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Lüster Sırlarının Karakterizasyonuna Genel Bir Bakış

Year 2019, , 51 - 79, 31.01.2019
https://doi.org/10.31202/ecjse.454149

Abstract



Lüster, camsı
bir matris (konak) içine gömülü metal bakır ve/veya gümüş nano taneciklerinden
yapılmış bir tür metalcam kompozittir.
Metal parçacık boyutları 550 nm arasında
değişir ve bünye üzerinde 100 nm ile 1 mm kalınlığında bir tabaka oluşturur.
Katmanların rengi ve saydamlığı, tabakadaki ışığın emilimi ve saçılımından
kaynaklanmaktadır. Kullanılan pigmentler karakteristik metalik parlaklığı asla
göstermezler, bunun yerine yanardöner lekeler halinde görünürler.



Lüster sırlı seramikler ilk olarak MS 9. yüzyılda
Abbasi Hanedanlığı Dönemi’nde, Mezopotamya'daki Samarra ve Basra gibi kentlerde
İslam seramikçileri tarafından elde edilmiş süslü seramiklerdir. İlk örnekleri
Mısır’ın başkenti olan Fustat’da Fatimi Hanedanı zamanına aittir. Ardından
Suriye (1215. yy.) ve İran’da (1217. yy.) üretilmişlerdir. Her dönem ve yere
özgü olarak lüster sırlarının karakteristik stilleri de değişmektedir. Bu
çalışma lüster sırlarının geçmişten günümüze yaşadığı yolculuğu özetlemektedir.

