ikilemi, kültürel kimlik ve farklılıklar, ve kültürel çatışma gibi yazarın en yaygın temaları üzerine kurulmuştur. Bu makalede (yer sınırından ötürü) sadece Beyaz Kale’ye yoğunlaşılarak, Pamuk’un hayatı, Nobel ödülü alışı ve yabancı basına verdiği çok tartışmalı demeçler eşliğinde, Türk ve Müslüman bir yazarın İslam’ı ve Osmanlıları Batı dünyası için nasıl resmettiği irdelenmekte ve Pamuk’un tarihi anlatımının Avrupalı Oryantalist yazım geleneğini fazlasıyla sürdürdüğü öne sürülmektedir. 

Keywords

• Pamuk,Nobel,Oryantalizm,sömürgecilik araştırmaları,karşılaştırmalı edebiyat,İslam algısı,çağdaş edebiyat

Orientalism In Orhan Pamuk’s White Castle

Abstract

The two most well-known works of Orhan Pamuk, The White Castle and My Name is Red, are historical fiction set in the time of the Ottoman Empire. These novels represent some of the most common issues the novelist focuses on, such as the East-West binary, questions of cultural identity and differences, and possibilities of local and global co-existence. In this article, by focusing on the case of The White Castle, Pamuk’s life, his Nobel prize acceptance and his controversial statements in international press, I examine how a Turkish-born, Muslim novelist portrays Islamic history and the Ottomans predominantly for the European gaze and argue that Pamuk’s historical narrative borrows considerably from the legacy of European Orientalist writings.  

Keywords

• Pamuk,Orientalism,postcolonial studies,comparative literature,Nobel,image of Islam,contemporary fiction

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