Representation Of Turks In George Farquhar’s Play The Beaux Stratagem George Farquhar’ın The Beaux Stratagem Adlı Oyununda Türk’lerin Temsili
Year 2009,
Volume: 18 Issue: 2, 440 - 450, 01.09.2009
Assistant Prof. Ayca Ülker Erkan
References
- Aydın, K. (1999). Images of Turkey in Western Literature. Cambridgeshire: The Eothen Press.
- El-Deen, A. A. (1984). A Critical Edition of Thomas Goffe’s The Ranging Turke, or Baiazet the Second (1631) Unpub. Diss. West Virginia Univ.
- Edib, H. A. (1926). Memoirs of Halide Edib. London: John Murray.
- Eissenstat, H. (2005). “Metaphors of Race and Discourse of Nation: Racial Theory and State Nationalism in the First Decades of the Turkish Republic”. P. Spickard (Ed.), In Race and Nation: Ethnic Systems in the Modern World, (pp. 239-256). New York: Routledge.
- Farquhar, G. (1969). The Beaux Stratagem. G. H. Nettleton (Ed.), In British Dramatists: From Dryden to Sheridan, (pp.349-386). Boston: Houghton Mifflin Comp.
- Hourani, A. H. (1991). Islam European Thought. Cambridge: Cambridge U University Press.
- Jeffares, A. N. (1996). “Farquhar‟s Final Comedies.” In Images of Invention: Essays on Irish Writing, (pp. 76-89). Buckinhamshire: Gerrards Cross.
- Kinross, Lord. (1964). Ataturk: The Rebirth of a Nation. London: Morrison and Gibb.
- Knolles, Richard. (1603). Generall History of the Turks. London: A. Islip.
- Kuran –Burcoglu, N. (1999). “The Image of the Turk in Europe from 11th to 20th Century as Represented in Literary and Visual Sources.” In Marmara Journal of European Studies, (pp. 187-200). Istanbul: A Publication of Marmara University Eoropean Comm. Inst.
- Lewis, R. (2004). Rethinking Orientalism: Women, Travel and the Ottoman Harem. New Jersey: Rutgers University Press.
- Lowenthal, C. (2003). Performing Identities on the Restoration Stage. Illinois: Southern Illinois U University Press.
- Macfie, A.L. (Ed.) (2000). Orientalism: A Reader. New York: New York University Press.
- Montgomery, G. (1966). “The challenge of Restoration Comedy.” J. Loftis (Ed.), In Restoration Drama: Modern Essays in Criticism, (pp. 32-43). New York: Oxford University Press.
- Montesquieu. (1966). The Spirit of Laws [1748]. T. Nugent (Trans.), New York: Hafner Pub.Comp.
- Nash, G. P. (2005). From Empire to the Middle East: Travellers to the Middle East 1830- 1926. London & New York: I. B. Tauris.
- Orr, B. (2001). Empire on the English Stage, 1660-1714. Cambridge: Cambridge University Press.
- Rycaut, Paul. (1668). The Present State of the Ottoman Empire. London: John Starkey & Henry Brome.
- Said, E. (1976, 31 October). “Arabs, Islam and the Dogmas of the West.” The New York Times Book Review, (pp. 104-114).
- - - . (1979). Orientalism. New York: Vintage Books.
- - - . (2000). “Orientalism Reconsidered” A.L. Macfie (Ed.), In Orientalism: A Reader, (pp. 345-361). New York: New York University Press.
George Farquhar’ın The Beaux Stratagem Adlı Oyununda Türk’lerin Temsili
Year 2009,
Volume: 18 Issue: 2, 440 - 450, 01.09.2009
Assistant Prof. Ayca Ülker Erkan
Abstract
Bu makale George Farquhar‟ın The Beaux Stratagem adlı oyununda Osmanlı Türklerinin
nasıl temsil edildiği üzerinedir. Türk imajının var olduḡu pek çok Restorasyon tiyatrosu
bulunur. Türklerin negative imajı o zamanın edebiyatına bile yansımıştır. Bu makalede
Batılı bakış açısına göre Türk erkekleri ve kadınlarının nasıl bir perspektiften görüldüḡü
üzerine tartışılacaktır. Edward Said‟ın doğu bilimci söylemlerine göre, baskın Batı kültürü
doğuyu ve doğuluları “öteki ler” olarak görür.
References
- Aydın, K. (1999). Images of Turkey in Western Literature. Cambridgeshire: The Eothen Press.
- El-Deen, A. A. (1984). A Critical Edition of Thomas Goffe’s The Ranging Turke, or Baiazet the Second (1631) Unpub. Diss. West Virginia Univ.
- Edib, H. A. (1926). Memoirs of Halide Edib. London: John Murray.
- Eissenstat, H. (2005). “Metaphors of Race and Discourse of Nation: Racial Theory and State Nationalism in the First Decades of the Turkish Republic”. P. Spickard (Ed.), In Race and Nation: Ethnic Systems in the Modern World, (pp. 239-256). New York: Routledge.
- Farquhar, G. (1969). The Beaux Stratagem. G. H. Nettleton (Ed.), In British Dramatists: From Dryden to Sheridan, (pp.349-386). Boston: Houghton Mifflin Comp.
- Hourani, A. H. (1991). Islam European Thought. Cambridge: Cambridge U University Press.
- Jeffares, A. N. (1996). “Farquhar‟s Final Comedies.” In Images of Invention: Essays on Irish Writing, (pp. 76-89). Buckinhamshire: Gerrards Cross.
- Kinross, Lord. (1964). Ataturk: The Rebirth of a Nation. London: Morrison and Gibb.
- Knolles, Richard. (1603). Generall History of the Turks. London: A. Islip.
- Kuran –Burcoglu, N. (1999). “The Image of the Turk in Europe from 11th to 20th Century as Represented in Literary and Visual Sources.” In Marmara Journal of European Studies, (pp. 187-200). Istanbul: A Publication of Marmara University Eoropean Comm. Inst.
- Lewis, R. (2004). Rethinking Orientalism: Women, Travel and the Ottoman Harem. New Jersey: Rutgers University Press.
- Lowenthal, C. (2003). Performing Identities on the Restoration Stage. Illinois: Southern Illinois U University Press.
- Macfie, A.L. (Ed.) (2000). Orientalism: A Reader. New York: New York University Press.
- Montgomery, G. (1966). “The challenge of Restoration Comedy.” J. Loftis (Ed.), In Restoration Drama: Modern Essays in Criticism, (pp. 32-43). New York: Oxford University Press.
- Montesquieu. (1966). The Spirit of Laws [1748]. T. Nugent (Trans.), New York: Hafner Pub.Comp.
- Nash, G. P. (2005). From Empire to the Middle East: Travellers to the Middle East 1830- 1926. London & New York: I. B. Tauris.
- Orr, B. (2001). Empire on the English Stage, 1660-1714. Cambridge: Cambridge University Press.
- Rycaut, Paul. (1668). The Present State of the Ottoman Empire. London: John Starkey & Henry Brome.
- Said, E. (1976, 31 October). “Arabs, Islam and the Dogmas of the West.” The New York Times Book Review, (pp. 104-114).
- - - . (1979). Orientalism. New York: Vintage Books.
- - - . (2000). “Orientalism Reconsidered” A.L. Macfie (Ed.), In Orientalism: A Reader, (pp. 345-361). New York: New York University Press.