References

  • [1] Kreibig, M., Vollmer, U., “Optical properties of metal clusters”, 1995.
  • [2] Pradell, T., Molera, J., Smith A. D. and Tite M. S., “The invention of lustre: Iraq 9th and 10th centuries AD”, J. Archaeol. Sci., 2008, 35, 5, 1201–1215.
  • [3] Carboni S., "Glass from Islamic lands, Thames & Hudson in association with the al–Sabah Collection, Dar al–Athar al–Islamiyyah", Kuwait National Museum. London, UK, 2001.
  • [4] Caiger Smith, A. C., "Lustre pottery", New Amsterdam Books, New York, 1991.
  • [5] Pradell T., Molera J., Roque J., Vendrell–Saz M., Smith A. D., Pantos E. and Crespo D., “Ionic–exchange mechanism in the formation of medieval luster decorations,” J. Am. Ceram. Soc., 205, 88, 5, 1281–1289.
  • [6] Climent–Font A., “Commentary: Luster ceramics: A 9th century AD nanotechnology”, J. Nanophotonics, 2012, 6, 1, 060303.
  • [7] Mason, R. B., "Shine like the sun. Lustre–painted and associated pottery from the Medieval Middle East, Bibliotheca Iranica: Islamic Art and Architecture Series", 12. Mazda Publishers, Inc., Costa Mesa Canada. Molera, 2004.
  • [8] Martinon–Torres, T. R. M., Ed., "Archaeology, history and science", Left Coast Press, 2008.
  • [9] https://www.metmuseum.org/art/collection/search/450933 (Erişim Tarihi: 07.07.2018) .
  • [10] https://www.dia.org/art/collection/object/luster-painted-armorial-plate-49210 (Erişim Tarihi: 07.07.2018).
  • [11] http://www.fitzmuseum.cam.ac.uk/research/lustreware (Erişim Tarihi: 07.07.2018).
  • [12] http://www.discoverislamicart.org/ (Erişim Tarihi: 07.07.2018).
  • [13] https://ah.atec.io/tag/luster-painting/ (Erişim Tarihi: 07.07.2018).
  • [14] https://depts.washington.edu/silkroad/museums/mik/miklaterislam.html (Erişim Tarihi: 07.07.2018).
  • [15] https://www.brooklynmuseum.org/opencollection/objects/125958 (Erişim Tarihi: 07.07.2018).
  • [16] http://www.masterart.com/ (Erişim Tarihi: 07.07.2018).
  • [17] http://jameelcentre.ashmolean.org/collection/4/837/861 (Erişim Tarihi: 07.07.2018) .
  • [18] https://artsandculture.google.com/asset/dish-design-of-flower-in-luster-paint-hispano-moresque/FQHTEOWHcKouLg (Erişim Tarihi: 07.07.2018) .
  • [19] https://artsandculture.google.com/asset/bowl-design-of-a-rabbit-in-luster-paint-hispano-moresque/2gHVK0dx71el0A (Erişim Tarihi: 07.07.2018).
  • [20] Italian Maiolica Catalogue of the collections The J.Paul Getty Museum (Erişim Tarihi: 07.07.2018).
  • [21] http://love2fly.iberia.com/2014/05/talavera-pottery-spain-mexico/ (Erişim Tarihi: 07.07.2018).
  • [22] http://www.clevelandart.org/art/ (Erişim Tarihi: 07.07.2018).
  • [23] http://www.anaviangallery.com/servlet/q.QDisplayItemDetail?in=5736 (Erişim Tarihi: 07.07.2018).
  • [24] http://www.artic.edu/aic/collections/artwork/25376?search_no=9&index=17 (Erişim Tarihi: 07.07.2018).
  • [25] “https://global.britannica.com/media/full/295642/36387 (Erişim Tarihi: 07.07.2018).
  • [26] Pérez–Arantegui J., Molera J., Larrea A., T. Pradell T and Vendrell–Saz M., “Luster pottery from the thirteenth century to the sixteenth century : A nanostructured thin metallic film”, J. Amrican Ceram. Soc., 2001, 84, 2, 442–446.
  • [27] Borgia I., Brunetti B., Mariani I., Sgamellotti A., Cariati F., Fermo P., Mellini, M., Viti C. and Padeletti G., “Heterogeneous distribution of metal nanocrystals in glazes of historical pottery”, Appl. Surf. Sci., 2002, 185, 3–4, 206–216.
  • [28] Padovani S., Sada C., Mazzoldi, P., Brunetti B., Giulivi A., D’Acapito F. and Battaglin G., “Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment”, J. Appl. Phys., 2003, 93, 12, 10058–10063.
  • [29] Fredrickx P., Hélary D., Schryvers D. and Darque–Ceretti E., “A TEM study of nanoparticles in lustre glazes”, Appl. Phys. A Mater. Sci. Process, 2004, 79, 2, 283–288.
  • [30] Pradell T., Molera J., Vendrell M., Pérez–Arantegui J., Pantos E., Roberts M. and DiMichiel M., “Role of cinnabar in luster production”, J. Am. Ceram. Soc., 2004, 87, 6, 1018–1023.
