STEVIE SMITH’İN ŞİİRLERİNDE YIKICI KADIN KİMLİĞİ

Yıl 2023, Sayı: 32 (Dicle Üniversitesi'nin 50. Yılına Özel 50 Makale), 520 - 534, 01.03.2023

Dilek Bulut Sarıkaya

Öz

Bu çalışma, basmakalıp cinsiyet rollerinin pekiştirildiği evlilik kurumunda kadınların ataerkil ideolojiler tarafından köleleştirilmesini ele alan Stevie Smith’in (1902-1971) şiirlerindeki radikal kadın seslerinin incelenmesi üzerine odaklanmıştır. Bu bağlamda, Stevie Smith, ataerkil toplumlardaki erkek egemenliğini eleştirmekle kalmaz, aynı zamanda ezilmiş kadın profilinin ailede normalleştirilerek anneden kızlarına aktarılmasını sağlayan ataerkil ideolojinin kurulması ve sürdürülmesinde kadının gizli rolünü de geniş bir biçimde inceler. Bu nedenle, ataerkil ideolojinin katalizörü görevi üstlenen kadınlar da Smith’in sert eleştirilerinden nasibini alırken, şairin ataerkil toplumun egemen gücüne karşı başkaldıran kadın karakterlerine kendilerini en yüksek sesle ifade etme özgürlüğü verilmiştir.

Anahtar Kelimeler

Stevie Smith, Şiir, Kadın Kimliği, Ataerkil

THE SUBVERSIVE FEMALE IDENTITY IN STEVIE SMITH'S POETRY

Öz

This study focuses on analyzing the radical female voices in Stevie Smith’s (1902-1971) poetry which is distinguished by its humorous, and at same time, extremely tragic approach to the enslavement of women within marriage that is an ideologically laden institution where the patriarchal domination of women is guaranteed through stereotypically constructed gender roles. In this regard, Stevie Smith does not simply criticize the hegemony of men in patriarchal societies, but also thoroughly interrogates the intangible roles of women in strengthening and maintaining the perpetuation of the patriarchal ideology which ensures that the subordinated position of women should be normalized within families and transmitted by mothers to their daughters. Thus, women who are the major galvanizers of the patriarchal ideology cannot circumvent Smith’s harsh denunciation while resistant female characters, who tenaciously overturn the hegemonic power of the patriarchy, are given the loudest voice to express themselves.

Anahtar Kelimeler

Stevie Smith, Patriarchy, Femininity, Poetry, Resistant Identity

Kaynakça

• Anderson, L. (2007). “Gender, feminism, poetry: Stevie Smith, Sylvia Plath, Jo Shapcott.” In The Cambridge companion to twentieth- century English poetry (Ed) N. Corcoran. Cambridge: Cambridge university press, 173-186.
• Corcoran, N. (1993). English poetry since 1940, London: Longman.
• Dowson, J. & A. Entwistle. (2005). A History of twentieth-century British women’s poetry. Cambridge: Cambridge university press, 2005.
• Huk, R. (2005). Stevie Smith: Between the lines. New York: Palgrave.
• Najarian, J. (2003).Contributions to almighty truth: Stevie Smith’s seditious romanticism. Twentieth century literature, 49 (4), 472-494.
• Severin, L. (1997). Stevie Smith’s resistant antics, Madison: The university of Wisconsin press.
• Smith, S. (1983). The collected poems of Stevie Smith. (Ed). J. MacGibbon. London: Penguin.
• Stevenson, S. (1992). Stevie Smith’s voices. Contemporary Voices, 33 (1), 24-46. Walsh, J. (2004). Stevie Smith: Girl interrupted. Papers on Language and Literature. 40 (1), 57-74.
• Sub specie aeternitatis. (2022). In Merriam-Webster.com dictionary. < https://www.merriam-webster.com/dictionary/sub%20specie%20aeternitatis>