TR
EN
Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals
Abstract
This study examines how consumer culture is reproduced through advertising visuals in the context of graphic design. Three different advertisements were selected, and the graphic design elements used in these visuals (such as color, composition, and symbols) were analyzed in terms of their impact on consumer perception. Employing the semiotic analysis method, the study reveals that advertising visuals are not merely aesthetic tools but also carriers of ideological and social meanings. The findings indicate that graphic design elements effectively convey the ideological messages of consumer culture and establish profound symbolic connections between brands and consumers. Additionally, the role of graphic design has become more prominent in the digital era, evolving into an interactive and multi-layered structure within modern consumer culture. This study underscores the critical function of graphic design as a communication tool that not only creates visual aesthetics but also shapes social values and consumer behaviors. In conclusion, advertising visuals are evaluated as strategic tools in the reproduction of consumer culture, contributing to theoretical and applied studies in this field.
Keywords
References
- Barthes, R. (2009). Mythologies. Vintage.
- Barthes, R. (2012). The semiotic challenge. University of California.
- Becer, E. (2015). Communication and graphic design. Dost Kitabevi.
- Bican Şen, A. and Özdemir, E. (2017). Consumers’ color perception and gender: a research from marketing perspective. International Journal of Social Inquiry, 8(1), 183-221.
- Chandler, D. (2017). Semiotics: The basics. Routledge.
- Dyer, G. (1982). Advertising as communication. Routledge.
- Featherstone, M. (2007). Consumer culture and postmodernism. SAGE.
- Gümüş, Ç. and Kaya, B. (2022). Semiotic analysis of social media posts about witch victim animals. Korkut Ata Türkiyat Araştırmaları Dergisi, 7, 508-531.
Details
Primary Language
English
Subjects
Semiotics, Graphic Design, Visual Communication Design (Other)
Journal Section
Research Article
Publication Date
February 1, 2025
Submission Date
December 12, 2024
Acceptance Date
January 10, 2025
Published in Issue
Year 2025 Volume: 4 Number: 1
APA
Yılmaz, A., & Kır, B. (2025). Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals. Bodrum Journal of Art and Design, 4(1), 40-52. https://doi.org/10.58850/bodrum.1600537
AMA
1.Yılmaz A, Kır B. Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals. Bodrum Journal of Art and Design. 2025;4(1):40-52. doi:10.58850/bodrum.1600537
Chicago
Yılmaz, Ayça, and Bilal Kır. 2025. “Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals”. Bodrum Journal of Art and Design 4 (1): 40-52. https://doi.org/10.58850/bodrum.1600537.
EndNote
Yılmaz A, Kır B (February 1, 2025) Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals. Bodrum Journal of Art and Design 4 1 40–52.
IEEE
[1]A. Yılmaz and B. Kır, “Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals”, Bodrum Journal of Art and Design, vol. 4, no. 1, pp. 40–52, Feb. 2025, doi: 10.58850/bodrum.1600537.
ISNAD
Yılmaz, Ayça - Kır, Bilal. “Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals”. Bodrum Journal of Art and Design 4/1 (February 1, 2025): 40-52. https://doi.org/10.58850/bodrum.1600537.
JAMA
1.Yılmaz A, Kır B. Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals. Bodrum Journal of Art and Design. 2025;4:40–52.
MLA
Yılmaz, Ayça, and Bilal Kır. “Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals”. Bodrum Journal of Art and Design, vol. 4, no. 1, Feb. 2025, pp. 40-52, doi:10.58850/bodrum.1600537.
Vancouver
1.Ayça Yılmaz, Bilal Kır. Symbolic Narratives in Graphic Design: Semiotic Perspectives on Advertising Visuals. Bodrum Journal of Art and Design. 2025 Feb. 1;4(1):40-52. doi:10.58850/bodrum.1600537
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