  • [31] Darque–Ceretti E., Helary D., Bouquillon A. and Aucouturier M., “Gold like lustre: Nanometric surface treatment for decoration of glazed ceramics in ancient Islam, Moresque Spain and Renaissance Italy”, Surf. Eng., 2005, 21, 5–6, 352–358.
  • [32] Pradell T. Molera J., Bayés C. and Roura P., “Luster decoration of ceramics: Mechanisms of metallic luster formation”, Appl. Phys. A Mater. Sci. Process, 2006, 83, 2, 203–208.
  • [33] del Rio, A. P., Castaing J. and Aucouturier M., “Metallic nano–particles in lustre glazed ceramics from the 15th century in Seville studied by PIXE and RBS”, Nucl. Instruments Methods Phys. Res. Sect. B Beam Interact. with Mater. Atoms, 2006, 249, 1–2 SPEC. ISS., 596–600.
  • [34] Roqué J., Molera J., Sciau P., Pantos E. and Vendrell–Saz M., “Copper and silver nanocrystals in lustre lead glazes: Development and optical properties”, J. Eur. Ceram. Soc., 2006, 26, 16, 3813–3824.
  • [35] Molera J., Bayés C., Roura P., Crespo D. and Pradell T., “Key parameters in the production of medieval luster colors and shines”, J. Am. Ceram. Soc., 2007, 90, 7, 2245–2254.
  • [36] Roqué J., Molera J., Pérez–Arantegui J., Calabuig C., Portillo J. and Vendrell–Saz M., “Lustre colour and shine from the Olleries Xiques workshop in Paterna (Spain), 13th century ad: Nanostructure, chemical composition and annealing conditions”, Archaeometry, 2007, 49, 3, 511–528.
  • [37] Pradell T., Climent–Font A., Molera J., Zucchiatti A., Ynsa M. D., Roura P. and Crespo D., “Metallic and nonmetallic shine in luster: An elastic ion backscattering study”, J. Appl. Phys., 2007, 101, 10.
  • [38] Pradell T., Molera J., Smith A. D. and Tite M. S., “Early Islamic lustre from Egypt, Syria and Iran (10th to 13th century AD)”, J. Archaeol. Sci., 2008, 35, 9, 2649–2662.
  • [39] Pradell T., Molera J., Smith A: D., Climent–Font A. and Tite M. S., “Technology of Islamic lustre”, J. Cult. Herit., 2008, 9, SUPPL., e123–e128.
  • [40] Siligardi C., Montecchi M., Montorsi M. and Pasquali L., “Ceria–containing frit for luster in modern ceramic glaze”, J. Am. Ceram. Soc., 2010, 93, 9, 2545–2550.
  • [41] Gutierrez P. C., Pradell T., Molera J., Smith A. D., Climent–Font A. and Tite M. S., “Color and golden shine of silver Islamic luster”, J. Am. Ceram. Soc., 2010, 93, 8, 2320–2328.
  • [42] Mestre S., Chiva C., Palacios M. D. and Amorós J. L., “Development of a yellow ceramic pigment based on silver nanoparticles”, J. Eur. Ceram. Soc., 2012, 32, 11, 2825–2830.
  • [43] Gualtieri, A. F., Canovi L., Viani A., Bertocchi P., Corradini C., Gualtieri M. L., Gazzadi G. C., Zapparoli M. and Berthier S., “Mechanism of lustre formation in scheelite–based glazes”, J. Eur. Ceram. Soc., 2013, 33, 11, 2055–2064.
  • [44] Molina G., Tite M. S., Molera J., Climent–Font A. and Pradell T., “Technology of production of polychrome lustre”, J. Eur. Ceram. Soc., 2014, 34, 10, 2563–2574.
  • [45] Razavi F., Rashidi M. and Mahdi H., “Production of luster glaze on opal tableware using zarinfam technique and characterization of its structure and color”, Appl. Phys. A, 2016, 122, 5, 1–8.
  • [46] Sarıgüzel M., Öztürk Y. and Günay E., “Studying the effect of different glaze compositions on the formation and properties of silver and copper nanoparticles in lustre decoration”, 2017, 21–28.
  • [47] Ownby M. F., Giomi E. and Williams G., “Glazed ware from here and there: Petrographic analysis of the technological transfer of glazing knowledge”, J. Archaeol. Sci. Reports, 2017, 16, 616–626.
  • [48] Pekkan K., Başkırkan H. and Çakı M,, “Development of gold–bronze metallic glazes in a clay–based system for stoneware bodies”, Ceram. Int., 2018, 44, 5, 4789–4794.
  • [49] Aftabi A. and Atapour H. “A new record of silica–rich coating on carbonate substrates in southeast–central Iran: Constraints on geochemical signatures”, 2018.
  • [50] Salvadó N., Butí S., Clemente C., Beltran V., Cinque G., Juanhuix J. and Pradell T., “Microanalytical study of luster glazed gilding and silvering from Baroque altarpieces”, Pure Appl Chem., 2017, 90, 3, 477–492.

