Abstract
With its complex structure, the design process constitutes a multi-layered process that should be perceived and evaluated together with the phenomenon of originality, in which the design processes and how the connections are established are very important in terms of problem solving ability. The first step of the design action is to transform the images we create in our subconscious into a permanent material or to reveal them concretely. As a design process from image to reality, the transfer of design elements from the 2D plane to the 3D plane has been designed and constructed in a way that creates a pattern between each other. Numerical and pixel-based graphic design tools with different software have created a whole in the interaction of 2 and 3 dimensional objects with spatial and geometric characters, allowing the project object to be revealed. The dialectic between the semantic, formal and functional design process in the formation process of design knowledge and the interaction at the end of the process is exemplified. As a result, in this study, the design combinations between graphic design tools with different software have been tried to be discussed in a descriptive and explanatory way to create a reference.
Keywords
References
- Akin, O. (1990). Necessary Conditions for Design Expertise and Creativity. Design Studies 11, 107-113
- Armstrong, H. (2010). Grafik Tasarım Kuramı. (M. E. Uslu, Çev.). İstanbul: Espas Sanat Kuram Yayınları
- Benjamin, W. (1995). Pasajlar. (A. Cemal, Çev). İstanbul: Yapı Kredi Yayınları
- Gregory, S. A. (1966). Design science. New York: Springer Science Bsuiness Media
- Hidayetoğlu, F. (2008). Güzel sanatlar fakülteleri lisans programlarında yer alan illüstrasyon derslerinin eleştirel bir incelemesi (Yüksek Lisans Tezi). Yök veri tabanından erişildi (Erişim No. 219059)
- İnceoğlu, N. (2012). Eskizler, Çizerek Düşünme Düşünerek Çizme. İstanbul: Nemli Yayıncılık
- Kaya, S. E. (2020). Disiplinlerarası İlişkiler Bağlamında Medikal İllüstrasyonun Nazal Cerrahi Eğitimindeki Yeri – Fotoğraf ve Yazılı Anlatım ile Karşılaştırılması, (Yüksek Lisans Tezi). Yök veri tabanından erişildi (Erişim No. 627493)
- Lawson, B. (1990). How Designers Think?. Butterworth Architecture, Oxford UK
- McLuhan, M. (2014). Gutenberg galaksisi: Tipografik insanın oluşumu. 3. Baskı. İstanbul: Yapı Kredi Yayınları
- Schraff, A. E. (1992). Choosing your way through the world’s medieval past. Portland, OR: J. Westan Walch Publisher
- Steadman, P. (1972). The Evolution of Design: Biological Analogy in Architecture and the Applied Arts. Cambridge: Cambridge University Press
- Yakın, B. (2015). Tasarım Sürecinde Eskiz ile Biçim-İçerik Sorgulama ve Çözümlemeleri: Bir Durum Analizi. Sanat ve Tasarım Dergisi, 1(15), 121-137, doi:10.18603/std.58695
Abstract
With its complex structure, the design process constitutes a multi-layered process that should be perceived and evaluated together with the phenomenon of originality, in which the design processes and how the connections are established are very important in terms of problem solving ability. The first step of the design action is to transform the images we create in our subconscious into a permanent material or to reveal them concretely. As a design process from image to reality, the transfer of design elements from the 2D plane to the 3D plane has been designed and constructed in a way that creates a pattern between each other. Numerical and pixel-based graphic design tools with different software have created a whole in the interaction of 2 and 3 dimensional objects with spatial and geometric characters, allowing the project object to be revealed. The dialectic between the semantic, formal and functional design process in the formation process of design knowledge and the interaction at the end of the process is exemplified. As a result, in this study, the design combinations between graphic design tools with different software have been tried to be discussed in a descriptive and explanatory way to create a reference.
Keywords
References
- Akin, O. (1990). Necessary Conditions for Design Expertise and Creativity. Design Studies 11, 107-113
- Armstrong, H. (2010). Grafik Tasarım Kuramı. (M. E. Uslu, Çev.). İstanbul: Espas Sanat Kuram Yayınları
- Benjamin, W. (1995). Pasajlar. (A. Cemal, Çev). İstanbul: Yapı Kredi Yayınları
- Gregory, S. A. (1966). Design science. New York: Springer Science Bsuiness Media
- Hidayetoğlu, F. (2008). Güzel sanatlar fakülteleri lisans programlarında yer alan illüstrasyon derslerinin eleştirel bir incelemesi (Yüksek Lisans Tezi). Yök veri tabanından erişildi (Erişim No. 219059)
- İnceoğlu, N. (2012). Eskizler, Çizerek Düşünme Düşünerek Çizme. İstanbul: Nemli Yayıncılık
- Kaya, S. E. (2020). Disiplinlerarası İlişkiler Bağlamında Medikal İllüstrasyonun Nazal Cerrahi Eğitimindeki Yeri – Fotoğraf ve Yazılı Anlatım ile Karşılaştırılması, (Yüksek Lisans Tezi). Yök veri tabanından erişildi (Erişim No. 627493)
- Lawson, B. (1990). How Designers Think?. Butterworth Architecture, Oxford UK
- McLuhan, M. (2014). Gutenberg galaksisi: Tipografik insanın oluşumu. 3. Baskı. İstanbul: Yapı Kredi Yayınları
- Schraff, A. E. (1992). Choosing your way through the world’s medieval past. Portland, OR: J. Westan Walch Publisher
- Steadman, P. (1972). The Evolution of Design: Biological Analogy in Architecture and the Applied Arts. Cambridge: Cambridge University Press
- Yakın, B. (2015). Tasarım Sürecinde Eskiz ile Biçim-İçerik Sorgulama ve Çözümlemeleri: Bir Durum Analizi. Sanat ve Tasarım Dergisi, 1(15), 121-137, doi:10.18603/std.58695
Details
| Primary Language | English |
|---|---|
| Subjects | Architecture |
| Journal Section | Articles |
| Authors | |
| Publication Date | June 30, 2021 |
| Acceptance Date | June 28, 2021 |
| Published in Issue | Year 2021 Volume: 5 Issue: 1 |