A General Look over the Characterisation of Lustre Glazes

Year 2019, , 51 - 79, 31.01.2019
https://doi.org/10.31202/ecjse.454149

Abstract



Lustre is a kind of metalglass composite made of glassy matrix in which
metallic copper and/or silver nanoparticles
are embedded. The size of particles varies between 550 and form a layer of 100 nm1
mm on body. The colours and brightness of the layers are due to the light
absorption and dispersion by the layer itself. The pigments used do not exhibit
metallic brightness never, instead they appear as iridescent spots.



Lustre glazes, for the first time,
were patterned glazes produced by Islamic ceramist in Samarra and Basra cities
of Mesopotamia during Abbasid Dynasty in 9. century AC. Its preliminary samples
belong to Fustat, the capital of Egypt of Fatimid Dynasty. After, they had been
produced in Syria (1215. century AC) and
Iran (1217. century AC). Each Era and
region inhibit their original characteristics. Hereby, the historical journey
and general knowledge about lustre are summarised.

References

  • [1] Kreibig, M., Vollmer, U., “Optical properties of metal clusters”, 1995.
  • [2] Pradell, T., Molera, J., Smith A. D. and Tite M. S., “The invention of lustre: Iraq 9th and 10th centuries AD”, J. Archaeol. Sci., 2008, 35, 5, 1201–1215.
  • [3] Carboni S., "Glass from Islamic lands, Thames & Hudson in association with the al–Sabah Collection, Dar al–Athar al–Islamiyyah", Kuwait National Museum. London, UK, 2001.
  • [4] Caiger Smith, A. C., "Lustre pottery", New Amsterdam Books, New York, 1991.
  • [5] Pradell T., Molera J., Roque J., Vendrell–Saz M., Smith A. D., Pantos E. and Crespo D., “Ionic–exchange mechanism in the formation of medieval luster decorations,” J. Am. Ceram. Soc., 205, 88, 5, 1281–1289.
  • [6] Climent–Font A., “Commentary: Luster ceramics: A 9th century AD nanotechnology”, J. Nanophotonics, 2012, 6, 1, 060303.
  • [7] Mason, R. B., "Shine like the sun. Lustre–painted and associated pottery from the Medieval Middle East, Bibliotheca Iranica: Islamic Art and Architecture Series", 12. Mazda Publishers, Inc., Costa Mesa Canada. Molera, 2004.
  • [8] Martinon–Torres, T. R. M., Ed., "Archaeology, history and science", Left Coast Press, 2008.
  • [9] https://www.metmuseum.org/art/collection/search/450933 (Erişim Tarihi: 07.07.2018) .
  • [10] https://www.dia.org/art/collection/object/luster-painted-armorial-plate-49210 (Erişim Tarihi: 07.07.2018).
  • [11] http://www.fitzmuseum.cam.ac.uk/research/lustreware (Erişim Tarihi: 07.07.2018).
  • [12] http://www.discoverislamicart.org/ (Erişim Tarihi: 07.07.2018).
  • [13] https://ah.atec.io/tag/luster-painting/ (Erişim Tarihi: 07.07.2018).
  • [14] https://depts.washington.edu/silkroad/museums/mik/miklaterislam.html (Erişim Tarihi: 07.07.2018).
  • [15] https://www.brooklynmuseum.org/opencollection/objects/125958 (Erişim Tarihi: 07.07.2018).
  • [16] http://www.masterart.com/ (Erişim Tarihi: 07.07.2018).
  • [17] http://jameelcentre.ashmolean.org/collection/4/837/861 (Erişim Tarihi: 07.07.2018) .
  • [18] https://artsandculture.google.com/asset/dish-design-of-flower-in-luster-paint-hispano-moresque/FQHTEOWHcKouLg (Erişim Tarihi: 07.07.2018) .
  • [19] https://artsandculture.google.com/asset/bowl-design-of-a-rabbit-in-luster-paint-hispano-moresque/2gHVK0dx71el0A (Erişim Tarihi: 07.07.2018).
  • [20] Italian Maiolica Catalogue of the collections The J.Paul Getty Museum (Erişim Tarihi: 07.07.2018).
  • [21] http://love2fly.iberia.com/2014/05/talavera-pottery-spain-mexico/ (Erişim Tarihi: 07.07.2018).
  • [22] http://www.clevelandart.org/art/ (Erişim Tarihi: 07.07.2018).
  • [23] http://www.anaviangallery.com/servlet/q.QDisplayItemDetail?in=5736 (Erişim Tarihi: 07.07.2018).
  • [24] http://www.artic.edu/aic/collections/artwork/25376?search_no=9&index=17 (Erişim Tarihi: 07.07.2018).
  • [25] “https://global.britannica.com/media/full/295642/36387 (Erişim Tarihi: 07.07.2018).
  • [26] Pérez–Arantegui J., Molera J., Larrea A., T. Pradell T and Vendrell–Saz M., “Luster pottery from the thirteenth century to the sixteenth century : A nanostructured thin metallic film”, J. Amrican Ceram. Soc., 2001, 84, 2, 442–446.
  • [27] Borgia I., Brunetti B., Mariani I., Sgamellotti A., Cariati F., Fermo P., Mellini, M., Viti C. and Padeletti G., “Heterogeneous distribution of metal nanocrystals in glazes of historical pottery”, Appl. Surf. Sci., 2002, 185, 3–4, 206–216.
  • [28] Padovani S., Sada C., Mazzoldi, P., Brunetti B., Giulivi A., D’Acapito F. and Battaglin G., “Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment”, J. Appl. Phys., 2003, 93, 12, 10058–10063.
  • [29] Fredrickx P., Hélary D., Schryvers D. and Darque–Ceretti E., “A TEM study of nanoparticles in lustre glazes”, Appl. Phys. A Mater. Sci. Process, 2004, 79, 2, 283–288.
  • [30] Pradell T., Molera J., Vendrell M., Pérez–Arantegui J., Pantos E., Roberts M. and DiMichiel M., “Role of cinnabar in luster production”, J. Am. Ceram. Soc., 2004, 87, 6, 1018–1023.
  • [31] Darque–Ceretti E., Helary D., Bouquillon A. and Aucouturier M., “Gold like lustre: Nanometric surface treatment for decoration of glazed ceramics in ancient Islam, Moresque Spain and Renaissance Italy”, Surf. Eng., 2005, 21, 5–6, 352–358.
  • [32] Pradell T. Molera J., Bayés C. and Roura P., “Luster decoration of ceramics: Mechanisms of metallic luster formation”, Appl. Phys. A Mater. Sci. Process, 2006, 83, 2, 203–208.
  • [33] del Rio, A. P., Castaing J. and Aucouturier M., “Metallic nano–particles in lustre glazed ceramics from the 15th century in Seville studied by PIXE and RBS”, Nucl. Instruments Methods Phys. Res. Sect. B Beam Interact. with Mater. Atoms, 2006, 249, 1–2 SPEC. ISS., 596–600.
  • [34] Roqué J., Molera J., Sciau P., Pantos E. and Vendrell–Saz M., “Copper and silver nanocrystals in lustre lead glazes: Development and optical properties”, J. Eur. Ceram. Soc., 2006, 26, 16, 3813–3824.
  • [35] Molera J., Bayés C., Roura P., Crespo D. and Pradell T., “Key parameters in the production of medieval luster colors and shines”, J. Am. Ceram. Soc., 2007, 90, 7, 2245–2254.
  • [36] Roqué J., Molera J., Pérez–Arantegui J., Calabuig C., Portillo J. and Vendrell–Saz M., “Lustre colour and shine from the Olleries Xiques workshop in Paterna (Spain), 13th century ad: Nanostructure, chemical composition and annealing conditions”, Archaeometry, 2007, 49, 3, 511–528.
  • [37] Pradell T., Climent–Font A., Molera J., Zucchiatti A., Ynsa M. D., Roura P. and Crespo D., “Metallic and nonmetallic shine in luster: An elastic ion backscattering study”, J. Appl. Phys., 2007, 101, 10.
  • [38] Pradell T., Molera J., Smith A. D. and Tite M. S., “Early Islamic lustre from Egypt, Syria and Iran (10th to 13th century AD)”, J. Archaeol. Sci., 2008, 35, 9, 2649–2662.
  • [39] Pradell T., Molera J., Smith A: D., Climent–Font A. and Tite M. S., “Technology of Islamic lustre”, J. Cult. Herit., 2008, 9, SUPPL., e123–e128.
  • [40] Siligardi C., Montecchi M., Montorsi M. and Pasquali L., “Ceria–containing frit for luster in modern ceramic glaze”, J. Am. Ceram. Soc., 2010, 93, 9, 2545–2550.
  • [41] Gutierrez P. C., Pradell T., Molera J., Smith A. D., Climent–Font A. and Tite M. S., “Color and golden shine of silver Islamic luster”, J. Am. Ceram. Soc., 2010, 93, 8, 2320–2328.
  • [42] Mestre S., Chiva C., Palacios M. D. and Amorós J. L., “Development of a yellow ceramic pigment based on silver nanoparticles”, J. Eur. Ceram. Soc., 2012, 32, 11, 2825–2830.
  • [43] Gualtieri, A. F., Canovi L., Viani A., Bertocchi P., Corradini C., Gualtieri M. L., Gazzadi G. C., Zapparoli M. and Berthier S., “Mechanism of lustre formation in scheelite–based glazes”, J. Eur. Ceram. Soc., 2013, 33, 11, 2055–2064.
  • [44] Molina G., Tite M. S., Molera J., Climent–Font A. and Pradell T., “Technology of production of polychrome lustre”, J. Eur. Ceram. Soc., 2014, 34, 10, 2563–2574.
  • [45] Razavi F., Rashidi M. and Mahdi H., “Production of luster glaze on opal tableware using zarinfam technique and characterization of its structure and color”, Appl. Phys. A, 2016, 122, 5, 1–8.
  • [46] Sarıgüzel M., Öztürk Y. and Günay E., “Studying the effect of different glaze compositions on the formation and properties of silver and copper nanoparticles in lustre decoration”, 2017, 21–28.
  • [47] Ownby M. F., Giomi E. and Williams G., “Glazed ware from here and there: Petrographic analysis of the technological transfer of glazing knowledge”, J. Archaeol. Sci. Reports, 2017, 16, 616–626.
  • [48] Pekkan K., Başkırkan H. and Çakı M,, “Development of gold–bronze metallic glazes in a clay–based system for stoneware bodies”, Ceram. Int., 2018, 44, 5, 4789–4794.
  • [49] Aftabi A. and Atapour H. “A new record of silica–rich coating on carbonate substrates in southeast–central Iran: Constraints on geochemical signatures”, 2018.
  • [50] Salvadó N., Butí S., Clemente C., Beltran V., Cinque G., Juanhuix J. and Pradell T., “Microanalytical study of luster glazed gilding and silvering from Baroque altarpieces”, Pure Appl Chem., 2017, 90, 3, 477–492.
There are 50 citations in total.

Details

Primary Language Turkish
Subjects Engineering
Journal Section Makaleler
Authors

Aslı Asiye Ağıl This is me

Bekir Karasu This is me

Publication Date January 31, 2019
Submission Date August 16, 2018
Acceptance Date November 8, 2018
Published in Issue Year 2019

Cite

IEEE A. A. Ağıl and B. Karasu, “Lüster Sırlarının Karakterizasyonuna Genel Bir Bakış”, ECJSE, vol. 6, no. 1, pp. 51–79, 2019, doi: 10.31202/ecjse.454149.